Vladimir Vladimirovich Nabokov was born on April 23, 1899, in St. Petersburg, Russia. The Nabokovs were known for their high culture and commitment to public service, and the elder Nabokov was an outspoken opponent of antisemitism and one of the leaders of the opposition party, the Kadets. In 1919, following the Bolshevik revolution, he took his family into exile. Four years later he was shot and killed at a political rally in Berlin while trying to shield the speaker from right-wing assassins.
The Nabokov household was trilingual, and as a child Nabokov was already reading Wells, Poe, Browning, Keats, Flaubert, Verlaine, Rimbaud, Tolstoy, and Chekhov, alongside the popular entertainments of Sir Arthur Conan Doyle and Jules Verne. As a young man, he studied Slavic and romance languages at Trinity College, Cambridge, taking his honors degree in 1922. For the next eighteen years he lived in Berlin and Paris, writing prolifically in Russian under the pseudonym Sirin and supporting himself through translations, lessons in English and tennis, and by composing the first crossword puzzles in Russian. In 1925 he married Vera Slonim, with whom he had one child, a son, Dmitri.
Having already fled Russia and Germany, Nabokov became a refugee once more in 1940, when he was forced to leave France for the United States. There he taught at Wellesley, Harvard, and Cornell. He also gave up writing in Russian and began composing fiction in English. In his afterword to Lolita he claimed: "My private tragedy, which cannot, and indeed should not, be anybody's concern, is that I had to abandon my natural idiom, my untrammeled, rich, and infinitely docile Russian tongue for a second-rate brand of English, devoid of any of those apparatuses–the baffling mirror, the black velvet backdrop, the implied associations and traditions–which the native illusionist, frac-tails flying, can magically use to transcend the heritage in his own way." [p. 317] Yet Nabokov's American period saw the creation of what are arguably his greatest works, Bend Sinister (1947), Lolita (1955), Pnin (1957), and Pale Fire (1962), as well as the translation of his earlier Russian novels into English. He also undertook English translations of works by Lermontov and Pushkin and wrote several books of criticism. Vladimir Nabokov died in Montreux, Switzerland, in 1977.
When it was published in 1955, Lolita immediately became a cause célèbre because of the freedom and sophistication with which it handled the unusual erotic predilections of its protagonist. But Vladimir Nabokov's wise, ironic, elegant masterpiece owes its stature as one of the twentieth century's novels of record not to the controversy its material aroused but to its author's use of that material to tell a love story almost shocking in its beauty and tenderness.
Awe and exhilaration–along with heartbreak and mordant wit–abound in this account of the aging Humbert Humbert's obsessive, devouring, and doomed passion for the nymphet Dolores Haze. Lolita is also the story of a hypercivilized European colliding with the cheerful barbarism of postwar America, but most of all, it is a meditation on love–love as outrage and hallucination, madness and transformation.
With an Introduction by Martin Amis
“你很老了吗?” “我很老了呀。” ——但愿你能够把我想起,最好你还是将我忘记。那年六月,花开不败,云絮贻荡,而我们,正相爱。 陈文茜说如果还要嫁人,康永是个很好的选择。这位女子实在让人很困惑,讲时事政治的时候可以分析的头头是道,那么硬气,然而当你跟她坐下来...
評分洛丽塔:从小仙女到小女人 赵松 如果你在报纸上读到一则消息,说是一个四十几岁的男人为了接近并占有一个少女,娶了她的母亲为妻,并多少有些间接地造成了这位可怜的女人的意外车祸死亡,然后他带着这个少女四处游走,还跟她发生了关系,他深深地迷恋着她,最后又为了她杀了另...
評分洛丽塔,任性的小妖精。 很喜欢很喜欢她。只有她才可以在大雨滂沱后若无其事地吃樱桃巧克力冰淇淋,还用摄人眼神定定地看着你,然后咯咯笑。媚若无骨。 多年前的那个下午,如果不是她,趴躺花园天真烂漫看画册,水花浇透鹅黄短裙,就不会有此后种种故事后人漫长迷恋。她是小小...
評分洛丽塔:从小仙女到小女人 赵松 如果你在报纸上读到一则消息,说是一个四十几岁的男人为了接近并占有一个少女,娶了她的母亲为妻,并多少有些间接地造成了这位可怜的女人的意外车祸死亡,然后他带着这个少女四处游走,还跟她发生了关系,他深深地迷恋着她,最后又为了她杀了另...
評分…… 《洛丽塔》同样存在严重的翻译问题。在众多的《洛丽塔》中译本中,于晓丹的译本似乎倍受青睐。于译本最初由江苏文艺出版社出版,1997年时代文艺出版社也选择了该本,不同之处是译者作了修订。以后,沈阳出版社在1999年9月重新出版《洛丽塔》35;译林出版社也于2000年3月出...
His language is not only complex but also oppositely native, which is hard to catch the point. However, this book shows me a sense of odd but harmonious mixture and beauty. I just find, sometimes, I am the male character to some extent.
评分以前讀的時候因為詞匯太難放棄瞭,這遍讀還好。重讀的原因大概是受納博科夫迴憶這本書的語氣所吸引,他總是那麼親切的稱呼洛麗塔為“我的小仙女”,像是對待心愛的蝴蝶標本。比小時候讀的時候懂瞭很多,亨伯特對讀者的引誘,敘述被壓抑的一麵,在同情和罪惡之間搖擺。新發現是這本書裏的環境描寫特彆好,有很濃重的拼貼感,但又籠罩在意識和無意識、辯解和天真的角力之下。但最大的樂趣大概是看見亨伯特的法語就想象他的腔調小聲把它讀齣來。
评分The heartbreaking story of ravishing and maddening love.
评分臥槽。能寫齣這裏的二十分之一的精靈勁兒我覺得我都可以寫完直接去死然後die happy瞭。。。_(´ཀ`」 ∠)_
评分以前讀的時候因為詞匯太難放棄瞭,這遍讀還好。重讀的原因大概是受納博科夫迴憶這本書的語氣所吸引,他總是那麼親切的稱呼洛麗塔為“我的小仙女”,像是對待心愛的蝴蝶標本。比小時候讀的時候懂瞭很多,亨伯特對讀者的引誘,敘述被壓抑的一麵,在同情和罪惡之間搖擺。新發現是這本書裏的環境描寫特彆好,有很濃重的拼貼感,但又籠罩在意識和無意識、辯解和天真的角力之下。但最大的樂趣大概是看見亨伯特的法語就想象他的腔調小聲把它讀齣來。
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