Painters and Politics in the People's Republic of China, 1949-1979

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安雅兰( JULIA F. ANDREWS ), 美国加州大学博士,其导师为高居翰。现任美国俄亥俄州大学艺术史系教授,中国绘画及现代中国艺术研究专家。她的第一部专著《中华人民共和国的画家与政治》(1994),被亚洲研究协会评选为当年度现代中国研究的最佳专著,她因此获约瑟夫·列文森奖。

出版者:University of California Press
作者:Julia F. Andrews
出品人:
页数:480
译者:
出版时间:1995-1-12
价格:USD 65.00
装帧:Hardcover
isbn号码:9780520079816
丛书系列:
图书标签:
  • 艺术史 
  • 海外中国研究 
  • 美术史 
  • 文化史 
  • 列文森中国研究书籍奖 
  • 安雅兰 
  • 中国 
  • 中国政治 
  •  
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Julia Andrews's extraordinary study of art, artists, and artistic policy during the first three decades of the People's Republic of China makes a major contribution to our understanding of modern China. From 1949 to 1979 the Chinese government controlled the lives and work of the country's artists—these were also years of extreme isolation from international artistic dialogue. During this period the Chinese Communist Party succeeded in eradicating most of the artistic styles and techniques it found politically repugnant. By 1979, traditional landscape painting had been replaced by a new style and subject that was strikingly different from both contemporary Western art and that of other Chinese areas such as Taiwan, Hong Kong, and Singapore.

Through vivid firsthand accounts, Andrews recreates the careers of many individual artists who were forced to submit to a vacillating policy regarding style, technique, medium, and genre. She discusses the cultural controls that the government used, the ways in which artists responded, and the works of art that emerged as a result. She particularly emphasizes the influence of the Soviet Union on Chinese art and the problems it created for the practice of traditional painting.

This book opens the way to new, stimulating comparisons of Western and Eastern cultures and will be welcomed by art historians, political scientists, and scholars of Asia.

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读后感

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编者按:对于建国至改革开放这一段的美术,当代人大多持以不屑的态度,觉得这些作品无非是革命化的标签,因此在研究上也就没有引起足够的重视。然而如果我们超越出审美品评的眼光,对于这段历史能有一个更严肃、更深入的回望,那么这无疑将会加深我们对于当代艺术文化转型的认...  

评分

编者按:对于建国至改革开放这一段的美术,当代人大多持以不屑的态度,觉得这些作品无非是革命化的标签,因此在研究上也就没有引起足够的重视。然而如果我们超越出审美品评的眼光,对于这段历史能有一个更严肃、更深入的回望,那么这无疑将会加深我们对于当代艺术文化转型的认...  

评分

国立艺术院 National Academy of Art (Guoli Yishu Yuan) 国立杭州艺专 National Hangzhou Academy of Art (Guoli Hangzhou Yizhuan) 国立北平艺专 National Peking Academy of Art (Guoli Beiping Yizhuan) 中央美术学院 Central Academy of Fine Arts 中国美术学院 China Aca...

评分

编者按:对于建国至改革开放这一段的美术,当代人大多持以不屑的态度,觉得这些作品无非是革命化的标签,因此在研究上也就没有引起足够的重视。然而如果我们超越出审美品评的眼光,对于这段历史能有一个更严肃、更深入的回望,那么这无疑将会加深我们对于当代艺术文化转型的认...  

评分

国立艺术院 National Academy of Art (Guoli Yishu Yuan) 国立杭州艺专 National Hangzhou Academy of Art (Guoli Hangzhou Yizhuan) 国立北平艺专 National Peking Academy of Art (Guoli Beiping Yizhuan) 中央美术学院 Central Academy of Fine Arts 中国美术学院 China Aca...

用户评价

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资料上很不错

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可以和Kraus(高乐)《Brushes with Power: Modern Politics and the Chinese Art of Calligraphy》比照阅读

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可以和Kraus(高乐)《Brushes with Power: Modern Politics and the Chinese Art of Calligraphy》比照阅读

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华国锋那段儿实在是有趣。。。

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Very comprehensive and thoughtful

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