Manifest in Words, Written on Paper

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出版者:Harvard University Asia Center
作者:Christopher M. B. Nugent
出品人:
页数:360
译者:
出版时间:2011-1-1
价格:USD 45.00
装帧:Hardcover
isbn号码:9780674056039
丛书系列:Harvard-Yenching Institute Monograph Series
图书标签:
  • 海外中国研究 
  • 海外汉学 
  • 唐诗 
  • 书籍史 
  • 唐詩 
  • 唐 
  • 艾朗诺 
  • 文献学 
  •  
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This study aims to engage the textual realities of medieval literature by shedding light on the material lives of poems during the Tang, from their initial oral or written instantiation through their often lengthy and twisted paths of circulation. Tang poems exist today in stable written forms assumed to reflect their creators' original intent. Yet Tang poetic culture was based on hand-copied manuscripts and oral performance. We have almost no access to this poetry as it was experienced by contemporaries. This is no trivial matter, the author argues. If we do not understand how Tang people composed, experienced, and transmitted this poetry, we miss something fundamental about the roles of memory and copying in the circulation of poetry as well as readers' dynamic participation in the creation of texts. We learn something different about poems when we examine them, not as literary works transcending any particular physical form, but as objects with distinct physical attributes, visual and sonic. The attitudes of the Tang audience toward the stability of texts matter as well. Understanding Tang poetry requires acknowledging that Tang literary culture accepted the conscious revision of these works by authors, readers, and transmitters.

具体描述

读后感

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一、通過敦煌本《秦婦吟》各個鈔本的檢視對比,開始探討這些文本為什麼以及怎樣被創造出來。 .強調了文本的不穩定性(作者的缺失、鈔本的隨意改動等) .遷移到佛道文本──as Dunhuang texts from Buddhist and Daoist traditions have shown ,religious texts from the med...  

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The first chapter of Nugent’s book convincingly reverses a conviction that has guided modern scholarship of Tang poetry in China since it started out in the early 20th century. This conviction holds that a version of a Tang poem that dated from an earlier ...

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一、通過敦煌本《秦婦吟》各個鈔本的檢視對比,開始探討這些文本為什麼以及怎樣被創造出來。 .強調了文本的不穩定性(作者的缺失、鈔本的隨意改動等) .遷移到佛道文本──as Dunhuang texts from Buddhist and Daoist traditions have shown ,religious texts from the med...  

评分

一、通過敦煌本《秦婦吟》各個鈔本的檢視對比,開始探討這些文本為什麼以及怎樣被創造出來。 .強調了文本的不穩定性(作者的缺失、鈔本的隨意改動等) .遷移到佛道文本──as Dunhuang texts from Buddhist and Daoist traditions have shown ,religious texts from the med...  

评分

一、通過敦煌本《秦婦吟》各個鈔本的檢視對比,開始探討這些文本為什麼以及怎樣被創造出來。 .強調了文本的不穩定性(作者的缺失、鈔本的隨意改動等) .遷移到佛道文本──as Dunhuang texts from Buddhist and Daoist traditions have shown ,religious texts from the med...  

用户评价

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Textual fluidity,

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将唐诗与欧洲中世纪文学比较,很厉害。

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非常有趣!如果某个平行世界里我叛逃去古代文学的话,大概就是在做手稿研究吧

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主要论点:记忆术、抄写场景、文本流变的形式。目录结构的目的:唐人是怎么创作一首诗的,怎么记忆和传播诗,使用诗,改变诗的。作为读者的“创作者”身份。 第一章秦妇吟最好,序言次之,其他看看即可。

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看到intro第三页写唐代纸张比parchment廉价脆弱,所以唐代诗稿没存下来,就知道又是一本会看的生气的书。so over of these empirical supremacy and academic salvation addiction.

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