Maxine Hong Kingston, (born October 27, 1940, Stockton, California, U.S.), American writer, much of whose work is rooted in her experience as a first-generation Chinese American. Maxine Hong was the eldest of six American-born children of Chinese immigrant parents. Hong’s father, a scholar, had left China in 1924 and immigrated to New York City; unable to find work as a poet or calligrapher, he took a job in a laundry. Hong’s mother had remained behind in China and joined him in the United States in 1939. Hong attended the University of California, Berkeley, as a scholarship student, graduating in 1962. At Berkeley she met aspiring actor Earll Kingston. They were married in November 1962 and had a son in 1964. The couple taught at Sunset High School in 1966–67 in Hayward, California, then moved to Hawaii, where she held a series of teaching jobs for the next 10 years. In 1976 Kingston published her first book, The Woman Warrior: Memoirs of a Girlhood Among Ghosts. It combines myth, family history, folktales, and memories of the experience of growing up within two conflicting cultures. The book was an immediate critical success, winning the 1976 National Book Critics’ Circle Award for nonfiction. In her second memoir, China Men (1980), Kingston tells the story of Chinese immigration through the experiences of the men in her family. Using the narrative techniques of The Woman Warrior, she relates their stories of virtual slave labour, loneliness, and discrimination. China Men won the American Book Award for nonfiction. In Tripmaster Monkey: His Fake Book (1989), the main character—Whittman Ah Sing, named after Walt Whitman—narrates a peculiarly 20th-century American odyssey; the book combines Eastern and Western literary traditions while emphasizing the Americanness of its characters. In To Be the Poet (2002), written mainly in verse, Kingston presented a rumination on elements of her own past and the acts of reading and creating poetry. The Fifth Book of Peace (2003) combines elements of fiction and memoir in the manner of a Chinese talk-story, a tradition in which elements of both the real and imagined worlds become interpolated. I Love a Broad Margin to My Life (2011) is a “memoir-in-verse.” Kingston also published poems, short stories, and articles. Her collection of 12 prose sketches, Hawai’i One Summer (1987), was published in a limited edition with original woodblock prints and calligraphy. Beginning in 1993 Kingston ran a series of writing and meditation workshops for veterans of various conflicts and their families. From these workshops came the material for Veterans of War, Veterans of Peace (2006), a collection edited by Kingston containing prose and verse on the experiences of war, domestic violence, drug abuse, and other traumatic experiences. In 2014 Kingston received the National Medal of Arts.
A first-generation Chinese-American woman recounts growing up in America within a tradition-bound Chinese family, and confronted with Chinese ghosts from the past and non-Chinese ghosts of the present.
今天,看完女勇士。 这本书让我两度哭泣。第一次是木兰来到长城,脸贴在孟姜女曾寻夫不得而哭泣过的城墙上潸然泪下的时候。她仍没有找到她弟弟。我顿时感到一阵深情和委屈。大历史对个人命运的强奸。 第二次是今早,看到月兰回到洛杉矶女儿家之后,慢慢疯掉。又是一个中国传统...
評分 評分大一的時候寫的傻逼文章啊,來美國的第二個學期。 In China, it is not hard to distinguish a poet. When poets feel sad, they do not speak out about their feelings. Instead, they write about flowers falling in the late spring; they write about grasses dying in...
評分故事带有移民文学的特色,作者以五个故事讲述了女人要如何在社会责任与自我认知之间保持平衡。 女勇士,the women worrier是20世纪美国华裔文学的标志之一。 五个民间故事融合了传记的形式表达出来,尽管一直受到真实性的质疑,但是作为一本小说,五个故事还是很吸引人的。我最...
評分《女勇士》令我着迷。 也许是因为与母文化的天然隔绝,才使得作者笔下的中国人、中国事,显得既遥远又贴近。作者以细腻的笔触、芜杂的叙述以及神经质的呓语,解析了一个在美国出生的华裔女性独特而又丰富的个体经验。 作者的叙述是自觉与不自觉掺杂在一起的。在...
嘩眾取寵。
评分Enlarge the mind cause the universe is large!
评分嘩眾取寵。
评分對花木蘭➕嶽飛➕聖女貞德的blending這種方式是理解的,畢竟文學不僅僅是細節,還關於珍貴的想象力,至於文化性彆這種雙重睏惑,無法感同身受
评分從ABC眼中看自己的文化傳說,猶如窺探萬花筒。散亂色彩斑斕,意義不在於試圖拼湊齣一個完整。隔閡看來令人不解甚至不適,但學會平和接受它的存在是第一步吧。全書是有撒下動人的數處,但總覺缺些力道,對母親和母親的曆史與過去的perception還可以更深。3.5
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