Opera and the City pdf epub mobi txt 電子書下載2025

簡體網頁||繁體網頁

☆☆☆☆☆

出版者:Stanford University Press

作者:Andrea S. Goldman

出品人:

頁數:384

译者:

出版時間:2012-6-27

價格:USD 55.00

裝幀:Hardcover

isbn號碼:9780804778312

叢書系列:

圖書標籤:

海外中國研究
曆史
城市史
北京
文化史
郭安瑞
清史
京劇
Opera
City
Culture
History
Architecture
Sound
Art
Urban

下載連結在頁面底部

facebook linkedin mastodon messenger pinterest reddit telegram twitter viber vkontakte whatsapp 複製連結

想要找書就要到小美書屋

book.quotespace.org

立刻按 ctrl+D收藏本頁

你會得到大驚喜!!

具體描述

In late imperial China, opera transmitted ideas across the social hierarchy about the self, family, society, and politics. Beijing attracted a diverse array of opera genres and audiences and, by extension, served as a hub for the diffusion of cultural values.

It is in this context that historian Andrea S. Goldman harnesses opera as a lens through which to examine urban cultural history. Her meticulous yet playful account takes up the multiplicity of opera types that proliferated at the time, exploring them as contested sites through which the Qing court and commercial playhouses negotiated influence and control over the social and moral order. Opera performance blurred lines between public and private life, and offered a stage on which to act out gender and class transgressions. This work illuminates how the state and various urban constituencies manipulated opera to their own ends, and sheds light on empire-wide transformations underway at the time.

著者簡介

Andrea S. Goldman is an Associate Professor of History at University of California, Los Angeles.

圖書目錄

contents
list of illustrations
reign periods of the ming and qing dynasties
overture
part one audience and actors
1 opera aficionados and guides to boy actresses
the texts
the connoisseurs
the Lao Dou and other patrons
conclusion
part two venues and genres
2 metropolitan operas, border crossing and the state
the playhouse
the temple fair
the salon
conclusion
3 musical gentre, opera hierachy and court patronage
Yabu and Huabu
court patronage and regulation to circa 1860
genre delineation and the opera marketplace
court patronage and regulation after 1860
conclusion
part three social melodrama and the sexing of political complaint
the garden of Turquoise and Jade and its sources
garden and the ethics of early Qing
Suzhou playwright
garden on the commercial stage
conclusion
5 s*ex versus violence in "I, sister in law" operas
the stories
from page to stage
Kunju performances in context
eighteenth century court appropriation of "I, sister in law" operas
violence and the reinstantiation of moral order in the Pihuang tradition
conclusion
CODA
APPENDICES
LIST OF CHARACTERS
NOTES
BIBLIOGRAPHY
INDEX
· · · · · · (收起)

讀後感

評分☆☆☆☆☆

“公共领域”一词经由德国学者哈贝马斯提出之后，一直在社会学领域发挥着重要的影响力。哈贝马斯眼中的公共领域，是一种介乎国家与社会之间的公共空间，市民们可以在这个空间里自由言论，而这样的空间，正是在市民的个人利益与国家权力之间架起一种沟通的桥梁。市民们在这里形...

評分☆☆☆☆☆

近年来明清的文化史研究突飞猛进，研究的成果令人耳目一新，之所以会有如此突出的进步与发展，其动力来自于研究的角度与方法论上的突破。其一就是跨领域的分析与视角，将文化史的面向更为扩大，研究也因此益加深入。过去许多被视为文学和文学史研究的课题，现在有更多文化史和...

評分☆☆☆☆☆

加州大学伯克利分校历史学博士郭安瑞于2014年获得美国亚洲研究学会“列文森图书奖”的作品——《文化中的政治》，副标题名为“戏曲表演与清都社会”，研究对象是中国晚清戏曲史，全书分为三个部分：观众与演员，场所与剧种，剧本与表演。作品把剧种研究的主要因素都考虑进去了...

評分☆☆☆☆☆

历史学家傅斯年曾说过，中国传统的儒家礼法社会有一个制度上的问题：由于“礼不下庶人”，儒家主流文化并不关心下层民众的思想、心灵与文化，“所以庶人心中如何想，生活如何作心理上的安顿，是不管的”；于是大众自有一种趋势，当佛教、道教等深入民间后，民众便被席卷而去，...

評分☆☆☆☆☆

用戶評價

评分☆☆☆☆☆

關於花譜的分析挺有意思。

评分☆☆☆☆☆

盛清的戲麯錶演與社會交際、文化實踐、宗教儀式、寓教於樂等功能密不可分，而演齣場所則是雜糅瞭公共(非哈貝馬斯意義上的、與市民社會的興起相關的公共領域)與私人想象的空間。花譜書寫不僅是一部記錄瞭城市的逸樂和消閑、帶有懷舊色彩的民族誌，更是懷纔不遇的文人互相唱和、炫耀文化優越感以同老鬥區隔、繼承妓女文學傳統的文本社群；首都劇場由茶園、廟會與堂會組成，而禁止旗人看戲、內城建劇場反映瞭清廷的種族隔離政策和對戲麯演齣內蘊的性彆/階層/身份跨界既即且離的態度；花部和雅部對應俗、雅二分，皮簧戲的崛起受惠於宮廷贊助、對演齣內容的管理和太平天國對江南精英文化的破壞；《翡翠園》是通俗劇的道德想象、香草美人之喻的延續，其舞颱版改編反映觀眾更喜歡悲劇結尾；嫂子我係列的淫戲從僭越禮法到厭女癥候，重申父權統治的價值取嚮。

评分☆☆☆☆☆

緊趕著看瞭幾頁，從戲麯看清代的城市生活與社會流動，清廷對戲麯態度及背後原因、滿族統治者與江南文人精英的文化競爭，不同戲麯派彆的競爭、皮黃戲最後勝齣的原因，戲麯中的gender representation及其暗示/錶達齣來的世道人心、戲園子內外的八旗子弟、市井百姓還有從業人員、文化精英。

评分☆☆☆☆☆