Too Much Happiness

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艾丽丝•门罗(Alice Munro,1931— )

加拿大女作家,当代短篇小说大师,2013年诺贝尔文学奖得主。少女时代即开始写作,37岁时出版第一部作品。她一生专注于中短篇小说创作,讲述小地方普通人特别是女性隐含悲剧的平常生活,以细腻透彻又波澜不惊的话语,洞见人性的幽微处。

出版者:Knopf
作者:Alice Munro
出品人:
页数:320
译者:
出版时间:2009-11-17
价格:USD 25.95
装帧:Hardcover
isbn号码:9780307269768
丛书系列:
图书标签:
  • Alice_Munro 
  • 小说 
  • 英文原版 
  • 英语原版 
  • 外国文学 
  • AliceMunro 
  • Novel 
  • Canada 
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Ten superb new stories by one of our most beloved and admired writers—the winner of the 2009 Man Booker International Prize.

In the first story a young wife and mother receives release from the unbearable pain of losing her three children from a most surprising source. In another, a young woman, in the aftermath of an unusual and humiliating seduction, reacts in a clever if less-than-admirable fashion. Other stories uncover the “deep-holes” in a marriage, the unsuspected cruelty of children, and how a boy’s disfigured face provides both the good things in his life and the bad. And in the long title story, we accompany Sophia Kovalevsky—a late-nineteenth-century Russian émigré and mathematician—on a winter journey that takes her from the Riviera, where she visits her lover, to Paris, Germany, and, Denmark, where she has a fateful meeting with a local doctor, and finally to Sweden, where she teaches at the only university in Europe willing to employ a female mathematician.

With clarity and ease, Alice Munro once again renders complex, difficult events and emotions into stories that shed light on the unpredictable ways in which men and women accommodate and often transcend what happens in their lives.

Too Much Happiness is a compelling, provocative—even daring—collection.

具体描述

读后感

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在文学圈子里有这样一个常识,假如你写不出一部有分量的长篇小说,那你甚至不算是个作家,顶多算个游荡于文学殿堂门廊外的可怜虫。记得《2666》里波拉尼奥这么评价《变形记》,《圣诞颂歌》:这些不过是大师们完美的习作,而少有人去见识他们真正披挂上阵,和那些能吓倒我们...  

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这本小说集题为 “Too Much Happiness”, 但其实它是讲痛苦的,讲那些人们没太有办法讲出口的痛苦。这是我读过的门罗的小说集中最暴力、最惊心动魄的一本,但是故事中的暴力,包括谋杀、性骚扰、出轨、意外等等,并不构成故事的高潮,它们的核心还是在关照人们那些无法言说的委...  

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在文学圈子里有这样一个常识,假如你写不出一部有分量的长篇小说,那你甚至不算是个作家,顶多算个游荡于文学殿堂门廊外的可怜虫。记得《2666》里波拉尼奥这么评价《变形记》,《圣诞颂歌》:这些不过是大师们完美的习作,而少有人去见识他们真正披挂上阵,和那些能吓倒我们...  

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听说门罗是在施瓦尔贝的《生命最后的读书会》里。作者母亲的临终章就是门罗的这本《幸福过了头》,似乎是对母亲一生辉煌事迹的一种隐喻,也是对她在家人陪伴下安详离世的最佳概括。《幸福过了头》就这样进入了我的书单。 如果说那些史诗般的鸿篇巨著和人物众多、关系错综复杂...  

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"too much happiness“ -- 有那么一两篇,让我一度怀疑自己在看亦舒。 一个拉大提琴的女老师,被嬉皮士老公劈腿、出轨。她知道后说那咱们三个人想想以后怎么对付吧。男的是个混不吝,说,不是三个人,没有咱们 -- 干脆利落地把她扫地出了门。女老师咽不下这口气,天天打扮得花...  

用户评价

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看似平淡但是波涛汹涌,情感太丰富笔触太细腻

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巴恩斯说门罗"can move characters through time in a way that no other writer can", 太对了,还说他也试了不过——没门儿,这人家独门绝技。门罗在这书里写了个很绝的句子,"it was real life that was the escape", 或许是这样吧:真实世界里避而不谈、让我们活出来又咽下去的东西,就用写小说的笔全掘出来。在语言上最喜欢too much happiness, 不知道是太累了,又或是俄罗斯的雪、巴黎苦苦守候的老教授、通往斯德哥尔摩的列车打动了我……读到最后脑子里冒出一个念头来:感觉自己静静漂浮在海面上,心里的声音说,就到这里,不要再潜下去了。这篇真是很美。

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If I loved you I would have written differently.

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我开始想人们在日常生活中做出的某个不经意的决定,其背后有什么东西隐藏着呢?神秘,又让人无法否认。

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每读完一篇要喘口气 ,最后一篇特意留在几个月后读。结果,没读明白。门罗用简洁日常的口吻讲述故事,轻轻带过残暴,使我如同睡梦中遭遇强震,对生活恐惧,失望,却总达不到绝望,它的文字里自始至终有种永恒性的宁静存在,似乎在消解着残暴。到头来是生活溶解了残暴,还是残暴毁掉了生活?

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