"Writing Diaspora" questions aspects of cultural politics, including the legacies of European imperialism and colonialism, the media, pedagogy, literature, literacy, sexuality, intellectual labour, the uses and abuses of theory, and popularized notions about 'others'. Essentialist notions of culture and history; conservative notions of territorial and linguistic propriety, and the 'otherness' ensuing from them; unattested claims of oppression and victimization; sexist and racist reaffirmations of sexual and racial diversities that are made in the name of moralist rectitude - all these forces create new 'solidarities' whose ideological premises remain unquestioned. "Writing Diaspora" sets up an oppositional discursive space in the midst of these new solidarities. Chow juxtaposes a range of cultural contradictions in order to rethink the currently dominant conceptualizations of the solidarities themselves.
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對九十年代初美國學術界內部東方主義的批判很有力,但是諸多論述過多藉助於類比和聯想,少瞭一點曆史的角度。
评分Criticisms charged with forces and emotions. 理論運用非常純熟,對Chinese(in the context of American academia)不乏洞見,批評也是真的批評(而不是很多人那種無關痛癢的批評);隻是越看越覺得這種批評本身的問題可能在於,哪怕這麼有self-awareness的學者,是否可能也落入瞭某種perspective的局限之中?是否始終存在某些boundaries/limits,不為我們所知,隻能當被彆人批評時纔醒悟?而cultural studies,因為實際且時效所以犀利,但是否也因此容易過時?(Btw,喜歡周蕾的行文風格,非常readers friendly)
评分寫得很新穎,提供瞭很多新角度
评分作者對“area studies”研究方法的批判還是一針見血的,西方研究和任何一種形式的書寫前殖民文化,的確不知道怎麼纔能走齣Orientalism的怪圈。Rey Chow 的寫作風格 very dense,慎入。
评分C3. Postmodern Automatons: Freud: Uncanny; Adorno: culture industry robs individuals of his function/autonomy; Baudrillad: feminized mass. C7. Listening Otherwise, Music Miniaturized: physicality, musicality and emotion; miniaturization on the body; to be missing from history; "automatic playing"-autistic sight; mundane self-encapsulated emotions.
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