‘Of course that’s how it begins: a harmless fairy tale to pass the hours’
When Alice Liddell Hargreaves met Peter Llewelyn Davies at the opening of a Lewis Carroll exhibition in 1932, the original Alice in Wonderland came face to face with the original Peter Pan. In John Logan’s remarkable new play, enchantment and reality collide as this brief encounter lays bare the lives of these two extraordinary characters.
This is the first new play from three-time Academy Award-nominated screenwriter and playwright John Logan since his play Red went on to sell thousands of copies and played London to great acclaim before transferring to a smash hit Broadway run where it won six Tony Awards including Best New Play. His work for the stage includes Never the Sinner, Hauptmann, a new adaptation of Ibsen's The Master Builder and Red, the Tony-winning play about painter Mark Rothko. Logan's work as a screenwriter includes Skyfall, Sweeney Todd, The Aviator, Hugo, Gladiator, The Last Samurai, Rango, Coriolanus and Any Given Sunday.
重读Peter and Alice,想到Gilbert和Gubar关于authorship的论述。 "A final paradox of the metaphor of literary paternity is the fact that in the same way an author both generates and imprisonshis fictive creatures, he silences them by depriving them of autonomy...
评分重读Peter and Alice,想到Gilbert和Gubar关于authorship的论述。 "A final paradox of the metaphor of literary paternity is the fact that in the same way an author both generates and imprisonshis fictive creatures, he silences them by depriving them of autonomy...
评分- Grown ups look in the mirror, and then look at the clock... They walk into an empty house that feels emptier every day that passes, for it brings them ever-closer to the final and inescapable loneliness: that last echoing room where you are truly alone. ...
评分- Grown ups look in the mirror, and then look at the clock... They walk into an empty house that feels emptier every day that passes, for it brings them ever-closer to the final and inescapable loneliness: that last echoing room where you are truly alone. ...
评分重读Peter and Alice,想到Gilbert和Gubar关于authorship的论述。 "A final paradox of the metaphor of literary paternity is the fact that in the same way an author both generates and imprisonshis fictive creatures, he silences them by depriving them of autonomy...
Beautifully written. All boys grow and no girls stay the same. Those enchanting and immortal moments don't last at all and will eventually go into vapors in the adulthood. That's the brutal truth of life. They chose different ways but the results are equally heartbreaking.
评分Peter: I have grown up. Alice hears voices off.
评分每晚睡前看.... 然后都是怀着忧桑地心情躺下...【接着爪机随缘...
评分peter的弟弟和伊顿公学的情郎情死还满震撼的。
评分简直要哭了,爱丽丝和彼得潘的原型故事太戳人心了TAT As a child, you're "to be forced into feelings you don't understand, to always disappoint because you don't love back enough, to be made to grow up too soon." But soon enough, there comes the place called Adulthood with "all excess banished, all joyous peculiarities excised", because they can't endure the suffering of it.
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