Twenty-two-year-old Skeeter has just returned home after graduating from Ole Miss. She may have a degree, but it is 1962, Mississippi, and her mother will not be happy till Skeeter has a ring on her finger. Skeeter would normally find solace with her beloved maid Constantine, the woman who raised her, but Constantine has disappeared and no one will tell Skeeter where she has gone.
Aibileen is a black maid, a wise, regal woman raising her seventeenth white child. Something has shifted inside her after the loss of her own son, who died while his bosses looked the other way. She is devoted to the little girl she looks after, though she knows both their hearts may be broken.
Minny, Aibileen’s best friend, is short, fat, and perhaps the sassiest woman in Mississippi. She can cook like nobody’s business, but she can’t mind her tongue, so she’s lost yet another job. Minny finally finds a position working for someone too new to town to know her reputation. But her new boss has secrets of her own.
Seemingly as different from one another as can be, these women will nonetheless come together for a clandestine project that will put them all at risk. And why? Because they are suffocating within the lines that define their town and their times. And sometimes lines are made to be crossed.
In pitch-perfect voices, Kathryn Stockett creates three extraordinary women whose determination to start a movement of their own forever changes a town, and the way women—mothers, daughters, caregivers, friends—view one another. A deeply moving novel filled with poignancy, humor, and hope, The Help is a timeless and universal story about the lines we abide by, and the ones we don’t.
Kathryn Stockett was born and raised in Jackson, Mississippi. After graduating from the University of Alabama with a degree in English and Creative Writing, she moved to New York City where she worked in magazine publishing and marketing for nine years. She currently lives in Atlanta with her husband and daughter. This is her first novel.
我们中的很大一部分人曾想过自己写一部小说,在一次又一次失败过后,就开始一部接一部地读别人的小说,读越来越厚的小说,仿佛心甘情愿被陌生的故事榨干自己的时间。 我们的愿望只剩下可怜巴巴的一个,希望手里的这个故事被讲的简单动听。 有些人写到八十岁第九十本书时才明白...
评分“文化从来不是流水线能够打造出来的,文化要靠时间和心灵悉心酿造,是一代代人共同的精神成果,是自然积淀而成。”冯骥才先生的说法在一本美国人的小说中得到了印证,这就是美国作家凯瑟琳 斯多科特的《相助》,书中用一条爱的主线对那个种族歧视年代的人性做了鞭辟入里的分析...
评分如何表达这种阅读的幸运,在地铁里,等车的时候,我没有在这样的时段如此看一本书。因为通常阅读会有一个进入状态的过程,或长或短,有时候到了最后一页,那种触动人心的瞬间才会出现,惟有这本书,让我在任何时候翻开它就立马能找到感觉。我想这也是让我有在这个时候就...
评分文学史从浪漫主义到现实主义再到现代主义,里面有许多支流纵横交叉地缠绕着,大多与之有关的概念、争论都难以定论,但有一个可以说达成共识:对于大众,文学越来越远,小说越来越难懂。在小说追求技艺突破、在文本上翻腾的同时,它的工具功效在减弱:艺术拒绝社会意义...
评分花了一个下午和一个晚上把这本书一气呵成的看完了。入夜后闭上双眼,仿佛仍沉浸其中。 这是一个怎样的故事?简单来说,就是一个白人小姐和两个黑人女佣不顾艰难险阻,勇敢写就《女佣》一书的故事。 艾碧莲、明尼、小雯、西丽、希莉亚、伊丽莎白……这些女人们扮演着不同的角...
''Once upon a day there's an alien called Martian Luther King, people were mean to him because his skin colour's green. ''
评分被折磨,被感动,被震撼——虽其实是小小的故事。
评分Sista, there's still courage n' love .
评分AJ推荐给我的,从2016读到了2017。读完的时候,无比欢愉。
评分很快四天看完,还是很不错的故事,也的确是有一些畅销的元素。而且喜欢她写的不做作。只是觉得写的功力不够,不过是处女作,也不简单了。
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