Virginia Woolf is now recognized as a major twentieth-century author, a great novelist and essayist and a key figure in literary history as a feminist and a modernist. Born in 1882, she was the daughter of the editor and critic Leslie Stephen, and suffered a traumatic adolescence after the deaths of her mother, in 1895, and her step-sister Stella, in 1897, leaving her subject to breakdowns for the rest of her life. Her father died in 1904 and two years later her favourite brother Thoby died suddenly of typhoid.
With her sister, the painter Vanessa Bell, she was drawn into the company of writers and artists such as Lytton Strachey and Roger Fry, later known as the Bloomsbury Group. Among them she met Leonard Woolf, whom she married in 1912, and together they founded the Hogarth Press in 1917, which was to publish the work of T. S. Eliot, E. M. Forster and Katherine Mansfield as well as the earliest translations of Freud. Woolf lived an energetic life among friends and family, reviewing and writing, and dividing her time between London and the Sussex Downs. In 1941, fearing another attack of mental illness, she drowned herself.
Her first novel, The Voyage Out, appeared in 1915, and she then worked through the transitional Night and Day (1919) to the highly experimental and impressionistic Jacob’s Room (1922). From then on her fiction became a series of brilliant and extraordinarily varied experiments, each one searching for a fresh way of presenting the relationship between individual lives and the forces of society and history. She was particularly concerned with women’s experience, not only in her novels but also in her essays and her two books of feminist polemic, A Room of One’s Own (1929) and Three Guineas (1938).
Her major novels include Mrs Dalloway (1925), the historical fantasy Orlando (1928), written for Vita Sackville-West, the extraordinarily poetic vision of The Waves (1931), the family saga of The Years (1937), and Between the Acts (1941). All these are published by Penguin, as are her Diaries, Volumes I-V, and selections from her essays and short stories.
The Waves, more than any of Virginia Woolf's novels, conveys the complexities of human experience. Tracing the lives of a group of friends, The Waves follows their development from childhood to youth and middle age.
While social events, individual achievements and disappointments form its narrative, the novel is most remarkable for the rich poetic language that conveys the inner life of its characters: their aspirations, their triumphs and regrets, their awareness of unity and isolation. Separately and together, they query the relationship of past to present, and the meaning of life itself.
如同介绍所言,“高度诗意化,高度抽象化”——甚至让我感到虚无。这种极度sencetive的文字对我来说如同一堵高墙,要么就是一面铁壁,要么它最好别被翻译。 如果能拜读英文版,那边铁壁或许需要的仅仅是个错觉,希望如此。 不知道到底是译者的英文水平有限还是中文水平有限,...
評分读的每本书,都在讲一些相似的事情? 更容易读的不是简单直接的孩子的短短的句子,而是长大后复杂的长长的段落,也许是对某种表达方式已经生疏了。 读到“时间的水滴”时,我正因为难过而放纵自己在床上呆滞地躺了两天。 被习惯遮蔽的东西总要在这种时候才显现。 一个人蜕皮...
評分如同介绍所言,“高度诗意化,高度抽象化”——甚至让我感到虚无。这种极度sencetive的文字对我来说如同一堵高墙,要么就是一面铁壁,要么它最好别被翻译。 如果能拜读英文版,那边铁壁或许需要的仅仅是个错觉,希望如此。 不知道到底是译者的英文水平有限还是中文水平有限,...
評分在待了多年的学校论坛,书版,有一位我很喜爱的网友。她迟迟没有结婚,在追寻自己的事情。我向她建议要学会接受庸常的生活,接受一个面目平庸的陌生男子。我以为这些就是真理的所在。直到我在这里看到伍尔夫所做的事——这些文字,在被平庸生活包裹的人一亿年也鲜能写出。 这些...
評分Wave is a very apt metaphor for both its theme and the reading experience. It is truth on another dimension---beyond the articulate, the linear, and the rational. The book (be warned, it's not a novel) is a challenge. It is such a genre-defying work that I don't see myself a competent judge, if a judge at all.
评分詩一樣的語言
评分How describe the world seen without a self?
评分embroidery of voices woven with threads of textile, lines of thought, and fibres of waves
评分pure poetry
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