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能看出的是韩南依旧依靠了叙事学，事无巨细的进行文本解读（还是觉得卖油郎独占花魁的故事很动人），但整体读来，还是有所欠缺，以及翻译确实也是一方面的问题，如果有机会还是应该看看英文本，重点叙述还是在于第一章。

是节译本，还要读英文本

是节译本，还要读英文本

能看出的是韩南依旧依靠了叙事学，事无巨细的进行文本解读（还是觉得卖油郎独占花魁的故事很动人），但整体读来，还是有所欠缺，以及翻译确实也是一方面的问题，如果有机会还是应该看看英文本，重点叙述还是在于第一章。

介绍性

The Chinese Vernacular Story (Patrick Hanan, 1981) Most of Feng Menglong’s writings were in Classical Chinese. What sets Feng apart from the great majority is that he wrote also in genres that required the vernacular: novels, stories, plays, and songs. Lit...

The Chinese Vernacular Story (Patrick Hanan, 1981) Most of Feng Menglong’s writings were in Classical Chinese. What sets Feng apart from the great majority is that he wrote also in genres that required the vernacular: novels, stories, plays, and songs. Lit...

The Chinese Vernacular Story (Patrick Hanan, 1981) Most of Feng Menglong’s writings were in Classical Chinese. What sets Feng apart from the great majority is that he wrote also in genres that required the vernacular: novels, stories, plays, and songs. Lit...

The Chinese Vernacular Story (Patrick Hanan, 1981) Most of Feng Menglong’s writings were in Classical Chinese. What sets Feng apart from the great majority is that he wrote also in genres that required the vernacular: novels, stories, plays, and songs. Lit...

The Chinese Vernacular Story (Patrick Hanan, 1981) Most of Feng Menglong’s writings were in Classical Chinese. What sets Feng apart from the great majority is that he wrote also in genres that required the vernacular: novels, stories, plays, and songs. Lit...