From Publishers Weekly
Starred Review. Thirteen linked tales from Strout (Abide with Me, etc.) present a heart-wrenching, penetrating portrait of ordinary coastal Mainers living lives of quiet grief intermingled with flashes of human connection. The opening Pharmacy focuses on terse, dry junior high-school teacher Olive Kitteridge and her gregarious pharmacist husband, Henry, both of whom have survived the loss of a psychologically damaged parent, and both of whom suffer painful attractions to co-workers. Their son, Christopher, takes center stage in A Little Burst, which describes his wedding in humorous, somewhat disturbing detail, and in Security, where Olive, in her 70s, visits Christopher and his family in New York. Strout's fiction showcases her ability to reveal through familiar details—the mother-of-the-groom's wedding dress, a grandmother's disapproving observations of how her grandchildren are raised—the seeds of tragedy. Themes of suicide, depression, bad communication, aging and love, run through these stories, none more vivid or touching than Incoming Tide, where Olive chats with former student Kevin Coulson as they watch waitress Patty Howe by the seashore, all three struggling with their own misgivings about life. Like this story, the collection is easy to read and impossible to forget. Its literary craft and emotional power will surprise readers unfamiliar with Strout. (Apr.)
Elizabeth Strout is the author of several novels, including: Abide with Me, a national bestseller and BookSense pick, and Amy and Isabelle, which won the Los Angeles Times Art Seidenbaum Award for First Fiction and the Chicago Tribune Heartland Prize, and was a finalist for the PEN/Faulkner Award and the Orange Prize in England. In 2009 she was awarded the Pulitzer Prize for her book Olive Kitteridge. Her short stories have been published in a number of magazines, including The New Yorker. She teaches at the Master of Fine Arts program at Queens University of Charlotte.
奥丽芙•基特里奇 周鸣之 长久以来,我想象中的奥丽芙总是一副豆芽菜小姐的形象,脑袋圆润,单纯乐观,从无危机意识。因为她知道无论何时,只要她大喊一声“波比”,她那小臂比胳膊还要粗壮的水手老公便会从天而降,仰起脖子咽下一罐菠菜,解救她于一切危难。 大力水手与...
评分与《奥丽芙》气息相近的是艾丽丝•门罗的作品,比如《逃离》,都是写微妙的心理与日常的那些不可捉摸。但两相比较,《逃离》会把细如发丝的情感写到碎,或者离家出走或者消失得无影无踪,总会有一个相对极致的高潮,然后是鸦雀无声或者无尽怅然。《逃离》的叙事也更注重技巧...
评分伊丽莎白·斯特劳特是个陌生的作家。不只对我来说是这样,大多数中国读者或许都有同感。借助网络,不难发现她的第一本书在二〇〇年获得橘子奖和美国笔会福克纳奖提名,而她的第三本书《奥丽芙·基特里奇》夺得了二〇〇九年的普利策小说奖。我认为比奖项更能说明斯特劳特这...
评分奥丽芙•基特里奇 周鸣之 长久以来,我想象中的奥丽芙总是一副豆芽菜小姐的形象,脑袋圆润,单纯乐观,从无危机意识。因为她知道无论何时,只要她大喊一声“波比”,她那小臂比胳膊还要粗壮的水手老公便会从天而降,仰起脖子咽下一罐菠菜,解救她于一切危难。 大力水手与...
评分“那一天我二十一岁,在我一生的黄金时代。我有好多奢望。我想爱,想吃,还想在一瞬间变成天上半明半暗的云”。 ——《奥丽芙·基特里奇》 以前到中午饭点的时候,在电梯里肚子里的饥饿就忍不住翻江倒海,于是我总是选择最角落的地方站着,生怕这种饥饿感暴露于众目睽睽...
短篇组成的长篇,片段组成的生活,并希望由此看到痛苦、遗憾和隔阂的原因,我们为何如此生活?有几篇极为有力,结尾虽然感人,但是还是弱了些,更让人感到有些无奈。
评分短篇组成的长篇,片段组成的生活,并希望由此看到痛苦、遗憾和隔阂的原因,我们为何如此生活?有几篇极为有力,结尾虽然感人,但是还是弱了些,更让人感到有些无奈。
评分both fool and sage.
评分完全不是简介说的那么轻巧。文后读者指导里都是好问题。故事一个叠一个 越来越精妙厚重 从第二个开始入迷 每个都如此精彩 比现实复杂。迷恋????小说尽量还是看原版才地道。一辈子满满的愤怒该如何化解。人生真是一言难尽又舍不得放手。
评分活着真好啊~无论如何,活着真好
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