From one of the Observer's Rising Stars of 2017, a high-risk, highbrow and intimate novel – and one of the most anticipated works of fiction this year. Features Frances, Bobbi, Nick and Melissa, four characters who ask each other endless questions. As their relationships unfold, in person and online, they discuss sex and friendship, art and literature, politics and gender, and, of course, one another.
From one of the Observer's Rising Stars of 2017, a high-risk, highbrow and intimate novel – and one of the most anticipated works of fiction this year.
Conversations with Friends is about Frances, Bobbi, Nick and Melissa, four characters who ask each other endless questions. As their relationships unfold, in person and online, they discuss sex and friendship, art and literature, politics and gender, and, of course, one another. Twenty-one-year-old Frances is at the heart of it all, bringing us this tale of a complex menage-a-quatre and her affair with Nick, an older married man.
You can read Conversations with Friends as a romantic comedy, or you can read it as a feminist text. You can read it as a book about infidelity, about the pleasures and difficulties of intimacy, or about how our minds think about our bodies. However you choose to read it, it is an unforgettable novel about the possibility of love.
'Fascinating, ferocious and shrewd. Sally Rooney has the sharpest eye for all of the most delicate cruelties of human interaction.' (Lisa McInerney, author of The Glorious Heresies)
'Sally Rooney is a writer going all the way to the top. Conversations with Friends features the twenty-first century Irish descendents of Salinger's guileless wiseasses brought to life in prose as taut and coolly poised as early Bret Easton Ellis.' (Colin Barrett, author of Young Skins)
'Written with such precision and perceptiveness, full of arid humour and reckless despair, a novel of spine-tingling salience.' (Sara Baume, author of Spill Simmer Falter Wither)
'Forensically smart and pin-sharp witty, this is a book to cherish and a writer to fall in love with.' (Thomas Morris, author of We Don't Know What We're Doing)
Sally Rooney was born in 1991 and lives in Dublin, where she graduated from Trinity College. Her work has appeared in Granta, The Dublin Review, The White Review, The Stinging Fly, and the Winter Pages anthology.
通常来说,在西方语境里的千禧一代“Millennials”(1981-1996)不算特别正面的形象。他们重度依赖社交媒体和现代化通信手段,离开智能手机和笔记本电脑基本无法生活。写过《美国精神病人》的布雷特·伊斯顿·艾利斯(Bret Easton Ellis)是位六零后同志,和一个小他二十多岁的...
评分 评分这是一本容易让人误解的书。本书的前半部分,我一边鄙视自己,一边迫不及待一页一页往下翻。Frances是一个自尊但又自卑的少女,有才华,但出身于中下层家庭。偶然被带入了一个上流社会的家庭,得以一窥他们的生活,但时不时又会感到自己不属于这个环境。她偷窥,尝试融入,以偷...
评分 评分是因为Normal People, Rooney的第二本书与这位作者结缘的。从情感上来讲,我更喜欢Normal People, 就故事而言感觉它更完整,也更牵动我的情绪。可Rooney的这本debut 倒是让我合上书的时候想的更多。 Rooney目前的两本书都有同一特点, 就是如果用一句话概括它的主线,读者很容...
这处女作,实在是太当下太摩登了。太好看,如果不是被各种打断,完全可以不停歇看完。二十一岁女孩和三十三大叔偷情的故事,心理描写行云流水过瘾到不行,纠结犹豫厌恶后悔享受复杂,整本书几乎就是弗朗西斯的心理描写不停地重复加强。再加上其他人物们轮番交锋,真的很时代性。人物已经不存在讨不讨喜了,你喜不喜欢,都无所谓,这就是当代男男女女。Sally Rooney红的有道理,佩服。
评分看这本书里怎么处理少女和“大叔”的偷情故事。事件的转折点在于女主知道自己得了子宫内膜异位症,一种有可能导致不孕不育的“不治之症”,开始对男主产生厌恶心理……啊,这个子宫内膜异位,其实是很普通的病呀……有些桥段有所触动,flirt的部分可以当小黄书看。 因为写作者很年轻,加了半星到一星。
评分so many cringey moments... I don't quite understand how this kind of story can be turned into a "bestseller" (good job PR agency!) full of repeated twists between Frances and Nick which I can't stand. Also hated how the author was trying to make Frances a pitiable character by making her hurt herself... just, no.
评分We all have to go through certain things before we understand them.
评分这种经验写作的优点缺点都很明显,可以代入自然是极好,但对于那些不具备主角人格情感经历的读者来说,通篇像是一份无法理解无法共情的人啰嗦心理描写无限延长,too personal而不具有普适性,而且我也真的不在乎low-esteem二十一岁女孩反复沉迷nick有多帅。小圈子里自我陶醉还行,在文学里格局过低
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