Pierre Bourdieu is professor of Sociology at the College de France. His numerous other works include Homo Academicus and Language and Symbolic Power.
During the last two decades, sociologist Pierre Bourdieu has become a dominant force in cultural activity ranging from taste in music and art to choices in food and lifestyles. The Field of Cultural Production brings together Bourdieu's major essays on art and literature and provides the first introduction to Bourdieu's writings and theory of a cultural field that situates artistic works within the social conditions of their production, circulation, and consumption. Bourdieu develops a highly original approach to the study of literary and artistic works, addressing many of the key issues that have preoccupied literary art and cultural criticism in the last twentieth century: aesthetic value and canonicity, intertextuality, the institutional frameworks of cultural practice, the social role of intellectuals and artists, and structures of literary and artistic authority. Bourdieu elaborates a theory of the cultural field which situates artistic works within the social conditions of their production, circulation, and consumption. He examines the individuals and institutions involved in making cultural products what they are: not only the writers and artists, but also the publishers, critics, dealers, galleries, and academies. He analyzes the structure of the cultural field itself as well as its position within the broader social structures of power. The essays in his volume examine such diverse topics as Flaubert's point of view, Manet's aesthetic revolution, the historical creation of the pure gaze, and the relationship between art and power. The Field of Cultural Porduction will be of interest to students and scholars from a wide range of disciplines: sociology and social theory, literature, art, and cultural studies.
Bourdieu, The Field of Cultural Production, “The Production of Belief” Q&A: 1.Who? Pierre Bourdieu, who was a French sociologist, anthropologist,philosopher, and renowned public intellectual. Bourdieu's work was primarily concerned with the dynamics o...
评分Bourdieu, The Field of Cultural Production, “The Production of Belief” Q&A: 1.Who? Pierre Bourdieu, who was a French sociologist, anthropologist,philosopher, and renowned public intellectual. Bourdieu's work was primarily concerned with the dynamics o...
评分Bourdieu, The Field of Cultural Production, “The Production of Belief” Q&A: 1.Who? Pierre Bourdieu, who was a French sociologist, anthropologist,philosopher, and renowned public intellectual. Bourdieu's work was primarily concerned with the dynamics o...
评分Bourdieu, The Field of Cultural Production, “The Production of Belief” Q&A: 1.Who? Pierre Bourdieu, who was a French sociologist, anthropologist,philosopher, and renowned public intellectual. Bourdieu's work was primarily concerned with the dynamics o...
评分Bourdieu, The Field of Cultural Production, “The Production of Belief” Q&A: 1.Who? Pierre Bourdieu, who was a French sociologist, anthropologist,philosopher, and renowned public intellectual. Bourdieu's work was primarily concerned with the dynamics o...
收了60、70年代的几篇关于艺术、文学、剧场的文章。和潘诺夫斯基、Gell的理论都有互动。虽然是揭露了文化精英们的一些“潜”规则,但是这本书的措辞的复杂程度以及“马奈这么有名那我就不具体列出他的作品了”的潜台词,说明这本书还是给well-educated的小圈子读的说。
评分struggling struggling struggling literary field
评分读过一部分exerpt,非常有启发性..什么时候把书读一下才是
评分好看又好用,假装自己读完了。其实应该先读《情感教育》 再来读一遍第二部分的文本分析。
评分Fabien画了张场域图并且和Peterson的cultural omnivora对比之后,觉得终于不那么抽象了。Fabien这种美帝社会学出身逻辑性真的不要太强!
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