One of the most distinguished novelists of his generation, Ian McEwan was born in England and spent much of his childhood traveling with his father, an army officer stationed in the Far East, Germany, and North Africa. He graduated from Sussex University in 1970 with a degree in English Literature and received his MA in Creative Writing from the University of East Anglia.
McEwan burst upon the literary scene in the mid-1970s with two short story collections that highlighted with equal clarity his early predilection for disturbing, somewhat shocking subject matter and his dazzling prose style. Similarly, his 1978 debut novel, The Cement Garden, attracted as much attention for its unsettling storyline as for its stylistic brilliance. But even though his early work was saturated with deviant sex, violence, and death (so much so that he earned the nickname "Ian MacAbre"), he was never dismissed as a mere purveyor of cheap thrills. In fact, two of his most provocative works (The Comfort of Strangers and Enduring Love) were shortlisted for major U.K. awards.
As he has matured, McEwan has moved away from disquieting themes like incest, sadism, and psychotic obsession to explore more introspective human dramas. In an interview with The New Republic he described his literary evolution in this way:
"One passes the usual milestones in life: You have children, you find that whether you like it or not, you have a huge investment in the human project somehow succeeding. You become maybe a little more tolerant as you get older. Pessimism begins to feel something like a badge that you perhaps do not wear so easily. There is something delicious and reckless about the pessimism of being 21. And when you get older you feel maybe a little more delicate and hope that things will flourish. You don't want to take a stick to it."
Among many literary honors, McEwan has been awarded the Somerset Maugham Award for First Love, Last Rites (1976) and the Whitbread Prize for The Child in Time (1987). Nominated three times for the Booker Prize, he finally won in 1998 for Amsterdam. He has also received the WH Smith Literary Award and National Book Critics' Circle Fiction Award for Atonement (2001) and the James Tait Black Memorial Prize for Saturday (2005).
Ian McEwan’s symphonic novel of love and war, childhood and class, guilt and forgiveness provides all the satisfaction of a brilliant narrative and the provocation we have come to expect from this master of English prose.
On a hot summer day in 1935, thirteen-year-old Briony Tallis witnesses a moment’s flirtation between her older sister, Cecilia, and Robbie Turner, the son of a servant and Cecilia’s childhood friend. But Briony’s incomplete grasp of adult motives–together with her precocious literary gifts–brings about a crime that will change all their lives. As it follows that crime’s repercussions through the chaos and carnage of World War II and into the close of the twentieth century, Atonement engages the reader on every conceivable level, with an ease and authority that mark it as a genuine masterpiece.
Author Biography: Ian McEwan is the bestselling author of more than ten books, including the novels The Comfort of Strangers and Black Dogs, both shortlisted for the Booker Prize, Amsterdam, winner of the Booker Prize, and The Child in Time, winner of the Whitbread Award, as well as the story collections First Love, Last Rites, winner of the Somerset Maugham Award, and In Between the Sheets. He has also written screenplays, plays, television scripts, a children’s book, and the libretto for an oratorio. He lives in London.
Winner of the 2002 National Book Critics Circle Award, Fiction
Shortlisted for the 2001 Booker Prize
作者:xi 在电影行将结束的时候,我看到了历经重重劫难的恋人,赛西莉亚和罗比在一间廉价的公寓里深情拥吻,窗户开着,窗帘随风飘动。而在窗下的路上,身着白色披风的布里奥妮慢慢地走远了。那时我想,故事终于结束了,多么乏味的影片啊。但是这个念头还没有在内心消散,镜头...
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評分 評分“由于愧疚,她不时地自我折磨,将一个个细节串成一个无休止的圈环,一串需要一生去拨弄的念珠。” 说到“年华老去”这个词,情不自禁地就想在前面加个“十分钟”。我猜之所以说“十分钟”,不过是想强调瞬间被年华抛弃的那种恐慌感。其实我并没有那么容易恐慌,不过是在读完A...
評分这是一部注定不会让人感到快乐的书,麦克尤恩甚至连一丁点儿的享受或憧憬快乐的权利与机遇都不会恩赐给读者。倘若只是好人蒙难--本应幸福的享受他们间真挚爱情的少男少女们最终饮恨而别,那倒也就罢了。可恨的是,造成悲剧的罪魁祸首们,无论他们是有意或无意的,满怀仇恨或充...
這裏沒有罪惡,隻有錯失,錯失不需要懺悔和救贖,因為命運本身無可毀責。(原本的受害者變成凶手,纔是真正的冷酷卑劣。)魚書鴻雁好催淚,尾聲精彩,第二部的戰時光景可以呼吸感知。【三天可以看完的書,硬拖瞭一個半月
评分這裏沒有罪惡,隻有錯失,錯失不需要懺悔和救贖,因為命運本身無可毀責。(原本的受害者變成凶手,纔是真正的冷酷卑劣。)魚書鴻雁好催淚,尾聲精彩,第二部的戰時光景可以呼吸感知。【三天可以看完的書,硬拖瞭一個半月
评分這本書,用來紀念5分的伍爾夫,2分的簡·奧斯汀,2分的伊夫林·沃,和1分的作者自己。
评分這本書,用來紀念5分的伍爾夫,2分的簡·奧斯汀,2分的伊夫林·沃,和1分的作者自己。
评分這本書,用來紀念5分的伍爾夫,2分的簡·奧斯汀,2分的伊夫林·沃,和1分的作者自己。
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