The Liang dynasty (502-557) is one of the most brilliant and creative periods in Chinese history and one of the most underestimated and misunderstood. Under the Liang, literary activities, such as writing, editing, anthologizing, and cataloguing, were pursued on an unprecedented scale, yet the works of this era are often dismissed as "decadent" and no more than a shallow prelude to the glories of the Tang.This book is devoted to contextualizing the literary culture of this era - not only the literary works themselves but also the physical process of literary production such as the copying and transmitting of texts; activities such as book collecting, anthologizing, cataloguing, and various forms of literary scholarship; and the intricate interaction of religion, particularly Buddhism, and literature. Its aim is to explore the impact of social and political structure on the literary world.
宇文鞦水,13歲進北大的纔女,成名作《鞦水堂論金瓶梅》,將綉像與詞話二本對勘,而論綉像本悲天憫人之佛教情懷,文筆清雋,覃思妙悟,往往而是。新作《塵幾錄》,研究陶淵明與手抄本傳播之關係。此書仍延續前作之方法,從物質文化的角度切入梁朝文化。田氏素喜南朝詩,相信能有新見。今年宇文所安來北大講學時說作者正在自譯此書,估計不久會有中文齣版。
在开始写这个短评之前,我想引申一个别的话题。章学诚曾区分古今载籍,一为撰述,一为记注,前者曰圆而神,欲其决择去取而知来者之兴起,后者曰方以智,欲其赅备无遗以为往事之不忘。我想把这个意义稍为拉扯,在研究领域做一个类似(虽然肯定不很恰当)的比对:有的学者的研究...
評分以前上学时听古代文学史没意思,翻阅五种当时通行的教材发现大同小异,读专著和论文也觉得是套话连篇,因此以后很少看这类东西了。这部书真是讲出了历史的人性和文学的灵性。作者特别为“宫体诗”翻案:“宫体诗的定义,不应该是‘关于女性和艳情的诗歌’,而应该是关于定力关...
評分相比周秦汉唐、宋元明清这些广为人知的朝代,偏安江南半个多世纪的萧梁王朝则显得籍籍无名。一般的印象,有梁一代,在文学创作领域似乎也无甚建树,仅仅留下了常常被后人当做反面教材的宫体诗。然而在本书中,我们却看到了一副完全不同的梁代文学图景。 梁武帝统治的近半个世纪...
評分据说作者正在自己翻译这书,09年中华就要出中译本。我刚看了Introduction,先摘抄一点,剩下的都是撮要概述,并非确译。 关于魏晋南北朝的传统观点 Wedged between Han and Tang, the two energetic and enduring empires, this period has traditionally considered a social...
初次看是從圖書館藉的,最近終於從歐洲買到一本,又重讀一遍。
评分初次看是從圖書館藉的,最近終於從歐洲買到一本,又重讀一遍。
评分c5
评分英文版居然齣乎意料的好。比照閱讀。
评分英文版居然齣乎意料的好。比照閱讀。
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