Set in the Gulf Stream off the coast of Havana, Hemingway's magnificent fable is the story of an old man, a young boy and a giant fish. It was The Old Man and the Sea that won for Hemingway the Nobel Prize for Literature. Here, in a perfectly crafted story, is unique and timeless vision of the beauty and grief of man's challenge to the elements in which he lives.
Here, for a change, is a fish tale that actually does honour to the author. In fact The Old Man and the Sea revived Ernest Hemingway's career, which was foundering under the weight of such post-war stinkers as Across the River and into the Trees. It also led directly to his receipt of the Nobel Prize in 1954 (an award Hemingway gladly accepted, despite his earlier observation that "no son of a bitch that ever won the Nobel Prize ever wrote anything worth reading afterwards"). A half century later, it's still easy to see why. This tale of an aged Cuban fisherman going head-to-head (or hand-to-fin) with a magnificent marlin encapsulates Hemingway's favourite motifs of physical and moral challenge. Yet Santiago is too old and infirm to partake of the gun-toting machismo that disfigured much of the author's later work
"The brown blotches of the benevolent skin cancer the sun brings from its reflection on the tropic sea were on his cheeks. The blotches ran well down the sides of his face and his hands had the deep-creased scars from handling heavy fish on the cords."
Hemingway's style, too, reverts to those superb snapshots of perception that won him his initial fame
Just before it was dark, as they passed a great island of Sargasso weed that heaved and swung in the light sea as though the ocean were making love with something under a yellow blanket, his small line was taken by a dolphin. He saw it first when it jumped in the air, true gold in the last of the sun and bending and flapping wildly in the air.
If a younger Hemingway had written this novella, Santiago most likely would have towed the enormous fish back to port and posed for a triumphal photograph--just as the author delighted in doing, circa 1935. Instead his prize gets devoured by a school of sharks. Returning with little more than a skeleton, he takes to his bed and, in the very last line, cements his identification with his creator
"The old man was dreaming about the lions."
Perhaps there's some allegory of art and experience floating around in there somewhere--but The Old Man and the Sea was, in any case, the last great catch of Hemingway's career.
--James Marcus
Ernest Hemingway ranks as the most famous of twentieth-century American writers; like Mark Twain, Hemingway is one of those rare authors most people know about, whether they have read him or not. The difference is that Twain, with his white suit, ubiquitous cigar, and easy wit, survives in the public imagination as a basically, lovable figure, while the deeply imprinted image of Hemingway as rugged and macho has been much less universally admired, for all his fame. Hemingway has been regarded less as a writer dedicated to his craft than as a man of action who happened to be afflicted with genius. When he won the Nobel Prize in 1954, Time magazine reported the news under Heroes rather than Books and went on to describe the author as "a globe-trotting expert on bullfights, booze, women, wars, big game hunting, deep sea fishing, and courage." Hemingway did in fact address all those subjects in his books, and he acquired his expertise through well-reported acts of participation as well as of observation; by going to all the wars of his time, hunting and fishing for great beasts, marrying four times, occasionally getting into fistfights, drinking too much, and becoming, in the end, a worldwide celebrity recognizable for his signature beard and challenging physical pursuits.
我喜欢短小而精悍的故事。开头我的眼睛里只有一个破落的村庄,一些为了生计奔波的渔民,我想我可以想象出他们的面容,肯定是黝黑而没什么分辨率的。这儿所有的人都有着相似的人生,从出生到死亡,似乎没有什么分别。主人公,这位老渔夫,也是他们中的一员,可能比起那些可以有...
评分① 到底文学是怎么回事儿 上回我们跟大家讲海明威写《老人与海》这本书多少有点“夫子自道”。因为在这之前,他已经被认为再也写不出好小说了,尤其他上一本小说是饱遭劣评。但是,这本小说出来之后他大获成功! 美国当年很有名的杂志《生活》周刊,有一整期杂志把这篇小...
评分★超级畅销书《追风筝的人》《与神对话》译者李继宏先生倾心翻译。 ★本书特别锁定10分评价,让你真正读懂《老人与 海》 。 ★超精美装帧,封面采用精致高档艺术纸,内文采用80%一星评价超细腻纯质纸,让您在享受阅读经典乐趣的同时,有效保护视力。 ★阅读《老人与海》,认...
评分An old man, a small skiff (in fact a female one as Mr Hemingway use "her") and the sea. The story began under the mist of dawn. Without catching any fish within 84 days, the old man was going to break his previous record of 87 days soon under the tough sit...
评分一 在我初次撰写本文的那些天,我在校园散步时读到一则讣告,本校一位退休工人在家中去世,享年104岁。讣告特别提到,他生前是一位淡泊、俭朴的老人。我在对他油然升起敬意的同时,也产生一丝惊讶,我从讣告中得知,他与我同居一幢宿舍,而我却对他一无所知,甚至素未谋面。 我...
