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出版者:拜德雅 | 西南师范大学出版社

作者:[美]格拉汉姆·哈曼

出品人:拜德雅

页数:368

译者:黄芙蓉

出版时间:2018-6

价格:58.00

装帧:平装

isbn号码:9787562193586

丛书系列:拜德雅·人文丛书

图书标签:

• 思辨实在论
• 哲学
• 格拉汉姆·哈曼
• 思想
• 拜德雅
• 2018
• 黄芙蓉
• 西南师范大学出版社
• 奇幻
• 冒险
• 成长
• 友情
• 校园
• 悬疑
• 青春
• 探索
• 声音
• 隐喻

《风语长歌》 在遥远而古老的东方大陆，有一个名为“静溪镇”的宁静小镇，它坐落在群山环抱的谷地，一条清澈的小溪穿镇而过，日夜低语着古老的传说。小镇的生活节奏舒缓，人们世代以耕种为生，遵循着祖辈传下来的习俗，日子过得平和而安详。 然而，这份宁静 Beneath the surface of this idyllic existence, an undercurrent of ancient mystery had always subtly stirred. The town elders often spoke of the “Whispering Woods” that bordered their lands, a place steeped in tales of forgotten spirits and elusive melodies that echoed through the rustling leaves. These stories, dismissed by most as folklore, held a peculiar fascination for Elara, a young woman with an unquenchable thirst for knowledge and a spirit as restless as the wind. Elara was not like the other villagers. While they found contentment in the familiar cycles of nature and community, her gaze was perpetually drawn to the horizon, her mind filled with questions that stretched beyond the boundaries of their quiet lives. She spent her days exploring the outskirts of the Whispering Woods, her fingers tracing the intricate patterns on ancient stones and her ears straining to decipher the subtle nuances of the wind’s song. She possessed a keen observational skill and an innate ability to connect seemingly disparate threads, a talent that often went unnoticed in the pragmatic world of the village. One crisp autumn evening, as the sun dipped below the jagged peaks, casting long shadows across the valley, Elara stumbled upon an ancient, moss-covered shrine hidden deep within the woods. It was unlike anything she had ever seen, adorned with carvings that spoke of a civilization long vanished. In the center of the shrine lay a peculiar artifact: a delicate, hollow reed, intricately carved with symbols that pulsed with a faint, ethereal light. As her fingers brushed against its surface, a gust of wind swept through the trees, carrying with it a chorus of faint, resonant sounds – like distant chimes and the sigh of a gentle breeze. Intrigued, Elara carefully took the reed back to her modest dwelling. She discovered that when she blew through it, it produced a series of melodic notes, each one seeming to carry a fragment of a story, a whisper of emotions, a glimpse into a world beyond her comprehension. The reed became her constant companion. She learned to coax a symphony of sounds from it, each melody a testament to the secrets she was slowly uncovering. As Elara delved deeper into the mysteries of the reed and the Whispering Woods, she began to notice subtle changes in the town itself. The whispers of the wind seemed to grow louder, more insistent. Strange occurrences, once dismissed as oddities, started to accumulate: flowers blooming out of season, sudden shifts in the weather that defied natural patterns, and the fleeting glimpses of spectral figures at the edge of vision. The villagers, accustomed to their predictable world, grew uneasy. Fear began to creep into their hearts, fueled by superstition and a lack of understanding. They looked to their elders for answers, but even the wisest among them seemed bewildered. It was then that Elara realized her discovery was not merely a personal fascination, but a key to understanding a much larger, unfolding narrative. The reed, she suspected, was a conduit, a bridge between their reality and something far more profound. The melodies she played were not just sounds; they were echoes of a forgotten language, a way of communicating with the very essence of the land. Driven by a growing sense of responsibility, Elara dedicated herself to deciphering the reed's secrets. She spent countless hours studying ancient texts found in the town’s neglected library, comparing the symbols on the reed with faded inscriptions on forgotten artifacts. Her journey was one of solitude and perseverance, punctuated by moments of exhilarating discovery and frustrating setbacks. She learned that the Whispering Woods was not just a forest, but a place where the veil between worlds was thin. The ancient civilization that once thrived there had possessed a deep connection with the natural world, understanding its rhythms and communicating with its hidden forces. The reed was a relic of their wisdom, a tool designed to harmonize with these energies. As Elara's understanding grew, so did her ability to influence the subtle energies around her. She found that by playing specific melodies, she could soothe the restless spirits, encourage the land to flourish, and even bring a sense of peace to the anxious villagers. However, she also discovered that some forces within the woods were less benign, their whispers carrying a hint of discord. Her journey was far from over. The reed held more secrets than she could have imagined, and the Whispering Woods guarded mysteries that stretched back through the ages. Elara understood that she was on the cusp of a profound revelation, one that would not only reshape her own understanding of the world but also potentially alter the destiny of her beloved静溪镇. The wind continued to whisper, and Elara, with the reed in her hands, was finally ready to listen and to answer its call.

