Manifest in Words, Written on Paper pdf epub mobi txt 电子书 下载 2025
- 海外中国研究
- 海外汉学
- 唐诗
- 书籍史
- 唐詩
- 唐
- 艾朗诺
- 文献学
- manifestation
- words
- paper
- self growth
- mental clarity
- journaling
- reflection
- inspiration
具体描述
This study aims to engage the textual realities of medieval literature by shedding light on the material lives of poems during the Tang, from their initial oral or written instantiation through their often lengthy and twisted paths of circulation. Tang poems exist today in stable written forms assumed to reflect their creators' original intent. Yet Tang poetic culture was based on hand-copied manuscripts and oral performance. We have almost no access to this poetry as it was experienced by contemporaries. This is no trivial matter, the author argues. If we do not understand how Tang people composed, experienced, and transmitted this poetry, we miss something fundamental about the roles of memory and copying in the circulation of poetry as well as readers' dynamic participation in the creation of texts. We learn something different about poems when we examine them, not as literary works transcending any particular physical form, but as objects with distinct physical attributes, visual and sonic. The attitudes of the Tang audience toward the stability of texts matter as well. Understanding Tang poetry requires acknowledging that Tang literary culture accepted the conscious revision of these works by authors, readers, and transmitters.
作者简介
目录信息
读后感
The first chapter of Nugent’s book convincingly reverses a conviction that has guided modern scholarship of Tang poetry in China since it started out in the early 20th century. This conviction holds that a version of a Tang poem that dated from an earlier ...
评分The first chapter of Nugent’s book convincingly reverses a conviction that has guided modern scholarship of Tang poetry in China since it started out in the early 20th century. This conviction holds that a version of a Tang poem that dated from an earlier ...
评分一、通過敦煌本《秦婦吟》各個鈔本的檢視對比，開始探討這些文本為什麼以及怎樣被創造出來。 ．強調了文本的不穩定性（作者的缺失、鈔本的隨意改動等） ．遷移到佛道文本──as Dunhuang texts from Buddhist and Daoist traditions have shown ,religious texts from the med...
评分The first chapter of Nugent’s book convincingly reverses a conviction that has guided modern scholarship of Tang poetry in China since it started out in the early 20th century. This conviction holds that a version of a Tang poem that dated from an earlier ...
评分The first chapter of Nugent’s book convincingly reverses a conviction that has guided modern scholarship of Tang poetry in China since it started out in the early 20th century. This conviction holds that a version of a Tang poem that dated from an earlier ...
用户评价
非常有趣！如果某个平行世界里我叛逃去古代文学的话，大概就是在做手稿研究吧
评分很有趣的一本书 而且除了部分如“歌永言”之类的理解翻译错误外 整体上来说可以说无可挑剔...
评分是个很值得做的也很重要的题目，但是可能是材料所限，写出来没那么“实”，反而是Sarah Allen对于唐小说书面和口头流传的讨论来得更踏实些。做了很多与欧洲传统的比较（记忆，口头传统，手抄文化，etc），导读是对近几十年西方textual criticism很好的综述。也谈了不少唐代与后世的差别，但没怎么涉及与前代的不同。中唐还是太奇妙了，各种意义上的分水岭。
评分我个人的感觉是这本写得特别清楚，几个点虽然小（比如拿韦庄《秦妇吟》的几个手稿来比较）但是写得很透，讲记忆方法的有些地方和Susan Cherniack讲宋代书籍流通和印刷术对于人学习方式的改变有联系和推进。方法上和中世纪的codicology比较并没有生硬，推敲敦煌写经小僧的过程也很精彩。我喜欢那个門字写一半放下笔去吃饭的阴奴儿小朋友，太可爱了。
评分我个人的感觉是这本写得特别清楚，几个点虽然小（比如拿韦庄《秦妇吟》的几个手稿来比较）但是写得很透，讲记忆方法的有些地方和Susan Cherniack讲宋代书籍流通和印刷术对于人学习方式的改变有联系和推进。方法上和中世纪的codicology比较并没有生硬，推敲敦煌写经小僧的过程也很精彩。我喜欢那个門字写一半放下笔去吃饭的阴奴儿小朋友，太可爱了。
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