从文学技法的角度来看,这本书的结构简直是教科书级别的典范。情节推进得极为缓慢,几乎所有的张力都建立在心理活动和环境压力之上。作者巧妙地运用了大量的内心独白和重复性的动作描述,比如对鱼线松紧度的细微感知,对体能衰竭的精准记录,这使得读者完全沉浸在了老人的感官世界里,仿佛我们自己也一同漂浮在那片无边无际的蓝色之中。这种“限制性视角”的运用极为成功,它将读者的注意力牢牢锁定在老人的困境中,每一次呼吸的停顿都成了悬念。而且,书中对于人与自然界限的探讨非常精妙。老人深知自己是自然的一部分,他不是要去毁灭自然,而是要证明自己有资格在自然法则之下生存下去。这种敬畏感,而非征服欲,是支撑他完成这次史诗般航行的内在驱动力。读完后,我感到一种极度的疲惫,但那种精神上的充实感,是任何娱乐作品都无法给予的。
评分说实话,我一开始对这种“老头打鱼”的故事提不起太大兴趣,总觉得会是很沉闷的纪实文学。但这本书彻底颠覆了我的预设。它成功地将一个看似平凡的捕鱼事件,提升到了一个关于生存哲学的探讨层面。我欣赏作者如何不动声色地构建了一种“永恒的循环”感。老人失败了(鱼被鲨鱼吃光),但他成功了(他战胜了自己内心的懦弱)。这种看似矛盾的结局,恰恰揭示了生存的本质:过程比结果更重要,尊严的维护高于物质的获取。书中对那些无情的掠食者——鲨鱼群的描写,也是一绝,它们代表着生活中那些不断侵蚀你努力成果的、外在的、无法协商的破坏力量。老人最终面对的不是海洋的敌人,而是时间、衰老和世俗的消磨。这使得这本书拥有了超越地域和时代的普适性,无论你身处何种境遇,都能从中找到自己的影子和面对困境的勇气。
评分这本小说简直就是对人类精神世界的一次深度剖析,它没有宏大的叙事背景,也没有错综复杂的情节设计,一切都聚焦于一个老人在广阔无垠的大海上与命运的较量。那种孤独感,那种近乎偏执的坚持,读起来让人热血沸腾,又感到一种深刻的悲凉。我尤其欣赏作者对于环境和自然景象的描绘,那些细节的刻画,仿佛能让你闻到海水的咸味,感受到阳光炙烤皮肤的灼热。老人与那条巨大马林鱼之间的搏斗,与其说是一场捕猎,不如说是一场关于尊严和耐力的哲学辩论。他没有抱怨,没有退缩,即使双手被鱼线勒出血痕,即使身体已经到达极限,他依然保持着一种近乎神圣的专注。每一次拉锯,每一次调整姿态,都蕴含着人类面对不可抗拒的力量时所能展现出的最高贵品质。这本书的伟大之处在于,它用最简洁的语言,触及了最深邃的主题——失败与胜利的界限在哪里?当所有的外在荣耀都消散后,真正留下的又是什么?这种思考的深度,足以让任何一个读者在合上书页后,陷入久久的沉思之中。
评分这本书的语言风格,简洁到近乎冷酷,但情感的温度却高得惊人。它没有煽情,没有多余的修饰,每一个词语都像是在精准地切割着现实。我特别留意了作者在描述海洋色彩和光影变化时的笔触,那种由深蓝到墨黑再到晨曦微露的过渡,不仅仅是写景,更是在烘托人物心境的起伏。老人的孤独是绝对的,他与世界唯一的连接,就是他的船、他的工具,以及那条他拼尽全力去捍卫的荣耀。这种近乎苦修般的体验,让我重新审视了我们现代人对“成功”的定义。我们太容易被外在的标签和成就所定义,而这本书却在提醒我们,真正的胜利,可能只是在没人看见的地方,保持了正直和坚韧。读完之后,我不再关注我生活中的那些小小的挫折和不公,而是开始思考,我是否也在为那些真正值得奋斗的目标,付出了我全部的“力气”。它不是一本读完就扔掉的书,而是一面镜子,映照出我们灵魂深处最原始的渴望与挣扎。
评分我得说,初读这本书时,我差点被那种近乎“简单”的叙事风格所迷惑。它不像那些充斥着华丽辞藻和复杂隐喻的作品,它极其朴实,甚至有些粗粝,就像老人在甲板上劳作后留下的粗糙手掌纹路一样。然而,正是这种质朴,赋予了故事无与伦比的力量。海洋在这里不再仅仅是一个背景,它成了一种活生生的、具有意志力的对手,充满了仁慈,也潜藏着冷酷的法则。每次海浪的涌动,每次风向的转变,都像是命运在对他低语,考验着他的经验和智慧。更令人动容的是他与那条鱼之间的情感联结,那不是简单的征服欲,而是一种相互的尊重,一种对同类伟大生命体的致敬。这种近乎原始的、纯粹的互动,在当今充斥着虚假和矫饰的社会中,显得尤为珍贵和震撼。它提醒我们,真正的勇气,往往是在无人知晓的角落里,用最原始的本能去对抗那些看似无法战胜的困境。
评分虽然还是不太懂= =。。。
评分看到最后,老人回家男孩哭了还是有些感动。沉郁的小说,说的事情太“大”太重了。真经典。
评分在黑夜中,没有人欢呼甚至没有人注意到,可是他仍然梦见狮子。
评分虽然还是不太懂= =。。。
评分在黑夜中,没有人欢呼甚至没有人注意到,可是他仍然梦见狮子。
本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2026 book.quotespace.org All Rights Reserved. 小美书屋 版权所有