The Old Man and the Sea

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Ernest Hemingway ranks as the most famous of twentieth-century American writers; like Mark Twain, Hemingway is one of those rare authors most people know about, whether they have read him or not. The difference is that Twain, with his white suit, ubiquitous cigar, and easy wit, survives in the public imagination as a basically, lovable figure, while the deeply imprinted image of Hemingway as rugged and macho has been much less universally admired, for all his fame. Hemingway has been regarded less as a writer dedicated to his craft than as a man of action who happened to be afflicted with genius. When he won the Nobel Prize in 1954, Time magazine reported the news under Heroes rather than Books and went on to describe the author as "a globe-trotting expert on bullfights, booze, women, wars, big game hunting, deep sea fishing, and courage." Hemingway did in fact address all those subjects in his books, and he acquired his expertise through well-reported acts of participation as well as of observation; by going to all the wars of his time, hunting and fishing for great beasts, marrying four times, occasionally getting into fistfights, drinking too much, and becoming, in the end, a worldwide celebrity recognizable for his signature beard and challenging physical pursuits.

出版者:Arrow Books Ltd
作者:Ernest Hemingway
出品人:
頁數:112
译者:
出版時間:1994-8-18
價格:USD 10.35
裝幀:Paperback
isbn號碼:9780099908401
叢書系列:Ernest Hemingway (Arrow Classic)
圖書標籤:
  • 英文原版 
  • 海明威 
  • 小說 
  • 美國 
  • 美國文學 
  • 外國文學 
  • ErnestHemingway 
  • hemingway 
  •  
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Set in the Gulf Stream off the coast of Havana, Hemingway's magnificent fable is the story of an old man, a young boy and a giant fish. It was The Old Man and the Sea that won for Hemingway the Nobel Prize for Literature. Here, in a perfectly crafted story, is unique and timeless vision of the beauty and grief of man's challenge to the elements in which he lives.

Here, for a change, is a fish tale that actually does honour to the author. In fact The Old Man and the Sea revived Ernest Hemingway's career, which was foundering under the weight of such post-war stinkers as Across the River and into the Trees. It also led directly to his receipt of the Nobel Prize in 1954 (an award Hemingway gladly accepted, despite his earlier observation that "no son of a bitch that ever won the Nobel Prize ever wrote anything worth reading afterwards"). A half century later, it's still easy to see why. This tale of an aged Cuban fisherman going head-to-head (or hand-to-fin) with a magnificent marlin encapsulates Hemingway's favourite motifs of physical and moral challenge. Yet Santiago is too old and infirm to partake of the gun-toting machismo that disfigured much of the author's later work

"The brown blotches of the benevolent skin cancer the sun brings from its reflection on the tropic sea were on his cheeks. The blotches ran well down the sides of his face and his hands had the deep-creased scars from handling heavy fish on the cords."

Hemingway's style, too, reverts to those superb snapshots of perception that won him his initial fame

Just before it was dark, as they passed a great island of Sargasso weed that heaved and swung in the light sea as though the ocean were making love with something under a yellow blanket, his small line was taken by a dolphin. He saw it first when it jumped in the air, true gold in the last of the sun and bending and flapping wildly in the air.

If a younger Hemingway had written this novella, Santiago most likely would have towed the enormous fish back to port and posed for a triumphal photograph--just as the author delighted in doing, circa 1935. Instead his prize gets devoured by a school of sharks. Returning with little more than a skeleton, he takes to his bed and, in the very last line, cements his identification with his creator

"The old man was dreaming about the lions."

Perhaps there's some allegory of art and experience floating around in there somewhere--but The Old Man and the Sea was, in any case, the last great catch of Hemingway's career.

--James Marcus

具體描述

讀後感

評分

曾慥的《高斋诗话》里有这么一个段子:少游自会稽入见东坡。东坡问作何词。少游举 “小楼连苑横空,下窥绣彀雕鞍骤。”东坡曰:“十三个字只说得一个人骑马楼前过。”读到这个故事的时候,恰好我手边正好放着一些海明威的作品。当时有过这样的想法,如果海明威来做苏轼的学生,...  

評分

一直慕名《老人与海》,结果到现在才看。。 从kindle上凭感觉购买了余光中的版本,在回家的地铁上开始阅读,读着读着总是觉得有些别扭,知道海明威所描写的硬汉形象,简练概括,摒弃任何浮夸,丝毫不啰嗦的叙事手法,可是总觉得余光中所译的感觉不太相符,看了没有几页,语言...  

評分

桑提亚哥,海明威中篇小说《老人与海》中的主人公。 1952年,《老人与海》出版,震动文坛。1953年,获得普利策文学创作奖。1954年,获得诺贝尔文学奖。理由是:“精通现代叙事艺术,突出表现在其近作《老人与海》之中,同时,也因为他在当代风格中所发挥的影响…… 海明威在...  

評分

但是因此而大肆出动水军是行不通的。 实在让人恶心。 先不论译文质量如何,是译是篡,单按这宣传文案和这套书的规模来看,这货绝逼是垃圾没跑的了。 不过水军很厉害啊,实在令人佩服。 恶心。恶心。恶心。恶心。恶心。恶心。恶心。恶心。恶心。恶心。恶心。恶心。恶心。恶心...  

評分

没有被打败的人 赵松 一九五二年九月一日那一期的美国《生活》周刊的封面人物,是厄内斯特-海明威。那期杂志全文刊发了他的新作《老人与海》。那张封面照里,海明威的神情有些疲倦、略带轻蔑,就像刚从战场归来的上校,刚梳理好花白渐稀的头发,紧闭嘴唇,下巴明显内收,而冷眼...  

用戶評價

评分

老人說:A man can be destroyed but not defeated,刀沒瞭之後說,now they have beaten me,上岸後說It is easy when you are beaten.見到小男孩又說,they truly beat me.

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小時候看的時候覺得枯燥乏味,全篇最激動人心的地方就是那條魚被一點一點吃掉。。現在看除瞭覺得海明威下筆太屌之外好像還是和小時候的感受一模一樣。。

评分

小時候看的時候覺得枯燥乏味,全篇最激動人心的地方就是那條魚被一點一點吃掉。。現在看除瞭覺得海明威下筆太屌之外好像還是和小時候的感受一模一樣。。

评分

"fight them,"he said. "i'll fight them until i die."

评分

這是第2次讀英文原版的《老人與海》(第1次其實完全是囫圇吞棗式)。很易讀,95%的閱讀流暢率。但還是覺得自己語言能力不足,這次仍未體會到語言與行文上的海明威式美感。我想語言大概有兩大“用處”吧,一個用來錶達邏輯、描述事物、傳達思維,一個用來構築美感、映射情緒。從某個角度來說,前者是可復製的,通過一種訓練是可以達到的;後者則不同,可能需要一種根深蒂固的內核,就不說創作瞭,即便像我這種讀者,雖然受過長期的訓練,但還是不能在閱讀中體會到這種美感上的共鳴,我估計問題的根源在於英語不是我的母語。說瞭半天,好像這一次的閱讀側重點放在語言行文上的體會瞭,略微有些捨本逐末。不過這是一部常讀常新的書,所以每次重讀的話,著眼於一個側重點也未嘗不可,這次是語言,以後可以是其它。但下次還是老老實實地去看中譯本吧。

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