Jennifer Egan’s spellbinding interlocking narratives circle the lives of Bennie Salazar, an aging former punk rocker and record executive, and Sasha, the passionate, troubled young woman he employs. Although Bennie and Sasha never discover each other’s pasts, the reader does, in intimate detail, along with the secret lives of a host of other characters whose paths intersect with theirs, over many years, in locales as varied as New York, San Francisco, Naples, and Africa.
We first meet Sasha in her mid-thirties, on her therapist’s couch in New York City, confronting her long-standing compulsion to steal. Later, we learn the genesis of her turmoil when we see her as the child of a violent marriage, then as a runaway living in Naples, then as a college student trying to avert the suicidal impulses of her best friend. We plunge into the hidden yearnings and disappointments of her uncle, an art historian stuck in a dead marriage, who travels to Naples to extract Sasha from the city’s demimonde and experiences an epiphany of his own while staring at a sculpture of Orpheus and Eurydice in the Museo Nazionale. We meet Bennie Salazar at the melancholy nadir of his adult life—divorced, struggling to connect with his nine-year-old son, listening to a washed-up band in the basement of a suburban house—and then revisit him in 1979, at the height of his youth, shy and tender, reveling in San Francisco’s punk scene as he discovers his ardor for rock and roll and his gift for spotting talent. We learn what became of his high school gang—who thrived and who faltered—and we encounter Lou Kline, Bennie’s catastrophically careless mentor, along with the lovers and children left behind in the wake of Lou’s far-flung sexual conquests and meteoric rise and fall.
A Visit from the Goon Squad is a book about the interplay of time and music, about survival, about the stirrings and transformations set inexorably in motion by even the most passing conjunction of our fates. In a breathtaking array of styles and tones ranging from tragedy to satire to PowerPoint, Egan captures the undertow of self-destruction that we all must either master or succumb to; the basic human hunger for redemption; and the universal tendency to reach for both—and escape the merciless progress of time—in the transporting realms of art and music. Sly, startling, exhilarating work from one of our boldest writers.
Jennifer Egan’s 2017 novel, Manhattan Beach, has been awarded the 2018 Andrew Carnegie Medal for Excellence in Fiction. Egan was born in Chicago and raised in San Francisco. She is also the author of The Invisible Circus, a novel which became a feature film starring Cameron Diaz in 2001, Look at Me, a finalist for the National Book Award in fiction in 2001, Emerald City and Other Stories, The Keep, and A Visit From the Goon Squad, won the 2011 Pulitzer Prize, the National Book Critics Circle Award for Fiction, and the LA Times Book Prize. Her short stories have appeared in The New Yorker, Harpers, Granta, McSweeney’s and other magazines. She is a recipient of a Guggenheim Fellowship, a National Endowment for the Arts Fellowship in Fiction, and a Dorothy and Lewis B. Cullman Fellowship at the New York Public Library. Also a journalist, she has written frequently in the New York Times Magazine. Her 2002 cover story on homeless children received the Carroll Kowal Journalism Award, and “The Bipolar Kid” received a 2009 NAMI Outstanding Media Award for Science and Health Reporting from the National Alliance on Mental Illness.
马尔克斯说过,但凡还有一点自尊心的记者,谁敢说自己没有文学追求?毫无疑问,珍妮弗•伊根是个有自尊心的记者。她为《纽约时报》撰稿同时也为《纽约客》、《哈泼斯》写短篇小说,再顺手将这些短篇揉成长篇小说《恶棍来访》,而后拿了个普利策文学奖。 伊根说过,这本小说...
評分这是一部群像小说,出场人物无论曾经年少轻狂,还是后来进入职业生涯,他们的人生或多或少均与音乐(主要是摇滚)产生衔接,作者因此将人物与故事有意装入A,B两大部分以及其下有标题的具体章节,如同一盘磁带的A,B两面和灌入载体内的一首首歌曲。其结构的别具一格之处,还在于...
評分 評分初读《时间里的痴人》,最让人印象深刻的就是它的结构了。乍看之下,这是一部由十三篇相对独立的小说组成的短篇集,但是与同样以音乐和音乐人为主题的短篇集——如石黑一雄的《小夜曲:音乐与黄昏五故事集》——不同,《时间里的痴人》中的十三个短篇实则是隶属于整个故事的十...
評分神書一本…我甚至都推薦給鄧同學瞭
评分這本書的結構非常有意思,A, B講不同時代的故事。故事本身一個個也各有韆鞦,那麼多的人物全麵鋪開,詳細寫道,不容易。
评分3.5星。除瞭creativity writing這點值得盛贊之外,好幾個故事都略顯無聊。個人比較喜歡的是偷竊僻女秘書,略具黑色幽默的Scotty從搖滾少年變成中年清潔工的,以及模仿DFW腳注寫法的悲催新聞撰稿人這三個故事。
评分最後一章僞Scifi略難下咽外都不錯。Tag line: Time is a goon. 一群人,內心戲,和時光如何改變瞭他們。這些人都不太快樂,都或多或少fucked up,都略有些nutcase的潛質。最喜歡slides形式的那一章,格外動人。
评分2011普利策獲奬作品 2011美國國傢書評奬作品 2011柑橘奬入圍作品
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