No judgement of taste is innocent. In a word, we are all snobs. Pierre Bourdieu brilliantly illuminates this situation of the middle class in the modern world. France's leading sociologist focusses here on the French bourgeoisie, its tastes and preferences. Distinction is at once a vast ethnography of contemporary France and a dissection of the bourgeois mind. In the course of everyday life people constantly choose between what they find aesthetically pleasing and what they consider tacky, merely trendy, or ugly. Bourdicu bases his study on surveys that took into account the multitude of social factors that play a part in a Frenchperson's choice of clothing, furniture, leisure activities, dinner menus for guests, and many other matters of taste. What emerges from his analysis is that social snobbery is everywhere in the bourgeois world. The different aesthetic choices people make are all distinctions-that is, choices made in opposition to those made by other classes. Taste is not pure. Bourdieu finds a world of social meaning in the decision to order bouillabaisse, in our contemporary cult of thinness, in the "California sports" such as jogging and cross-country skiing. The social world, he argues, functions simultaneously as a system of power relations and as a symbolic system in which minute distinctions of taste become the basis for social judgement. The topic of Bourdieu's book is a fascinating one: the strategies of social pretension are always curiously engaging. But the book is more than fascinating. It is a major contribution to current debates on the theory of culture and a challenge to the major theoretical schools in contemporary sociology.
布尔迪厄(1930-2002),当代法国著名思想家、社会学家。主要著作有《实践理论纲要》《国家精英:名牌大学与群体精神》《再生产》《艺术的法则》《区分:判断力的社会批判》。在这些著作中,布尔迪厄借助其“习性”、“资本”、“场”等概念,对资本主义社会进行了深刻的批判。
译者
刘晖,1970年生,法国文学博士,中国社会科学院外国文学研究所副研究员。译著有《色情史》《艺术的法则》《男性统治》《帕斯卡尔式的沉思》《自我分析纲要》等。
某日在食堂吃午饭,某古代文学同侪跟我说:我认为审美就是暂时对世俗的超脱。我先是一惊(这么有哲理的话),然后淡淡地说(为了美学专业的尊严):你这是资产阶级的审美趣味。当年有个叫康德的也是这么说的,还企图把这种趣味普遍化,要将之作为审美的普遍法则,too simple,t...
评分 评分装逼当然有罪,布尔迪厄说。 如果装逼无罪,为什么艺术审美的敏感度总是被分给一小撮名流? 如果装逼无罪,为什么鄙视链的头尾顺序要由老布尔乔亚阶级决定? 如果装逼无罪,为什么需要付出精力和金钱的爱好总是比廉价大众的要牛逼? 如果装逼无罪,为什么艰深难懂的,模糊无可...
评分虽然自己没有读布迪厄的这本英文版的区隔,但最近两周罗卡的课一直在讲这本书,今天连彬更是很详细地讲了这本书的前半部分的内容。他里面主要是讲文化资本、经济资本二者所形成的社会结构对于个人的品味的塑造,不同阶级、不同阶层对于食物、文化与自我呈现的选择显示出非常大...
评分虽然自己没有读布迪厄的这本英文版的区隔,但最近两周罗卡的课一直在讲这本书,今天连彬更是很详细地讲了这本书的前半部分的内容。他里面主要是讲文化资本、经济资本二者所形成的社会结构对于个人的品味的塑造,不同阶级、不同阶层对于食物、文化与自我呈现的选择显示出非常大...
《区隔:趣味判断的社会批判》
评分研究生导师是一个极其严苛的美国博士,这本书是他highly recommend,当时就明白,如果不把这本书整进论文里,肯定会挂!当时为了写好毕业论文,在公交车和地铁上都捧着这本书 使劲啃啊。现在想想,这可能是当时那年里遇到的最精彩的一本书吧。
评分Part1,CCI,26/10/11
评分好书,可我看不懂
评分布迪厄的装逼指南。
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