Count Lyov (also Lev) Nikolayevich Tolstoy (English: /ˈtoʊlstɔɪ, ˈtɒl-/[2]; Russian: Лёв (also Лев) Никола́евич Толсто́й,[note 1] tr. Lyov (also Lev) Nikoláyevich Tolstóy; IPA: [lʲɵf] (also [lʲef]) [nʲɪkɐˈlaɪvʲɪtɕ tɐlˈstoj] (About this sound listen);[note 2] 9 September [O.S. 28 August] 1828 – 20 November [O.S. 7 November] 1910), usually referred to in English as Leo Tolstoy, was a Russian writer who is regarded as one of the greatest authors of all time.
Born to an aristocratic Russian family in 1828, he is best known for the novels War and Peace (1869) and Anna Karenina (1877), often cited as pinnacles of realist fiction. He first achieved literary acclaim in his twenties with his semi-autobiographical trilogy, Childhood, Boyhood, and Youth (1852–1856), and Sevastopol Sketches (1855), based upon his experiences in the Crimean War. Tolstoy's fiction includes dozens of short stories and several novellas such as The Death of Ivan Ilyich (1886), Family Happiness (1859), and Hadji Murad (1912). He also wrote plays and numerous philosophical essays.
In the 1870s Tolstoy experienced a profound moral crisis, followed by what he regarded as an equally profound spiritual awakening, as outlined in his non-fiction work A Confession (1882). His literal interpretation of the ethical teachings of Jesus, centering on the Sermon on the Mount, caused him to become a fervent Christian anarchist and pacifist. Tolstoy's ideas on nonviolent resistance, expressed in such works as The Kingdom of God Is Within You (1894), were to have a profound impact on such pivotal 20th-century figures as Mohandas Karamchand Gandhi,[3] and Martin Luther King, Jr.[4] Tolstoy also became a dedicated advocate of Georgism, the economic philosophy of Henry George, which he incorporated into his writing, particularly Resurrection (1899).
Translated by Louise & Aylmer Maude
With an Introduction and notes by Henry and Olga Claridge, University of Kent at Canterbury.
War and Peace is a vast epic centred on Napoleon's war with Russia. While it expresses Tolstoy's view that history is an inexorable process which man cannot influence, he peoples his great novel with a cast of over five hundred characters.
Three of these, the artless and delightful Natasha Rostov, the world-weary Prince Andrew Bolkonsky and the idealistic Pierre Bezukhov illustrate Tolstoy's philosophy.
我有时候无聊会想象自己喜欢的几个作家在天堂里(如果他们混的进去的话,,,)无所事事的情景。 爱伦坡和陀思妥耶夫斯基大概会蹲在在某个角落赌筛子,老陀一边猛输,(老天真对变态佬是没有胜算的)一边自我陶醉在自我毁灭的快感中,,, 托尔斯泰和巴尔扎克在大厅的中央的...
评分我有时候无聊会想象自己喜欢的几个作家在天堂里(如果他们混的进去的话,,,)无所事事的情景。 爱伦坡和陀思妥耶夫斯基大概会蹲在在某个角落赌筛子,老陀一边猛输,(老天真对变态佬是没有胜算的)一边自我陶醉在自我毁灭的快感中,,, 托尔斯泰和巴尔扎克在大厅的中央的...
评分一、豆瓣有一个好处,就是你可以清楚的知道自己用了多久读了一本书,当我终于把《战争与和平》归到读过的一档里的时候,我发现我是从三月的时候读这本书的。但是确切的说,我读了上下两册加哈利波特的一到五册。可是总的来说。我觉得我这三个月来只读了一本书。那些哈利波特啊...
评分比较希腊神话和《圣经》中的英雄形象,不难看出二者的差异。与希腊神话中拥有强大个人意志甚至敢于反抗众神的英雄相比,《圣经》中的英雄多为上帝的选民,他们尊敬上帝并为上帝所服务,因而拥有超凡的神力。但一旦疏忽了自己的责任,就会失去上帝的庇佑,从而失去力量。如...
评分托尔斯泰的三部长篇中,《复活》是我最隔膜的。读这部小说的时候,我还只有十六七岁,刚刚考上大学不久。作为一个农家子弟,对于聂赫留朵夫这样的“忏悔的贵族”,我实在没有太大的共鸣。加上我们当时学的欧洲文学史教材,对《复活》评价似乎也不高,认为它宣扬改良主义,与阶...
像舍不得自己的生命一样舍不得这本好像涵盖了所有人生和人类历史的巨著。(用kindle读完了打算买本纸质的收藏
评分我!读!完!了!啊啊啊啊!真正花了一年的时间……(啰嗦的)1500页 和安娜比起来太不成熟 古装肥皂剧 前90%五颗星
评分居然听完了,虽然除了被几个人名叫醒,其它时间尤其战争人性的漫长探讨都只是打游戏或者睡觉的背景音。。几乎没看过名著的人被这种深度的角色内心挖掘震撼到了,然而最终觉得他就是讲了愚蠢的人类和自作聪明的人类,好像也没啥值得这么多字大书特书的。。自作聪明的安德烈是唯一比较正经人的角色,他爹因为太自作聪明而很有娱乐性,皮埃尔一直在变化,过程中让我对他抱有了期待培养了感情,但到最后还是觉得就是个白痴,女性角色索尼娅很可怜其他人都搓气尤其娜塔莎,白痴角色里我唯一不讨厌的就是一直保持着白痴状态的罗斯托夫老爹,大概因为我就是为了他才听的。。
评分这书看了一年多……
评分居然听完了,虽然除了被几个人名叫醒,其它时间尤其战争人性的漫长探讨都只是打游戏或者睡觉的背景音。。几乎没看过名著的人被这种深度的角色内心挖掘震撼到了,然而最终觉得他就是讲了愚蠢的人类和自作聪明的人类,好像也没啥值得这么多字大书特书的。。自作聪明的安德烈是唯一比较正经人的角色,他爹因为太自作聪明而很有娱乐性,皮埃尔一直在变化,过程中让我对他抱有了期待培养了感情,但到最后还是觉得就是个白痴,女性角色索尼娅很可怜其他人都搓气尤其娜塔莎,白痴角色里我唯一不讨厌的就是一直保持着白痴状态的罗斯托夫老爹,大概因为我就是为了他才听的。。
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