The Catcher in the Rye

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出版者:Little, Brown and Company
作者:J·D·SALINGER
出品人:
页数:288
译者:
出版时间:1951-7-16
价格:USD 25.99
装帧:Hardcover
isbn号码:9780316769532
丛书系列:
图书标签:
  • 小说
  • 英文原版
  • 美国文学
  • 塞林格
  • 麦田守望者
  • 美国
  • Salinger
  • 外国文学
  • J
  • D
  • Salinger
  • Holden Caulfield
  • Coming-of-age
  • Fiction
  • Teen literature
  • Rebellion
  • Isolation
  • Identity
  • American literature
  • Psychological realism
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具体描述

Anyone who has read J. D. Salinger's New Yorker stories - particularly A Perfect Day for Bananafish, Uncle Wiggily in Connecticut, The Laughing Man, and For Esme - With Love and Squalor, will not be surprised by the fact that his first novel is full of children. The hero-narrator of The Catcher in the Rye is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it. There are many voices in this novel: children's voices, adult voices, underground voices-but Holden's voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep.

Salinger's classic coming-of-age story portrays one young man's funny and poignant experiences with life, love, and sex.

作者简介

Jerome David Salinger (January 1, 1919 – January 27, 2010) was an American author, best known for his 1951 novel The Catcher in the Rye, as well as his reclusive nature. His last original published work was in 1965; he gave his last interview in 1980.

Raised in Manhattan, Salinger began writing short stories while in secondary school, and published several stories in the early 1940s before serving in World War II. Salinger published his first stories in Story magazine which was started by Whit Burnett. In 1948 he published the critically acclaimed story "A Perfect Day for Bananafish" in The New Yorker magazine, which became home to much of his subsequent work. In 1951 Salinger released his novel The Catcher in the Rye, an immediate popular success. His depiction of adolescent alienation and loss of innocence in the protagonist Holden Caulfield was influential, especially among adolescent readers. The novel remains widely read and controversial, selling around 250,000 copies a year.

Biography

Jerome David Salinger, was born in New York City on Jan. 1, 1919, and established his reputation on the basis of a single novel, The Catcher in the Rye (1951), whose principal character, Holden Caulfield, epitomized the growing pains of a generation of high school and college students. The public attention that followed the success of the book led Salinger to move from New York to the remote hills of Cornish, New Hampshire. Before that he had published only a few short stories; one of them, "A Perfect Day for Bananafish," which appeared in The New Yorker in 1949, introduced readers to Seymour Glass, a character who subsequently figured in Franny and Zooey (1961) and Raise High the Roof Beam, Carpenter and Seymour: An Introduction (1963), Salinger's only other published books. Of his 35 published short stories, those which Salinger wishes to preserve are collected in Nine Stories (1953).

Author biography copyright 1993, Grolier, Inc.

目录信息

Introduction 7
Biographical Sketch 9
The Story Behind the Story 16
List of Characters 21
Summary and Analysis 25
Critical Views 43
Carl F. Strauch on The Complexity of Holden's Character 43
Robert M. Slabey on Christian Themes and Symbols 47
Jonathan Baumbach on Spirituality 50
John M. Howell on T.S. Eliot's Influence 54
Warren French on Holden's Search for Tranquility 60
Duane Edwards on Holden as the Unreliable Narrator 64
Gerald Rosen on the Relevance of Buddhism 69
Edwin Haviland Miller on Mourning Allie Caulfield 74
Christopher Brookeman on Cultural Codes at Pencey Prep 78
Sanford Pinsker on the Protagonist-Narrator 82
Paul Alexander on Inventing Holden Caulfield 86
Pamela Hunt Steinle on Holden as a Version of the American Adam 89
Matt Evertson on Holden Caulfield's Longing to Construct a New Home 94
Yasuhiro Takeuchi on the Carnivalesque 99
Works by J.D. Salinger 106
Annotated Bibliography 107
Contributors 117
Acknowledgments 120
Index 123
· · · · · · (收起)

读后感

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因为豆瓣把我的一篇只有摘录的帖子给转移了,说它不是评论文章,所以担心这篇也被转移,就决定加一些话。 我读塞林格最大的一个感受其实是,慢。这样说似乎很奇怪,因为这就像在说侯孝贤一样。然而塞林格的确是慢的,一本《麦田里的守望者》,经历的时间不过是三天,包括《九故...  

