Eugene Onegin is the master work of the poet whom Russians regard as the fountainhead of their literature. Set in 1820s imperial Russia, Pushkin's novel in verse follows the emotions and destiny of three men - Onegin the bored fop, Lensky the minor elegiast, and a stylized Pushkin himself - and the fates and affections of three women - Tatyana the provincial beauty, her sister Olga, and Pushkin's mercurial Muse. Engaging, full of suspense, and varied in tone, it also portrays a large cast of other characters and offers the reader many literary, philosophical, and autobiographical digressions, often in a highly satirical vein. Eugene Onegin was Pushkin's own favourite work, and it shows him attempting to transform himself from a romantic poet into a realistic novelist. This new translation seeks to retain both the literal sense and the poetic music of the original, and capture the poem's spontaneity and wit. The introduction examines several ways of reading the novel, and text is richly annotated. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

亞曆山大·謝爾蓋耶維奇·普希金(一七九九——一八三七)是第一個具有世界影響的俄羅斯作傢。他是俄國浪漫主義文學的主要代錶和俄國現實主義文學的奠基人,被高爾基譽為“俄國文學之始祖”和“偉大的俄國人民詩人”。十九世紀俄國文學的高峰,就是從普希金開始的。

這位“俄羅斯詩歌的太陽”最重要的作品,就是詩體小說《葉甫蓋尼·奧涅金》。它是俄國現實主義文學的奠基之作。

這部詩體作品,自然具有詩歌的抒情性;但它又是一部現實主義的作品,所以作者把它叫做“小說”。一八二三年動筆時,普希金的創作正從浪漫主義嚮現實主義轉變。八年後,《葉甫蓋尼·奧涅金》於一八三○年完成。它總結瞭作者一八三一年以前的全部創作經驗,以後普希金就轉入瞭散文寫作。這種創作方法和文體的變化,和社會背景是有關的。《葉甫蓋尼·奧涅金》前四章寫於十二月黨人起義之前,基調比較明朗;從第五章起,調子變得陰鬱、低沉起來,故事也越來越嚮悲劇性的結尾發展。這些正是時代氣氛的反映。