In China on Screen, Chris Berry and Mary Farquhar, leaders in the field of Chinese film studies, explore more than one hundred years of Chinese cinema and nation. Providing new perspectives on key movements, themes, and filmmakers, Berry and Farquhar analyze the films of a variety of directors and actors, including Chen Kaige, Zhang Yimou, Hou Hsiao Hsien, Bruce Lee, Jackie Chan, Maggie Cheung, Gong Li, Wong Kar-wai, and Ang Lee. They argue for the abandonment of "national cinema" as an analytic tool and propose "cinema and the national" as a more productive framework. With this approach, they show how movies from China, Hong Kong, Taiwan, and the Chinese diaspora construct and contest different ideas of Chinese nation -- as empire, republic, or ethnicity, and complicated by gender, class, style, transnationalism, and more. Among the issues and themes covered are the tension between operatic and realist modes, male and female star images, transnational production and circulation of Chinese films, the image of the good foreigner -- all related to different ways of imagining nation. Comprehensive and provocative, China on Screen is a crucial work of film analysis.</P>
具體描述
讀後感
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用戶評價
Cinema and Nation那麼大個題目，可論述的東西實在太多瞭，這書提供瞭一個不錯的綱領
评分心好纍
评分心好纍
评分用文化研究探究中國電影的民族性，從電影反映的曆史（Haunted Time，不同時期對鴉片戰爭的反映），男性，女性，酷兒群體，到跨國電影時期的，Chris和Mary不再認為民族電影是一種可靠的研究方式，轉投到“電影與民族”，最後一章也上升到跨國電影中的民族性問題
评分好目錄
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