评分☆☆☆☆☆

Object-oriented Ontology的确很难翻译，三个关键词每一个都有无数译法，比较起来，还是oriented这个更实在的虚词让人松一口气。哈曼提出的叫Object-oriented philosophy，被Levi Bryant改成了Object-oriented Ontology——后者的一个优势是可以缩写成OOO，明显更具品牌效应。 ...

评分☆☆☆☆☆

Object-oriented Ontology的确很难翻译，三个关键词每一个都有无数译法，比较起来，还是oriented这个更实在的虚词让人松一口气。哈曼提出的叫Object-oriented philosophy，被Levi Bryant改成了Object-oriented Ontology——后者的一个优势是可以缩写成OOO，明显更具品牌效应。 ...

评分☆☆☆☆☆

Object-oriented Ontology的确很难翻译，三个关键词每一个都有无数译法，比较起来，还是oriented这个更实在的虚词让人松一口气。哈曼提出的叫Object-oriented philosophy，被Levi Bryant改成了Object-oriented Ontology——后者的一个优势是可以缩写成OOO，明显更具品牌效应。 ...

评分☆☆☆☆☆

Object-oriented Ontology的确很难翻译，三个关键词每一个都有无数译法，比较起来，还是oriented这个更实在的虚词让人松一口气。哈曼提出的叫Object-oriented philosophy，被Levi Bryant改成了Object-oriented Ontology——后者的一个优势是可以缩写成OOO，明显更具品牌效应。 ...

评分☆☆☆☆☆

Object-oriented Ontology的确很难翻译，三个关键词每一个都有无数译法，比较起来，还是oriented这个更实在的虚词让人松一口气。哈曼提出的叫Object-oriented philosophy，被Levi Bryant改成了Object-oriented Ontology——后者的一个优势是可以缩写成OOO，明显更具品牌效应。 ...

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我通常对于篇幅较长的作品会有些畏惧，但这部作品却拥有惊人的魔力，让我完全忘记了时间的流逝。它的节奏控制堪称教科书级别。故事的前半段，铺垫的深度和广度令人惊叹，作者不惜笔墨去构建一个庞大且逻辑自洽的世界观，每一个小小的设定背后似乎都隐藏着千年的历史。然而，这种慢热并不枯燥，恰恰相反，它建立了一种扎实的沉浸感，让你在不知不觉中完全接纳了故事的“真实性”。而一旦进入到中后段，节奏突然加快，信息密度陡增，各种伏笔犹如连锁反应般集中爆发，那种“原来如此”的震撼感是无与伦比的。这种高超的叙事节奏调控能力，体现了作者对故事脉络的绝对掌控力。它让你在放松与紧张之间不断切换，如同经历了一场酣畅淋漓的心智马拉松。我强烈建议那些喜欢深度沉浸式阅读体验的读者不要错过，这需要耐心，但回报绝对是超值的。

