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Guy Delisle (born January 19, 1966) is a cartoonist and animator from Quebec City, Quebec, Canada, best known for his graphic novels about his travels, such as Shenzhen (2000), Pyongyang (2003), Burma Chronicles (2007), and Jerusalem (2011).

Delisle studied animation at Sheridan College in Oakville, near Toronto, and then worked for the animation studio CinéGroupe in Montreal. He later worked for different studios in Canada, Germany, France, China and North Korea. His experiences as a supervisor of animation work by studios in Asia were recounted in two graphic novels, Shenzhen (2000) and Pyongyang (2003). The two books, Delisle's most famous work, were first published in French by the independent bande dessinée publisher L'Association. They have been translated into many languages, including English, German, Italian, Polish, Czech, Spanish, Portuguese and Finnish.

Delisle is married to a Médecins Sans Frontières administrator. With her, he made a trip to Myanmar (Burma) in 2005, which is recounted in Chroniques Birmanes (2007), translated into English as Burma Chronicles. In the summer of 2009, they completed a one year stay in Jerusalem, again with Médecins Sans Frontières. This stay was recounted in Chroniques de Jérusalem (2011) which won the Angoulême International Comics Festival Prize for Best Album in 2012. Amongst other things it covered the Gaza War. In France, Chroniques de Jerusalem (English title: Jerusalem) was a best-seller.

出版者:Drawn and Quarterly

作者:Guy Delisle

出品人:

頁數:152

译者:Dascher, Helge

出版時間:2006-10-17

價格:USD 19.95

裝幀:Hardcover

isbn號碼:9781894937795

叢書系列:

圖書標籤:

漫畫
繪本
深圳
中國
加拿大
旅行
Guy_Delisle
社會

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The follow-up graphic novel to the acclaimed "Pyongyang: A Journey to North Korea""Shenzhen "is entertainingly compact, with Guy Delisle's observations of life in a cold urban city in southern China that is sealed off from the rest of the country by electric fences and armed guards. With a dry wit and a clean line, Delisle makes the most of his time spent in Asia overseeing outsourced production for a French animation company. By translating his fish-out-of-water experiences into accessible graphic novels, Delisle is quick to find the humor and point out the differences between Western and Eastern cultures. Yet he never forgets to relay his compassion for the simple freedoms that escape his colleagues by virtue of living in a Communist state.