Witty, acute, fierce, and celebratory, Why Be Happy When You Could Be Normal? is a tough-minded search for belonging, for love, identity, home, and a mother.
Jeanette Winterson's novels have established her as a major figure in world literature. She has written some of the most admired books of the past few decades, including her internationally bestselling first novel, Oranges Are Not the Only Fruit, the story of a young girl adopted by Pentecostal parents that is now often required reading in contemporary fiction.
Why Be Happy When You Could Be Normal? is a memoir about a life's work to find happiness. It's a book full of stories: about a girl locked out of her home, sitting on the doorstep all night; about a religious zealot disguised as a mother who has two sets of false teeth and a revolver in the dresser, waiting for Armageddon; about growing up in an north England industrial town now changed beyond recognition; about the Universe as Cosmic Dustbin.
It is the story of how a painful past that Jeanette thought she'd written over and repainted rose to haunt her, sending her on a journey into madness and out again, in search of her biological mother.
Witty, acute, fierce, and celebratory, Why Be Happy When You Could Be Normal? is a tough-minded search for belonging, for love, identity, home, and a mother.
Novelist Jeanette Winterson was born in Manchester, England in 1959. She was adopted and brought up in Accrington, Lancashire, in the north of England. Her strict Pentecostal Evangelist upbringing provides the background to her acclaimed first novel, Oranges Are Not the Only Fruit, published in 1985. She graduated from St Catherine's College, Oxford, and moved to London where she worked as an assistant editor at Pandora Press.
One of the most original voices in British fiction to emerge during the 1980s, Winterson was named as one of the 20 "Best of Young British Writers" in a promotion run jointly between the literary magazine Granta and the Book Marketing Council.
She adapted Oranges Are Not the Only Fruit for BBC television in 1990 and also wrote "Great Moments in Aviation," a television screenplay directed by Beeban Kidron for BBC2 in 1994. She is editor of a series of new editions of novels by Virginia Woolf published in the UK by Vintage. She is a regular contributor of reviews and articles to many newspapers and journals and has a regular column published in The Guardian. Her radio drama includes the play Text Message, broadcast by BBC Radio in November 2001.
Winterson lives in Gloucestershire and London. Her work is published in 28 countries.
1. 这不是一篇女同的爱情故事,甚至不关乎女同本身。 今年53岁的Jeanette Winterson写这部回忆录,与其说是疗伤,不如更像一个追问。她不像一个第一次审视自己伤口的人,诧异、愤怒、然后再在某种自我催眠的叙述中得着解脱和安慰。她acknowledge那些伤口,把命运的错误或者...
评分 评分文/舒念 每个故事都需要一个合理的开局,连穿越都需要一个原因或是契机,从而开启接下来的叙述。然而人生的真实之处就在于不合理,错误的开端也将铸就一个人义无反顾的人生。 错误的位置 魔鬼领我们找错了婴儿床。 每一个书写自己的人,都在描述同一个问题——我是谁。 我是谁...
评分沉溺于温特森的文字无法自拔患者
评分The wider we read, the freer we become, collapsing the space between fact and fiction, as the energy of art is not time-bound.
评分那些能够微笑着讲述苦难的人,必定更能从苦难中收获宝贵的财富。
评分我爱这一本远胜于她那本有名的oranges are not the only fruit...这本写得好多了?还是说只是我习惯了
评分LOVE AT FIRST SIGHT. JEANETTE WINTERSON HAS ALREADY BEEN ONE OF THE FAVORITE AUTHORS IN MY LIFE, BECAUSE OF THIS BOOK.
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