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这本书的配乐——抱歉，我说的是“音画”——做得实在是太出色了！虽然它是一本小说，但它自带了一种强烈的视觉冲击力，仿佛每一个场景都配上了专属的史诗级配乐。想象一下，在那些关键的对峙场面，作者寥寥数语勾勒出的画面感，那种紧张到极致的气氛，足以让你的心跳加速。更厉害的是，它在处理那些宏大战争场面时，并没有陷入堆砌战斗场面的俗套，而是巧妙地将个体命运与时代洪流结合起来，让你既能感受到战争的残酷和无意义，又能体会到个体在历史转折点上爆发出的惊人力量。特别是高潮部分的场景调度，人物的进场、退场，光线的明暗变化，都被安排得像一场精心编排的戏剧。这种高水准的场景构建能力，让人叹为观止。如果未来有影视化改编，我相信视觉呈现上将会有极高的上限。

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从哲学思辨的角度来看，这本书探讨的主题深度远超同类作品。它没有给出任何简单的答案，而是抛出了一系列关于“何为正义”、“何为自由”的尖锐问题。书中的几个主要冲突点，实际上是两种截然不同甚至相互对立的价值观的碰撞。我特别欣赏作者对“灰色地带”的偏爱，没有绝对的好人或坏蛋，每个人都站在自己的立场上做出了看似合理实则充满悲剧性的选择。这种对人性和道德困境的诚实描摹，让我产生了强烈的代入感和共情，因为它迫使我跳出自己固有的思维框架去审视问题。读完之后，我花了几天时间整理思绪，因为那些关于命运、选择与宿命的讨论，已经深深地烙印在了我的认知结构里。它不是那种读完就扔的书，它更像是一本值得反复研读和引用的思想载体。

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这本书的语言风格，我必须说，简直是艺术品级别的享受。它不像某些畅销书那样追求快速、直白的叙事效率，而是沉浸在一种古典而又富有韵律感的文字美学之中。作者似乎对每一个词语的音韵和力量都了如指掌，长句的铺陈如同精美的巴洛克式建筑，层层叠叠，却又结构严谨，充满了古典的庄重感。但请别误会，这种华丽的辞藻堆砌并非空洞的装饰，它们精准地服务于烘托氛围和深化主题。特别是书中对自然景色的描绘，简直达到了“身临其境”的地步。当角色踏入一片古老的森林时，那种湿润的苔藓气味、树冠间漏下的斑驳光影，甚至连空气中微小的尘埃似乎都能被你感知到。这让我意识到，好的文学作品，其阅读过程本身就应该是一种多感官的体验，而这本书完美地做到了这一点。我甚至会放慢阅读速度，只是为了细细品味那些绝妙的比喻和精妙的排比，每一次重读，都会有新的发现和领悟。

评分☆☆☆☆☆

这本书真是让人欲罢不能！我一打开它，就被作者构建的那个宏大而又细腻的世界牢牢抓住了。故事情节的推进，就像一条蜿蜒的河流，时而平静舒缓，将人物的内心挣扎和日常生活的琐碎描摹得淋漓尽致；时而又突然激流勇进，接连不断的意外和冲突让人喘不过气来。尤其值得称赞的是人物塑造，每一个角色都立体得仿佛能从纸上走下来。他们的动机、他们的缺陷、他们的成长轨迹，都处理得极其自然和真实。我特别喜欢主角在面对困境时那种近乎固执的韧性，那种在绝望中寻找微光的勇气，读起来让人热血沸腾，也引发了我对自己生活中某些选择的深刻反思。这本书不仅仅是讲了一个故事，它更像是一面镜子，映照出人性深处复杂的光影。光是关于那些错综复杂的人际关系的处理，就已经足够让人拍案叫绝了，那种微妙的张力，那种无需言明的默契与猜忌，被作者拿捏得恰到好处。我敢保证，读完之后，你绝对会在脑海中反复咀嚼那些关键的对话和场景，久久不能忘怀。

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两个月前这个就看完啦

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哈曼的核心就在于doumining和新四元结构。有点意思，但是翻来覆去都是这一些。看这本论文集会发现他的思考真的在深入，有时候对海德格尔的批判还真能让人发现一些不一样的东西，可惜的是又无法成为新的体系。相比之下，我还是更喜欢Bryant。

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今年读过的最新异的思想。

评分☆☆☆☆☆

过了一遍，枯燥无味耳。

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更思辨的实在论