Pearl S. Buck's epic Pulitzer Prize-winning novel of a China that was -- now in a Contemporary Classics edition.
Though more than sixty years have passed since this remarkable novel won the Pulitzer Prize, it has retained its popularity and become one of the great modern classics. "I can only write what I know, and I know nothing but China, having always lived there," wrote Pearl Buck. In The Good Earth she presents a graphic view of a China when the last emperor reigned and the vast political and social upheavals of the twentieth century were but distant rumblings for the ordinary people. This moving, classic story of the honest farmer Wang Lung and his selfless wife O-lan is must reading for those who would fully appreciate the sweeping changes that have occurred in the lives of the Chinese people during this century.
Nobel Prize winner Pearl S. Buck traces the whole cycle of life: its terrors, its passions, its ambitions and rewards. Her brilliant novel -- beloved by millions of readers -- is a universal tale of the destiny of man.
Pearl Comfort Sydenstricker was born on June 26, 1892, in Hillsboro, West Virginia. Her parents were Southern Presbyterian missionaries, most often stationed in China, and from childhood, Pearl spoke both English and Chinese. She returned to China shortly after graduation from Randolph-Macon Woman's College in Lynchburg, Virginia, in 1914, and the following year, she met a young agricultural economist named John Lossing Buck. They married in 1917, and immediately moved to Nanhsuchou in rural Anhwei province. In this impoverished community, Pearl Buck gathered the material that she would later use in The Good Earth and other stories of China.
Pearl began to publish stories and essays in the 1920s, in magazines such as The Nation, The Chinese Recorder, Asia, and The Atlantic Monthly. Her first novel, East Wind, West Wind, was published by the John Day Company in 1930. John Day's publisher, Richard Walsh, would eventually become Pearl's second husband, in 1935, after both received divorces.
In 1931, John Day published Pearl's second novel, The Good Earth. This became the bestselling book of both 1931 and 1932, won the Pulitzer Prize and the Howells Medal in 1935, and would be adapted as a major MGM film in 1937. Other novels and books of nonfiction quickly followed. In 1938, less than a decade after her first book had appeared, Pearl won the Nobel Prize in literature, the first American woman to do so. By the time of her death in 1973, Pearl had published more than seventy books: novels, collections of stories, biography and autobiography, poetry, drama, children's literature, and translations from the Chinese. She is buried at Green Hills Farm in Bucks County, Pennsylvania.
This book was shared in the Book-crossing Programme in Hongqiao International Library. To know more, please visit http://www.douban.com/people/50946105/ A reader attending the book-crossing praised the novel as “offering great insight into the Chinese ch...
评分proof: http://gos.sbc.edu/b/buck.html (her nobel acceptance speech). Do not call her an American author, that would be an insult.
评分From either Red Sorghum or The Good Earth, I can get a simple impression of the traditional Chinese local culture. The two novels have many similarities. For example, both the two stories set up in a turbulent epoch, and they say praise of famers’ wisdom...
评分proof: http://gos.sbc.edu/b/buck.html (her nobel acceptance speech). Do not call her an American author, that would be an insult.
评分当年看的时候,是冲着诺贝尔得主的名而去的,书名字大约是译成《大地》吧,可惜看完的时候有点儿失望。完全没有多数诺贝尔文学大师作品那种震憾人心的力量感。如《百年孤独》,如川端康成等等。 只是有如《Gone with the Wind》那个大时代的篇幅与气魄。当然因是远去了的...
"It was the last morning he would have to prepare food for the old man"/ 近期讀得最慢的一本書,賽珍珠的《大地》。寫得很好,不知道當年她在中國住的那段時間的經歷和心境是怎樣,想讀一下她的傳記。
评分the Good Earth无疑是史诗般的作品。描写了一个最普通的中国农民水深火热却又最平凡的一生。中国农民对土地的情节在这本书里被展现的淋漓尽致。最平凡的语言、最朴实的描写却最能让人动心。
评分在Amazon上买了The Good Earth Trilogy的Kindle version,读罢第一部,对中国农民的刻板印象有有所加深。Q: When did the divide between rural and urban life start to morph?
评分人生就是地狱 以上
评分绝对在诺贝尔水准之下,拿个普利策差不多吧。有洞察之眼却无描摹之笔,遗憾便在此了。时代细节的大串联,群体无意识感很强。“大地”点了无数次,人神之间关系很微妙,O-lan是最立得起来的人物,藏珍珠的细节写得太浑成了。接受不了结尾梨花的感情线。
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