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今天早上起来上网看到塞林格去世的消息,便在“豆瓣我说”上说了这样一段话:早上打开电脑上网才知道塞林格去世了,恰巧电脑边摆着的书就是《麦田里的守望者》,这本书我已经反反复复读了十几遍了,相信以后还会一遍一遍地读下去。塞林格去了天堂就不用在悬崖边守望了吧,因为...  

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2010年1月29日,注定是不平静的一天。 早上8点多,我到了单位,打开电脑,习惯性地上豆瓣网站,看到有两封站内邮件,一封是一个从未联系过的豆友在6点多发给我的,告诉我“塞林格去世了”,我心里一惊。打开另外一封邮件,是一位媒体朋友发来的,确认这个消息,并希望我这位《...  

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大学之前我一直自诩好孩子,非常非常不喜欢霍尔顿,或者说,不喜欢他满嘴脏话的样子。相信一些女生也是讨厌这样坏坏的男孩子的,在校园里遇见了,会躲着走。可是现在不同了,现在我一想起他的样子,就会会心一笑,虽然我并没有见过他。但书里说了,霍尔顿顶着一头乱乱的褐色...  

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我17岁的时候看的这本书,那时自己还是个青少年,觉得和周围的世界隔着一道鸿沟,是霍尔顿的游荡让我找到了精神上发泄愤怒的出口,为那些难以捉摸的情绪找到了具体的依附。如今纯真已逝,才猛然惊醒,原来塞林格他真正要说的东西不在这里。 还记得施咸荣的译序写道,这本小说...  

用户评价

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初中的时候读完全没读懂,现在在看一遍。Boy. It was awesome.

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我实在搞不清楚就这样一本只有一个漂亮名字的脏话,废话,蠢话,无聊话集合到底有什么魅力让那么多人都说他好。我觉得我在看它就是浪费时间。一个笨蛋少年的琐碎事竟值得那么多人为之欢欣。难道是我太过庸俗了。看不出这是本难得的奇珍?还是其他人都在装B,因为它是名著于是争相捧之。读英文书看外国电影对我来说都多多少少有些别扭。那些说话方式,语法,以及一些他们拼命想表达我却没办法理解的言语都成了我不能特别钟爱他们的原因。但不能否认的是。很多东西还是很好的。前半部分我基本上是本着尊重作者的原则坚持下来的,但好在后半部分让我看到了这本书的一点价值。和我有了点小共鸣。对于现代社会一些虚伪做作的“假”行为看不惯,但却不得不予以顺应。但作者又有些太过偏执了,书中有一个他最喜欢的一个小女孩问他:“他在这世上是否有真正喜欢什么东西?”他答了半天也都是些没谱的事儿,实际上在这世上的任何事他都看不惯,所以才想去做那不会与人接触的麦田守望者,我也是不想过多的去接触社会才选择虚拟的营生,自然我的父母也是百般的看不惯,毕竟现在这行也不吃香,但我想或许我也就这点特别在行了。只能努力去做一下了,为了让他们能够哑口无言,我必须努力去做。就这样而已。但结论是我仍旧不那么喜欢这破书。别人怎么喜欢我不管,但我就是不喜欢。即便我的这篇短评的说话口气像极了作者。

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“i'm standing on the edge of some crazy cliffs. what i have to do, i have to catch everybody if they start to go over the cliff - i mean if they're running and they don't look where they're going i have to come out from somewhere and catch them.”青春期不羁,少年式孤独,但内心柔软善良。不过,正如“娜拉出走后怎样”,应该问问自己如何去实现自己的追求并付诸实践,咒骂永远只能过过嘴瘾。有几个地方忍不住哭了。this novel knocks me out.

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我终于学会了不再像十年前那样为了装逼从而带着仰视的眼光来看待这本书,我现在觉得Holden就是一个爱装逼的小孩,而且有轻微的抑郁症…

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This novel killed me.

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