Manifest in Words, Written on Paper

Manifest in Words, Written on Paper pdf epub mobi txt 電子書 下載2025

出版者:Harvard University Asia Center
作者:Christopher M. B. Nugent
出品人:
頁數:360
译者:
出版時間:2011-1-1
價格:USD 45.00
裝幀:Hardcover
isbn號碼:9780674056039
叢書系列:Harvard-Yenching Institute Monograph Series
圖書標籤:
  • 海外中國研究
  • 海外漢學
  • 唐詩
  • 書籍史
  • 唐詩
  • 艾朗諾
  • 文獻學
  • manifestation
  • words
  • paper
  • self growth
  • mental clarity
  • journaling
  • reflection
  • inspiration
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具體描述

This study aims to engage the textual realities of medieval literature by shedding light on the material lives of poems during the Tang, from their initial oral or written instantiation through their often lengthy and twisted paths of circulation. Tang poems exist today in stable written forms assumed to reflect their creators' original intent. Yet Tang poetic culture was based on hand-copied manuscripts and oral performance. We have almost no access to this poetry as it was experienced by contemporaries. This is no trivial matter, the author argues. If we do not understand how Tang people composed, experienced, and transmitted this poetry, we miss something fundamental about the roles of memory and copying in the circulation of poetry as well as readers' dynamic participation in the creation of texts. We learn something different about poems when we examine them, not as literary works transcending any particular physical form, but as objects with distinct physical attributes, visual and sonic. The attitudes of the Tang audience toward the stability of texts matter as well. Understanding Tang poetry requires acknowledging that Tang literary culture accepted the conscious revision of these works by authors, readers, and transmitters.

著者簡介

圖書目錄

讀後感

評分

原来只给了三星,现在改成四星。 我是在一堂历史课上读到这本书。读完之后,发现这不是一本历史学著作,作为唐诗研究,在史料上也显单薄,虽然作者在运用西方有关记忆、口头文学、文本批评的理论很有分寸感。 不过确实,作者也说了,他不研究唐诗内容本身,他讲的事唐诗的物质...  

評分

The first chapter of Nugent’s book convincingly reverses a conviction that has guided modern scholarship of Tang poetry in China since it started out in the early 20th century. This conviction holds that a version of a Tang poem that dated from an earlier ...

評分

原来只给了三星,现在改成四星。 我是在一堂历史课上读到这本书。读完之后,发现这不是一本历史学著作,作为唐诗研究,在史料上也显单薄,虽然作者在运用西方有关记忆、口头文学、文本批评的理论很有分寸感。 不过确实,作者也说了,他不研究唐诗内容本身,他讲的事唐诗的物质...  

評分

The first chapter of Nugent’s book convincingly reverses a conviction that has guided modern scholarship of Tang poetry in China since it started out in the early 20th century. This conviction holds that a version of a Tang poem that dated from an earlier ...

評分

一、通過敦煌本《秦婦吟》各個鈔本的檢視對比,開始探討這些文本為什麼以及怎樣被創造出來。 .強調了文本的不穩定性(作者的缺失、鈔本的隨意改動等) .遷移到佛道文本──as Dunhuang texts from Buddhist and Daoist traditions have shown ,religious texts from the med...  

用戶評價

评分

很有趣的一本書 而且除瞭部分如“歌永言”之類的理解翻譯錯誤外 整體上來說可以說無可挑剔...

评分

是個很值得做的也很重要的題目,但是可能是材料所限,寫齣來沒那麼“實”,反而是Sarah Allen對於唐小說書麵和口頭流傳的討論來得更踏實些。做瞭很多與歐洲傳統的比較(記憶,口頭傳統,手抄文化,etc),導讀是對近幾十年西方textual criticism很好的綜述。也談瞭不少唐代與後世的差彆,但沒怎麼涉及與前代的不同。中唐還是太奇妙瞭,各種意義上的分水嶺。

评分

將唐詩與歐洲中世紀文學比較,很厲害。

评分

讀完,get到一個很牛逼的詞匯,叫Textual fluidity文本流動性????

评分

讀完,get到一個很牛逼的詞匯,叫Textual fluidity文本流動性????

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