The study of cinematic style has in many ways shaped attitudes towards films. Style assigns films to a tradition, distinguishes a classic and signals the arrival of an innovation. This book aims to show how film scholars have attempted to explain stylistic continuity and change across the history of cinema. The author explores the theories of style launched by Andre Bazin, Noel Burch and other film historians. In the process he celebrates a century of cinema, integrating discussions of the film classics such as "The Birth of a Nation" and "Citizen Cane", with analysis of more current box-office successes such as "Jaws" and "The Hunt For Red October". The contributions of noted and neglected directors are examined, and the author considers the earliest film making, the accomplishments of the silent era, the development of Hollywood, and the strides taken by European and Asian cinema in recent years. The book proposes that stylistic developments often arise from filmmakers' search for efficient solutions to production problems. The author traces this activity across history through a detailed discussion of cinematic staging.
具體描述
讀後感
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用戶評價
波德維爾對貢布裏希的關注，促使他藉鑒瞭藝術史學傢的路徑。事實上，大多數的電影理論史（如果可以將它們稱為理論史的話），和早期的風格論一樣，仍然遵循著黑格爾式的目的論，達德利·安德魯甚至采用瞭最為古典的亞裏士多德結構。從這個角度上來說，這本書也可以看作是一種諾埃爾·伯奇式的寫作。
评分最後一章
评分#想再讀一下貢布裏希和Burch
评分很久很久以前，聽說過的書，在master的時候閱讀瞭 和好書相遇的時間很重要，太早的話，我一定不理解裏麵的東西 好在現在是跳齣電影學看電影學
评分很久很久以前，聽說過的書，在master的時候閱讀瞭 和好書相遇的時間很重要，太早的話，我一定不理解裏麵的東西 好在現在是跳齣電影學看電影學
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