The Sound and the Fury

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Born in 1897 in New Albany, Mississippi, William Faulkner was the son of a family proud of their prominent role in the history of the south. He grew up in Oxford, Mississippi, and left high school at fifteen to work in his grandfather's bank. Rejected by the US military in 1915, he joined the Canadian flyers with the RAF, but was still in training when the war ended. Returning home, he studied at the University of Mississippi and visited Europe briefly in 1925. His first poem was published in The New Republic in 1919. His first book of verse and early novels followed, but his major work began with the publication of The Sound and the Fury in 1929. As I Lay Dying (1930), Sanctuary (1931), Light in August (1932), Absalom, Absalom! (1936) and The Wild Palms (1939) are the key works of his great creative period leading up to Intruder in the Dust (1948). During the 1930s, he worked in Hollywood on film scripts, notably The Blue Lamp, co-written with Raymond Chandler. William Faulkner was awarded the Nobel Prize for Literature in 1949 and the Pulitzer Prize for The Reivers just before his death in July1962.

出版者:Vintage
作者:William Faulkner
出品人:
页数:288
译者:
出版时间:1995-01-19
价格:GBP 7.99
装帧:Paperback
isbn号码:9780099475019
丛书系列:
图书标签:
  • 美国文学 
  • WilliamFaulkner 
  • 福克纳 
  • 小说 
  • 英文原版 
  • 美国 
  • 外国文学 
  • 英文原著 
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Ever since the first furore was created on its publication in 1929, The Sound and the Fury has been considered one of the key novels of this century. Depicting the gradual disintegration of the Compson family through four fractured narratives, The Sound and the Fury explores intense, passionate family relationships where there is no love, only self-centredness. At its heart this is a novel about lovelessness - 'only an idiot has no grief; only a fool would forget it. What else is there in this world sharp enough to stick to your guts?' (20040923)

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俾斯麦(Otto von Bismarck)说过:“法律好比香肠,最好别管怎么做出来的。”(Laws are like sausages, it is better not to see them being made. )翻译也一回事。读者拿到手的是成品(product),而对于译者来说,似乎永远是半成品。译者与原著交互的过程(process)中,到...  

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It is obvious that William Faulkner has a gloomy recollection of the past world, but he had no ideas about how to deal with all of these problems. Then we find chaos in this novel. Benjy, as the first major character we'd met, is an idiot. I guess, maybe on...  

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《喧哗与骚动》中,每当Compson家长子Quentin闻见忍冬的香气,过去,现在,和将来之间的界限就模糊了,或者说,线性的,单箭头的时间,被强烈的感官记忆抹去了。取而代之的是关于妹妹Caddy的忧伤记忆,这些一小片,一小片的记忆在浓烈的植物香味里生长,扩散,最终横跨Quentin...  

用户评价

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一遍

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最喜欢quentin's narrative,他的想象他的回忆他的评论看得仿佛变成了他,一会儿哭一会儿笑。最喜欢faulkner的长句,浓烈的经历和情感像潮水一样涌来,让你wonder在文字线性排列限制下怎样能对非线性的inner self有如此高的还原

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极其难读。。。。。。

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吐槽大魔王杰生

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大概了解了它的结构,感觉没有必要看下去了。本书的难点在于场景重叠时毫无提示地切换时间线,也就毫无必要地复杂化了叙事。这种复杂其实是相对于文字的题材而言的,对于电影来说就是很正常地剪辑,也根本不需要14种颜色标记啥的。可惜电影改编也没有很好的版本,不然看电影至少可以了解故事全貌。同时叙事太过意识流,就了解了前后因果之后再阅读也不是很愉悦的体验。10%弃。

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