Anyone who has read J. D. Salinger's New Yorker stories - particularly A Perfect Day for Bananafish, Uncle Wiggily in Connecticut, The Laughing Man, and For Esme - With Love and Squalor, will not be surprised by the fact that his first novel is full of children. The hero-narrator of The Catcher in the Rye is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it. There are many voices in this novel: children's voices, adult voices, underground voices-but Holden's voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep.
Salinger's classic coming-of-age story portrays one young man's funny and poignant experiences with life, love, and sex.
Jerome David Salinger (January 1, 1919 – January 27, 2010) was an American author, best known for his 1951 novel The Catcher in the Rye, as well as his reclusive nature. His last original published work was in 1965; he gave his last interview in 1980.
Raised in Manhattan, Salinger began writing short stories while in secondary school, and published several stories in the early 1940s before serving in World War II. Salinger published his first stories in Story magazine which was started by Whit Burnett. In 1948 he published the critically acclaimed story "A Perfect Day for Bananafish" in The New Yorker magazine, which became home to much of his subsequent work. In 1951 Salinger released his novel The Catcher in the Rye, an immediate popular success. His depiction of adolescent alienation and loss of innocence in the protagonist Holden Caulfield was influential, especially among adolescent readers. The novel remains widely read and controversial, selling around 250,000 copies a year.
Biography
Jerome David Salinger, was born in New York City on Jan. 1, 1919, and established his reputation on the basis of a single novel, The Catcher in the Rye (1951), whose principal character, Holden Caulfield, epitomized the growing pains of a generation of high school and college students. The public attention that followed the success of the book led Salinger to move from New York to the remote hills of Cornish, New Hampshire. Before that he had published only a few short stories; one of them, "A Perfect Day for Bananafish," which appeared in The New Yorker in 1949, introduced readers to Seymour Glass, a character who subsequently figured in Franny and Zooey (1961) and Raise High the Roof Beam, Carpenter and Seymour: An Introduction (1963), Salinger's only other published books. Of his 35 published short stories, those which Salinger wishes to preserve are collected in Nine Stories (1953).
Author biography copyright 1993, Grolier, Inc.
作者前言:因为是作业,所以按初中语文风格写作的书评。惭愧地谨以此中规中矩CCAV版的旧文纪念已故文学大师塞林格。 全文如下: 在纽约寒冷的冬天里只穿一件风衣,倒戴着火红的鸭舌帽,漫无目的地在街头游走——个十六岁少年的形象在我们的脑海里栩栩如生。这就是《麦田...
評分 評分霍尔顿如果不是个少年,而是个中老年人,那他可真烦人。《麦田守望者》里的这位主人公,看什么都不顺眼。他讨厌学校,讨厌同学,讨厌父母。他甚至讨厌那些喜欢说“祝你好运”的人,以及那些说“很高兴认识你”的人,以及在钢琴演奏中瞎鼓掌的人。他当然还讨厌数学物理地理历史...
評分这个题目,大陆出版一般翻译成<麦田守望者>,作者 J.D.Salinger。我昨晚上看完了这本小说。这本书在我 家放了很久,我一直没有看。这本书是我老婆买的,不 是我买的。她是从网上订购的。我也不知道她为什么会 买这本书。我真的不知道。大概有时候她觉得自己很空 虚,需要一...
評分记得第一次读这本书,是在高中。学业繁重,可我心不在书上,于是便买了很多书,用以打发冗长的上课时间。年少轻狂无知,个性十足,世界想怎么转就怎么转,厌恶的人、事“呸”地一声,转身云烟。当时读《麦》,无法给以心灵的震撼,或许我本身就是潇洒不羁的。 ...
“i'm standing on the edge of some crazy cliffs. what i have to do, i have to catch everybody if they start to go over the cliff - i mean if they're running and they don't look where they're going i have to come out from somewhere and catch them.”青春期不羈,少年式孤獨,但內心柔軟善良。不過,正如“娜拉齣走後怎樣”,應該問問自己如何去實現自己的追求並付諸實踐,咒罵永遠隻能過過嘴癮。有幾個地方忍不住哭瞭。this novel knocks me out.
评分It’s like a period of time we all experienced through our adolescence, when we doubt and want to rebel everything. Holden feels disgusted about the whole phony world and thinks his peers are idiots. After graduation, I find out the so called idiots are “ normal”, and the phony world called reality.
评分“i'm standing on the edge of some crazy cliffs. what i have to do, i have to catch everybody if they start to go over the cliff - i mean if they're running and they don't look where they're going i have to come out from somewhere and catch them.”青春期不羈,少年式孤獨,但內心柔軟善良。不過,正如“娜拉齣走後怎樣”,應該問問自己如何去實現自己的追求並付諸實踐,咒罵永遠隻能過過嘴癮。有幾個地方忍不住哭瞭。this novel knocks me out.
评分又好笑又悲傷…
评分How damn can anybody resist this charming old Bastard Holden? 看holden一麵咒怨的說一百遍goddam和bastard一麵吐槽簡直不能更想笑瞭。五星送給我們都曾有過的年少輕狂。這樣一個憤世嫉俗百無聊賴充滿矛盾又偶有溫情的Holden。然而其實全書我被感動的最深的居然是最俗的Antoni的說教。是那種你明知道卵用都沒有但是依舊會被其感動的勵誌。'The mark of the immature man is that he wants to die nobly for a cause, while the mark of the mature man is that he wants to live humbly for one
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