Andrew F. Jones is Professor of Chinese at the University of California, Berkeley.
In 1992 Deng Xiaoping famously declared, "Development is the only hard imperative." What ensued was the transformation of China from a socialist state to a capitalist market economy. The spirit of development has since become the prevailing creed of the People's Republic, helping to bring about unprecedented modern prosperity, but also creating new forms of poverty, staggering social upheaval, physical dislocation, and environmental destruction. In Developmental Fairy Tales, Andrew Jones asserts that the groundwork for this recent transformation was laid in the late nineteenth century, with the translation of the evolutionary works of Lamarck, Darwin, and Spencer into Chinese letters. He traces the ways that the evolutionary narrative itself evolved into a form of vernacular knowledge which dissolved the boundaries between beast and man and reframed childhood development as a recapitulation of civilizational ascent, through which a beleaguered China might struggle for existence and claim a place in the modern world-system. This narrative left an indelible imprint on China's literature and popular media, from children's primers to print culture, from fairy tales to filmmaking. Jones's analysis offers an innovative and interdisciplinary angle of vision on China's cultural evolution. He focuses especially on China's foremost modern writer and public intellectual, Lu Xun, in whose work the fierce contradictions of his generation's developmentalist aspirations became the stuff of pedagogical parable. Developmental Fairy Tales revises our understanding of literature's role in the making of modern China by revising our understanding of developmentalism's role in modern Chinese literature.
哪里能买到这本书呢 电子版或纸质都可以 或者谁愿意转让这本书吗 我着急想看 急求! Introduction: P12: Lu Xun’s affinity for the parable was closely related to his lifelong interest in and advocacy for children’s literature. P14: As a collective enterprise, t...
评分哪里能买到这本书呢 电子版或纸质都可以 或者谁愿意转让这本书吗 我着急想看 急求! Introduction: P12: Lu Xun’s affinity for the parable was closely related to his lifelong interest in and advocacy for children’s literature. P14: As a collective enterprise, t...
评分哪里能买到这本书呢 电子版或纸质都可以 或者谁愿意转让这本书吗 我着急想看 急求! Introduction: P12: Lu Xun’s affinity for the parable was closely related to his lifelong interest in and advocacy for children’s literature. P14: As a collective enterprise, t...
评分哪里能买到这本书呢 电子版或纸质都可以 或者谁愿意转让这本书吗 我着急想看 急求! Introduction: P12: Lu Xun’s affinity for the parable was closely related to his lifelong interest in and advocacy for children’s literature. P14: As a collective enterprise, t...
评分哪里能买到这本书呢 电子版或纸质都可以 或者谁愿意转让这本书吗 我着急想看 急求! Introduction: P12: Lu Xun’s affinity for the parable was closely related to his lifelong interest in and advocacy for children’s literature. P14: As a collective enterprise, t...
探究鲁迅写作中的儿童形象,如何渗透了一种进化论的意识,成为与国家民族的未来和命运紧密关联的客体。
评分视角独特的海外汉学著作,可别被标题唬住了,绝不是童话那么简单
评分Intriguing in many counts, but sadly not really one's field of interest. Although the introduction merits further reading.
评分难为他想得出来!鬼才!
评分对鲁迅的分析,特别是进化论,会一直让我想到伊藤虎丸,不过Andrew发现了儿童,又是一新。我始终不明白的一点是 对于印刷传播的文化研究与鲁迅的精读似乎没有办法联结在一起。鲁迅的儿童多着眼于农村(大良二良等),但《小朋友》这类的儿童刊物却明显是西方都市资产阶级的翻版,两者潜在张力很有意思,Andrew似乎没注意到“儿童”在中国语境下的多样性。另,print culture都被李带歪了,此中的现代性似乎只意味着对西方的追随。
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