Sentimental Fabulations, Contemporary Chinese Films pdf epub mobi txt 电子书 下载 2025
- 电影
- 周蕾
- 海外中国研究
- 文化研究
- 中国电影
- 电影研究
- cultural-studies
- Film
- 中国电影
- 情感叙事
- 当代电影
- 文化研究
- 电影批评
- 华语电影
- 社会现实
- 女性影像
- 身份认同
- 后现代主义
具体描述
What is the sentimental? How can we understand it by way of the visual and narrative modes of signification specific to cinema and through the manners of social interaction and collective imagining specific to a particular culture in transition? What can the sentimental tell us about the precarious foundations of human coexistence in this age of globalization? Rey Chow explores these questions through nine contemporary Chinese directors (Chen Kaige, Wong Kar-wai, Zhang Yimou, Ann Hui, Peter Chan, Wayne Wang, Ang Lee, Li Yang, and Tsai Ming-liang) whose accomplishments have become historic events in world cinema. Approaching their works from multiple perspectives, including the question of origins, nostalgia, the everyday, feminine "psychic interiority," commodification, biopolitics, migration, education, homosexuality, kinship, and incest, and concluding with an account of the Chinese films' epistemic affinity with the Hollywood blockbuster Brokeback Mountain, Chow proposes that the sentimental is a discursive constellation traversing affect, time, identity, and social mores, a constellation whose contours tends to morph under different historical circumstances and in different genres and media. In contemporary Chinese films, she argues, the sentimental consistently takes the form not of revolution but of compromise, not of radical departure but of moderation, endurance, and accommodation. By naming these films sentimental fabulations--screen artifacts of cultural becoming with irreducible aesthetic, conceptual, and speculative logics of their own--Chow presents Chinese cinema first and foremost as an invitation to the pleasures and challenges of critical thinking.
作者简介
目录信息
Preface and Acknowledgments
Note on Transcription
Introduction
Part I: Remembrance of Things Past
1. The Seductions of Homecoming: Temptress Moon and the Question of Origins
2. Nostalgia of the New Wave: Romance, Domesticity, and the Longing for Oneness in Happy
Together
3. The Everyday in The Road Home and In the Mood for Love: From the Legacy of Socialism to the
Potency of Yuan
Part II: Migrants' Lore, Women's Options
4. Autumn Hearts: Filming Feminine Psychic Interiority in Song of the Exile
5. By Way of Mass Commodities: Love in Comrades, Almost a Love Story
6. All Chinese Families Are Alike: Biopolitics in Eat a Bowl of Tea and The Wedding Banquet
Part III: Picturing the Life to Come . . .
7. The Political Economy of Vision in Happy Times and Not One Less; or, A Different Type of
Migration
8. "Human" in the Age of Disposable People: The Ambiguous Import of Kinship and Education in
Blind Shaft
9. The Enigma of Incest and the Staging of Kinship Family Remains in The River
Postscript (Inspired by Brokeback Mountain): "The Juice"; or, "The Great Chinese Theme"
Notes
Index
Library of Congress Subject Headings for this publication:
Motion pictures -- China.
Motion pictures -- Social aspects -- China.
· · · · · · (收起)
读后感
尋根、懷古、日常、遷徙、同性戀、宗族、亂倫、、、從電影的語言，華人社會的情感結構如何呈現？ 旅美作家、教授周蕾分析當代九位華人大導：陳凱歌、王家衛、張藝謀、許鞍華、陳可辛、王穎、李安、李楊、蔡明亮的作品，說明中國當代電影描寫人類細膩情感的手法。
评分尋根、懷古、日常、遷徙、同性戀、宗族、亂倫、、、從電影的語言，華人社會的情感結構如何呈現？ 旅美作家、教授周蕾分析當代九位華人大導：陳凱歌、王家衛、張藝謀、許鞍華、陳可辛、王穎、李安、李楊、蔡明亮的作品，說明中國當代電影描寫人類細膩情感的手法。
评分尋根、懷古、日常、遷徙、同性戀、宗族、亂倫、、、從電影的語言，華人社會的情感結構如何呈現？ 旅美作家、教授周蕾分析當代九位華人大導：陳凱歌、王家衛、張藝謀、許鞍華、陳可辛、王穎、李安、李楊、蔡明亮的作品，說明中國當代電影描寫人類細膩情感的手法。
评分尋根、懷古、日常、遷徙、同性戀、宗族、亂倫、、、從電影的語言，華人社會的情感結構如何呈現？ 旅美作家、教授周蕾分析當代九位華人大導：陳凱歌、王家衛、張藝謀、許鞍華、陳可辛、王穎、李安、李楊、蔡明亮的作品，說明中國當代電影描寫人類細膩情感的手法。
评分尋根、懷古、日常、遷徙、同性戀、宗族、亂倫、、、從電影的語言，華人社會的情感結構如何呈現？ 旅美作家、教授周蕾分析當代九位華人大導：陳凱歌、王家衛、張藝謀、許鞍華、陳可辛、王穎、李安、李楊、蔡明亮的作品，說明中國當代電影描寫人類細膩情感的手法。
用户评价
读过春光乍泄的一章，援引拉康的他者理论和弗洛伊德的压抑说，依然存在理论超越文本的问题，理论功夫了得，文本分析却不是我想看到的社会学分析。
评分读过春光乍泄的一章，援引拉康的他者理论和弗洛伊德的压抑说，依然存在理论超越文本的问题，理论功夫了得，文本分析却不是我想看到的社会学分析。
评分周蕾我的女神。。
评分有点生硬
评分读过春光乍泄的一章，援引拉康的他者理论和弗洛伊德的压抑说，依然存在理论超越文本的问题，理论功夫了得，文本分析却不是我想看到的社会学分析。
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