Sculpting in Time

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安德烈·塔可夫斯基:一九三二年生于俄罗斯札弗洛塞镇,是诗人阿尔谢尼伊·塔可夫斯基之子。曾就学于苏联电影学院,一九六一年毕业。他的电影曾经赢得多项国际性大奖;第一部长故事片《伊万的童年》于一九六二年获得威尼斯影展金狮奖。其最后一部作品《牺牲》荣获一九八六年夏纳影展评审团特别奖,同年十二月,塔可夫斯基因肺癌病逝于巴黎,享年五十四岁。

出版者:University of Texas Press
作者:Andrey Tarkovsky
出品人:
页数:256
译者:Kitty Hunter-Blair
出版时间:1989
价格:USD 29.95
装帧:Paperback
isbn号码:9780292776241
丛书系列:
图书标签:
  • AndreyTarkovsky 
  • 电影 
  • 电影理论 
  • Cinema 
  • 文艺理论 
  • 导演 
  • 電影 
  • 精神秘密 
  •  
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Andrey Tarkovsky, the genius of modern Russian cinema - hailed by Ingmar Bergman as "the most important director of our time" - died an exile in Paris in December 1986. In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible. In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films - Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre - most fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work.

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当时光之无形可谓镜像下之情状,则他终成为举刀纂刻之人,于碎屑里拼贴万千奇迹。   ——题记    在认识塔尔科夫斯基之前,我对于电影的认识之浅俗,理解之单薄,往往让如今的自己想来,常常也觉得汗颜。 电...  

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如果安德烈·塔可夫斯基在世,并且来到中国,当他看到几乎遍布于每个城市的“雕刻时光”咖啡馆以及种种以这四个字命名的店铺、书籍、网站时,不知会做何感想。但我们知道的是,喜欢“雕刻时光”这个动宾短语的人很多,知道《雕刻时光》这本书的人不多,了解塔可夫斯基的人就更...  

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如果安德烈·塔可夫斯基在世,并且来到中国,当他看到几乎遍布于每个城市的“雕刻时光”咖啡馆以及种种以这四个字命名的店铺、书籍、网站时,不知会做何感想。但我们知道的是,喜欢“雕刻时光”这个动宾短语的人很多,知道《雕刻时光》这本书的人不多,了解塔可夫斯基的人就更...  

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十多年前,碟市刚刚兴起,文艺青年、骨灰级影迷一路猛追欧洲电影大师,各类电影书也一时纸贵,塔可夫斯基的《雕刻时刻》也曾应时出版,因为封面太丑(谁叫咱是封面控)、排版纸张都不理想,而且是转译,所以没买,只是简单翻了翻。今年的新版在俄文原书直译的基础上,对版式、...  

用户评价

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读的是1986版的

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不同人追求不同的东西, 相同的人追求相同的东西... 我的想法和塔可夫斯基很接近, 读这本书让我少了几年去寻找那些我想说的话

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你也是一个技艺入化的勤恳铁匠,同样会烙下印记。

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对读快乐!

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Not a theorist but precisely such that makes him great. The true artist is a rare being, while great art calls for one's character within.

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