The author writes: The two long pieces in this book originally came out in The New Yorker ? RAISE HIGH THE ROOF BEAM, CARPENTERS in 1955, SEYMOUR ? An Introduction in 1959. Whatever their differences in mood or effect, they are both very much concerned with Seymour Glass, who is the main character in my still-uncompleted series about the Glass family. It struck me that they had better be collected together, if not deliberately paired off, in something of a hurry, if I mean them to avoid unduly or undesirably close contact with new material in the series. There is only my word for it, granted, but I have several new Glass stories coming along ? waxing, dilating ? each in its own way, but I suspect the less said about them, in mixed company, the better. Oddly, the joys and satisfactions of working on the Glass family peculiarly increase and deepen for me with the years. I can't say why, though. Not, at least, outside the casino proper of my fiction.
我能感到它深深的感情:除此之外我对这个故事可以说一无所知 看到最后连续几页地讲述兄长的段落我好烦,然而我感到他们的感情 所以, 开篇的絮叨是无法缺少的 最后的烦人段落也是无法缺少的 不然 我都不能够知道他们深深的感情。
评分(以下内容大部分翻译自维基百科及其他网上资料,本人一直坚信这样的信条,那就是:事实,值得陈述的有且仅有事实,而酸不拉叽以及小布尔乔亚情绪永远都是值得时时警醒并加以克制的。本人在这条“克制之路”上任重而道远。 ) 1,塞林格的三次小宇宙爆发与格拉斯家族的隆重登...
评分 评分本书与之前看的《九故事》和《弗兰尼与祖伊》都是说有关作者的家族的,如果有谁喜欢作品背后的塞林格的故事,那么这三部作品均可以大大满足他们的好奇心。且不说,这些家庭记录般的文字的文学性如何(其实就我本人而言,并不是那么赏识,或者是不会赏识),这些有关作者的成长...
评分三、四年前我读过《九故事》。那种眼前一亮的感觉至今仍印象深刻。塞林格从来不迎合或叛逃他的读者。他只是自顾自讲着故事。讲完一个,再讲一个。 “一个有钱人家的小男孩在哈德逊河里捉到一条拉裴德鱼,在他收钓丝把鱼拉起来的时候,自己的小嘴唇感到一阵剧痛。过后也就把这...
J.D.Salinger
评分西蒙为什么在香蕉鱼那篇里自杀得到了很好的解释
评分"If there is an amateur reader still left in the world--or anybody who just reads and runs-- I ask him or her, with untellable affection and gratitude, to split the dedication of this book four ways with my wife and children"
评分丁骏老师的翻译超神~
评分????4/13/20
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