From Publishers Weekly
Starred Review. Thirteen linked tales from Strout (Abide with Me, etc.) present a heart-wrenching, penetrating portrait of ordinary coastal Mainers living lives of quiet grief intermingled with flashes of human connection. The opening Pharmacy focuses on terse, dry junior high-school teacher Olive Kitteridge and her gregarious pharmacist husband, Henry, both of whom have survived the loss of a psychologically damaged parent, and both of whom suffer painful attractions to co-workers. Their son, Christopher, takes center stage in A Little Burst, which describes his wedding in humorous, somewhat disturbing detail, and in Security, where Olive, in her 70s, visits Christopher and his family in New York. Strout's fiction showcases her ability to reveal through familiar details—the mother-of-the-groom's wedding dress, a grandmother's disapproving observations of how her grandchildren are raised—the seeds of tragedy. Themes of suicide, depression, bad communication, aging and love, run through these stories, none more vivid or touching than Incoming Tide, where Olive chats with former student Kevin Coulson as they watch waitress Patty Howe by the seashore, all three struggling with their own misgivings about life. Like this story, the collection is easy to read and impossible to forget. Its literary craft and emotional power will surprise readers unfamiliar with Strout. (Apr.)
Elizabeth Strout is the author of several novels, including: Abide with Me, a national bestseller and BookSense pick, and Amy and Isabelle, which won the Los Angeles Times Art Seidenbaum Award for First Fiction and the Chicago Tribune Heartland Prize, and was a finalist for the PEN/Faulkner Award and the Orange Prize in England. In 2009 she was awarded the Pulitzer Prize for her book Olive Kitteridge. Her short stories have been published in a number of magazines, including The New Yorker. She teaches at the Master of Fine Arts program at Queens University of Charlotte.
改名庆山之前的安妮宝贝在2011年出过一本文学类杂志,名字叫《大方》,虽然一共只出了两期,但该刊物的编委阵容相当豪华(包括内地学者止庵、香港作家马家辉、台湾出版商叶美瑶等等),文学品位自不用说。 《大方》创刊号上除了一篇村上春树的长篇访谈,让我印象最为深刻的就是...
评分海岸,平静的克劳斯比小镇,脾气暴躁的奥丽芙·基特里奇有一个“好好先生”式的丈夫和一个与她日渐疏远的儿子,生活看上去水波不兴,却有股股暗流涌动。 在镇上,奥丽芙也有意无意地充当了其他人生命中的过客:一个想自杀的忧郁青年,一个患上厌食症的年轻女孩,一个数年如一日...
评分我对《奥丽芙·基特里奇》这本书的兴趣,最早来自于《三块广告牌》。那是一部质地坚硬的好电影,它让我记住了女主弗兰西斯·麦克多蒙德,电影里的她傲慢固执毒舌到刻薄,个性并不讨喜,但你却会被她不经意间露出的柔软破绽所打动。 我后来发现,她还拍了《奥丽芙·基特里奇》这...
评分《奥丽芙·基特里奇》是那种我想写却又绝对写不出来的小说:看起来不复杂,实际上不简单,所有人都穿着皇帝的新装,却好像他们自己并不是游行的一部分。 这种一言难尽的忧伤或曰嫉妒源自作家伊丽莎白·施特劳特对日常精准的把握。故事好像刚刚从我们身体里长出来,尽管作为读者...
评分《奥丽芙·基特里奇》是那种我想写却又绝对写不出来的小说:看起来不复杂,实际上不简单,所有人都穿着皇帝的新装,却好像他们自己并不是游行的一部分。 这种一言难尽的忧伤或曰嫉妒源自作家伊丽莎白·施特劳特对日常精准的把握。故事好像刚刚从我们身体里长出来,尽管作为读者...
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评分看了书之后觉得电视剧改得真是好。
评分美国人也有亲情的困惑。。没有了改编成剧本后浓缩纠缠在一起的情节的冲击力
评分不动声色又极为敏锐地捕捉了最为细腻微妙的感情,惆怅、伤感、刺痛、枉然……最令人感动的,是自始至终的隐约温柔和含蓄留白,以及在磨难和悲伤之中对爱的坚持和尊重。这种短篇构成长篇的结构也带来感觉奇妙的时间线,好像人生不停倒带时而又快进,因而很容易产生物是人非的唏嘘感,旁观者的孤独铺天盖地。
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