Shenzhen pdf epub mobi txt 電子書 下載2025
Guy Delisle (born January 19, 1966) is a cartoonist and animator from Quebec City, Quebec, Canada, best known for his graphic novels about his travels, such as Shenzhen (2000), Pyongyang (2003), Burma Chronicles (2007), and Jerusalem (2011).
Delisle studied animation at Sheridan College in Oakville, near Toronto, and then worked for the animation studio CinéGroupe in Montreal. He later worked for different studios in Canada, Germany, France, China and North Korea. His experiences as a supervisor of animation work by studios in Asia were recounted in two graphic novels, Shenzhen (2000) and Pyongyang (2003). The two books, Delisle's most famous work, were first published in French by the independent bande dessinée publisher L'Association. They have been translated into many languages, including English, German, Italian, Polish, Czech, Spanish, Portuguese and Finnish.
Delisle is married to a Médecins Sans Frontières administrator. With her, he made a trip to Myanmar (Burma) in 2005, which is recounted in Chroniques Birmanes (2007), translated into English as Burma Chronicles. In the summer of 2009, they completed a one year stay in Jerusalem, again with Médecins Sans Frontières. This stay was recounted in Chroniques de Jérusalem (2011) which won the Angoulême International Comics Festival Prize for Best Album in 2012. Amongst other things it covered the Gaza War. In France, Chroniques de Jerusalem (English title: Jerusalem) was a best-seller.
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The follow-up graphic novel to the acclaimed "Pyongyang: A Journey to North Korea""Shenzhen "is entertainingly compact, with Guy Delisle's observations of life in a cold urban city in southern China that is sealed off from the rest of the country by electric fences and armed guards. With a dry wit and a clean line, Delisle makes the most of his time spent in Asia overseeing outsourced production for a French animation company. By translating his fish-out-of-water experiences into accessible graphic novels, Delisle is quick to find the humor and point out the differences between Western and Eastern cultures. Yet he never forgets to relay his compassion for the simple freedoms that escape his colleagues by virtue of living in a Communist state.
具體描述
讀後感
作者Guy Delisle是一位加拿大漫画家，日前在社交网站中广为流传的漫画作品《平壤》亦出自其手。这位在北朝鲜没心没肺地围观社会主义建设的小布尔乔亚分子，曾于1997年造访中国深圳，并创作了这本《深圳：中国行记》。彼时作者三十出头，单身一人工作不定，仍带有文艺青年常有的...
評分作为一个到过平壤（当然因为只是旅游，活动范围远不如作者广泛），并在深圳生活过数年（因为宅，活动范围也不算广泛）的人，我是先看了《平壤》，再把《深圳》找来看的。 如果说《平壤》还令我感同身受，《深圳》就令我失望了。毕竟和平壤不同，在深圳没有人会在乎你从哪里来...
評分因为看了guy delisle的《缅甸》才找出来这本《深圳》。他去深圳的时候还是一个单身汉，没有老婆孩子，生活也很枯燥，无聊。 而且1997年的深圳和2008年的深圳相差太远了。实在太远了。 guy在中国也转悠过一些地方，但是看来对中国的文化了解得不多。都是一些皮毛上的东西。这本...
評分因为看了guy delisle的《缅甸》才找出来这本《深圳》。他去深圳的时候还是一个单身汉，没有老婆孩子，生活也很枯燥，无聊。 而且1997年的深圳和2008年的深圳相差太远了。实在太远了。 guy在中国也转悠过一些地方，但是看来对中国的文化了解得不多。都是一些皮毛上的东西。这本...
評分作为一个到过平壤（当然因为只是旅游，活动范围远不如作者广泛），并在深圳生活过数年（因为宅，活动范围也不算广泛）的人，我是先看了《平壤》，再把《深圳》找来看的。 如果说《平壤》还令我感同身受，《深圳》就令我失望了。毕竟和平壤不同，在深圳没有人会在乎你从哪里来...
用戶評價
這本衝擊力沒平壤那麼強，畢竟跟那個極端國傢沒法比。同樣是無計可施的局外人比之前多瞭點情緒和關懷。把所見所聞畫齣來沒什麼不妥的，不明白為什麼這都有人很難理解還說作者太錶淺。打算把這本翻譯齣來，一怕侵權二怕豆瓣相冊圖小看不清字兒。弄完發個一億五？
评分人傢作者隻是調來工作，又不是搞文化研究，某些讀者未免要求過高。這種“自我敘述”的東西還是很有趣的。
评分人傢作者隻是調來工作，又不是搞文化研究，某些讀者未免要求過高。這種“自我敘述”的東西還是很有趣的。
评分作者的觀察停滯於浮華錶明而已。
评分作者的觀察停滯於浮華錶明而已。
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