In this companion volume to John van Maanen's "Tales of the Field", three scholars reveal how the ethnographer turns direct experience and observation into written fieldnotes upon which an ethnography is based. Drawing on years of teaching and field research experience, the authors develop a series of guidelines, suggestions and practical advice about how to write useful fieldnotes in a variety of settings, both cultural and institutional. Using actual, unfinished "working" notes as examples, they illustrate options for composing, reviewing and working fieldnotes into finished texts. They discuss different organizational and descriptive strategies, including evocation of sensory detail, synthesis of complete scenes, the value of partial versus omniscient perspectives and of first-person versus third-person accounts. Of particular interest is the authors' discussion of notetaking as a mindset. They show how transforming direct observations into vivid descriptions results not simply from good memory but more crucially from learning to envision scenes as written. A good ethnographer, they argue, must learn to remember dialogue and movement like an actor, to see colours and shapes like a painter, and to sense moods and rhythms like a poet. The authors also emphasize the ethnographer's core interest in presenting the perceptions and meanings which the people studied attach to their own actions. They demonstrate the subtle ways that writers can make the voices of people heard in the texts they produce. Finally, they analyze the "processing" of fieldnotes - the practice of coding notes to identify themes and methods for selecting and weaving together fieldnote excerpts to write a polished ethnography. This book, however, is more than a "how-to" manual. The authors examine writing fieldnotes as an interactive and interpretive process in which the researcher's own commitments and relationships with those in the field inevitably shape the character and content of those fieldnotes. They explore the conscious and unconscious writing choices that produce fieldnote accounts. And they show how the character and content of these fieldnotes inevitably influence the arguments and analyses the ethnographer can make in the final ethnographic tale. This book shows that note-taking is a craft that can be taught. Along with "Tales of the Field" and George Marcus and Michael Fisher's "Anthropology as Cultural Criticism", "Writing Ethnographic Fieldnotes" should provide an essential tool for students and social scientists alike.
【1】田野调查入门参考 【2】客观性,真实性,微观真实与宏观真实…诸多理念让人想到的是新闻专业主义与采写规范。但其实践技术与方法在这本书里得到呈现。 本来应该是新闻系基础的知识,却在新闻系师生默契地指认新闻学科的学院教育与新闻实务绝缘之后,把培养基础知识的责任...
評分 評分这本书我花了一个多月读完的,利用每天上下班坐地铁的时间。边读边用铅笔在书上做标注,读完后把这些标注手打输入电脑,将近一万七千字。 我第一次知道人类学里的田野调查,是在《耻辱者手记》里的惊鸿一瞥。然后去百度文库搜了一堆田野调查笔记来读,觉得不过瘾,就...
評分这本书我花了一个多月读完的,利用每天上下班坐地铁的时间。边读边用铅笔在书上做标注,读完后把这些标注手打输入电脑,将近一万七千字。 我第一次知道人类学里的田野调查,是在《耻辱者手记》里的惊鸿一瞥。然后去百度文库搜了一堆田野调查笔记来读,觉得不过瘾,就...
評分讲道理为什么选择读这本书,我已经忘了契机了,好像是翻了一下,觉得有意思,在那之前,我对田野笔记没有任何了解,一度以为是跟植物或者说养蜜蜂之类有关的事情。但是读下去后,我感觉自己现在所写的读书笔记,其实就是一种形式的“类田野笔记”。可能是一些契合点让我对这本...
非常細緻的民族誌操作方法討論。
评分寫fieldnotes還是有不少門道的。發現Emerson是校友,竟然還是做deviance的,可惜退休瞭
评分行文流暢,非常好
评分看瞭一章
评分看瞭一章
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