Drifting among Rivers and Lakes pdf epub mobi txt 電子書 下載2025
- 南宋
- 海外漢學
- 海外中國研究
- 江湖詩派
- 文學
- 宋
- 道學
- 計劃中
- 河流
- 湖泊
- 旅行
- 自然
- 地理
- 風景
- 探索
- 散文
- 詩意
- 寜靜
具體描述
What drives literary change? Does literature merely follow shifts in a culture, or does it play a distinctive role in shaping emergent trends? Michael Fuller explores these questions while examining the changes in Chinese shi poetry from the late Northern Song dynasty (960–1127) to the end of the Southern Song (1127–1279), a period of profound social and cultural transformation.
Shi poetry written in response to events was the dominant literary genre in Song dynasty China, serving as a central form through which literati explored meaning in their encounters with the world. By the late Northern Song, however, old models for meaning were proving inadequate, and Daoxue (Neo-Confucianism) provided an increasingly attractive new ground for understanding the self and the world. Drifting among Rivers and Lakes traces the intertwining of the practice of poetry, writings on poetics, and the debates about Daoxue that led to the cultural synthesis of the final years of the Southern Song and set the pattern for Chinese society for the next six centuries. Examining the writings of major poets and Confucian thinkers of the period, Fuller discovers the slow evolution of a complementarity between poetry and Daoxue in which neither discourse was self-sufficient.
著者簡介
Michael A. Fuller is Professor of East Asian Languages and Literatures at the University of California, Irvine.
圖書目錄
Casting Off: A Theoretical Introduction
1. The Other Shore: China and the Early History of the Literary
2. The Source and Streams Flowing from It
3. “West of the River”: The Jiangxi Poets
4. The Jiangxi Style in the Field of Cultural Production
5. Sounding Bottom: Yang Wanli and the Dynamics of Poetic Encounter
6. Reading the Wind: Lu You and the Poetics of Experience
7. Head Winds: Displacing the Aesthetic in Daoxue Discourse from the Northern Song to Zhu Xi
8. Changing Course: The Discourse of the Way in Mid-Southern Song China
9. Drifting Amidst Rivers and Lakes: Poetry in the Early Thirteenth Century
10. An Inner Compass: The Poetry of Experience at Dynasty’s End
Bibliography
Index
· · · · · · (收起)
讀後感
評分
評分
評分
評分
用戶評價
作者將南宋江湖派詩學與道學思想聯結，以理解個體經驗在知識建構與詩歌創作中的曆史地位。
评分作者將南宋江湖派詩學與道學思想聯結，以理解個體經驗在知識建構與詩歌創作中的曆史地位。
评分最有趣的是方法論，將康德的框架套進阿多諾的理論中，然後再應用到南宋中國詩學的研究上，頗有見地
评分作者將南宋江湖派詩學與道學思想聯結，以理解個體經驗在知識建構與詩歌創作中的曆史地位。
评分最有趣的是方法論，將康德的框架套進阿多諾的理論中，然後再應用到南宋中國詩學的研究上，頗有見地
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