Nudities pdf epub mobi txt 電子書 下載2025
Giorgio Agamben, an Italian philosopher and radical political theorist, is Professor of Philosophy at the University of Venice. Stanford University Press has published seven of his previous books: Homo Sacer (1998), Potentialities (1999), The Man Without Content (1999), The End of the Poem (1999), The Open (2004), The Time that Remains (2005), and, most recently, "What is an Apparatus?" and Other Essays(2009).
- 阿甘本
- 哲學
- Agamben
- Philosophy
- GiorgioAgamben
- Giorgio_Agamben
- 陸興華
- 阿甘本Giorgio_Agamben
Encompassing a wide range of subjects, the ten masterful essays gathered here may at first appear unrelated to one another. In truth, Giorgio Agamben's latest book is a mosaic of his most pressing concerns. Take a step backward after reading it from cover to cover, and a world of secret affinities between the chapters slowly comes into focus. Take another step back, and it becomes another indispensable piece of the finely nuanced philosophy that Agamben has been patiently constructing over four decades of sustained research.
If nudity is unconcealment, or the absence of all veils, then Nudities is a series of apertures onto truth. A guiding thread of this collection—weaving together the prophet's work of redemption, the glorious bodies of the resurrected, the celebration of the Sabbath, and the specters that stroll the streets of Venice—is inoperativity, or the cessation of work. The term should not be understood as laziness or inertia, but rather as the paradigm of human action in the politics to come. Itself the result of inoperativity, Nudities shuttles between philosophy and poetry, philological erudition and unexpected digression, metaphysical treatise and critique of modern life. And whether the subject at hand is personal identity or the biometric apparatus, the slanderer or the land surveyor, Kafka or Kleist, every page bears the singular imprint of one of the most astute philosophers of our time.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
直接讀的lightwhite譯文
评分直接讀的lightwhite譯文
评分pales in comparison with the magnificent The Use of Bodies
评分pales in comparison with the magnificent The Use of Bodies
评分感謝lightwhite的譯文。阿甘本的邏輯：錶麵是A，實際上是現象A的反麵理解——是B。而這個B實際上指嚮瞭C——A的真相。 比如：榮耀之軀是從無作性（不以力比多法則使用，使身體變得無效）到另一個領域（展示領域）的分離（作為崇拜），是故，榮耀之軀是對身體張力的新的使用，一種潛能的身體的公共性展示，它就是身體本身。
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