具體描述
‘Of course that’s how it begins: a harmless fairy tale to pass the hours’
When Alice Liddell Hargreaves met Peter Llewelyn Davies at the opening of a Lewis Carroll exhibition in 1932, the original Alice in Wonderland came face to face with the original Peter Pan. In John Logan’s remarkable new play, enchantment and reality collide as this brief encounter lays bare the lives of these two extraordinary characters.
著者簡介
This is the first new play from three-time Academy Award-nominated screenwriter and playwright John Logan since his play Red went on to sell thousands of copies and played London to great acclaim before transferring to a smash hit Broadway run where it won six Tony Awards including Best New Play. His work for the stage includes Never the Sinner, Hauptmann, a new adaptation of Ibsen's The Master Builder and Red, the Tony-winning play about painter Mark Rothko. Logan's work as a screenwriter includes Skyfall, Sweeney Todd, The Aviator, Hugo, Gladiator, The Last Samurai, Rango, Coriolanus and Any Given Sunday.
圖書目錄
讀後感
- Grown ups look in the mirror, and then look at the clock... They walk into an empty house that feels emptier every day that passes, for it brings them ever-closer to the final and inescapable loneliness: that last echoing room where you are truly alone. ...
評分重读Peter and Alice，想到Gilbert和Gubar关于authorship的论述。 "A final paradox of the metaphor of literary paternity is the fact that in the same way an author both generates and imprisonshis fictive creatures, he silences them by depriving them of autonomy...
評分- Grown ups look in the mirror, and then look at the clock... They walk into an empty house that feels emptier every day that passes, for it brings them ever-closer to the final and inescapable loneliness: that last echoing room where you are truly alone. ...
評分- Grown ups look in the mirror, and then look at the clock... They walk into an empty house that feels emptier every day that passes, for it brings them ever-closer to the final and inescapable loneliness: that last echoing room where you are truly alone. ...
評分重读Peter and Alice，想到Gilbert和Gubar关于authorship的论述。 "A final paradox of the metaphor of literary paternity is the fact that in the same way an author both generates and imprisonshis fictive creatures, he silences them by depriving them of autonomy...
用戶評價
每晚睡前看.... 然後都是懷著憂桑地心情躺下...【接著爪機隨緣...
评分Just one more endless summer.
评分Peter: I have grown up. Alice hears voices off.
评分"Children don't have hearts yet, not really. They haven't been hurt into the need for one."
评分簡直要哭瞭，愛麗絲和彼得潘的原型故事太戳人心瞭TAT As a child, you're "to be forced into feelings you don't understand, to always disappoint because you don't love back enough, to be made to grow up too soon." But soon enough, there comes the place called Adulthood with "all excess banished, all joyous peculiarities excised", because they can't endure the suffering of it.
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