MORE THAN SEVEN MILLION COPIES SOLD
New York Times Bestseller
• Los Angeles Times Bestseller
• Washington Post Bestseller
• San Francisco Chronicle Bestseller
• Chicago Tribune Bestseller
"A story to make you believe in the soul-sustaining power of fiction."—Los Angeles Times Book Review
After the sinking of a cargo ship, a solitary lifeboat remains bobbing on the wild blue Pacific. The only survivors from the wreck are a sixteen-year-old boy named Pi, a hyena, a wounded zebra, an orangutan—and a 450-pound royal bengal tiger. The scene is set for one of the most extraordinary and beloved works of fiction in recent years.
Universally acclaimed upon publication, Life of Pi is a modern classic.
Winner of the 2002 Man Booker Prize
Yann Martel was born in Spain in 1963 of Canadian parents. Life of Pi won the 2002 Man Booker Prize and has been translated into more than forty languages. A #1 New York Times bestseller, it spent eighty-seven weeks on the list and was adapted to the screen by Ang Lee. He is also the author of the novels Beatrice and Virgil and Self, the collection of stories The Facts Behind the Helsinki Roccamatios, and a collection of letters to the prime minister of Canada, 101 Letters to a Prime Minister. He lives in Saskatchewan, Canada.
Biography
Sometime in the early 1990s, Yann Martel stumbled across a critique in The New York Times Review of Books by John Updike that captured his curiosity. Although Updike's response to Moacyr Scliar's Max and the Cats was fairly icy and indifferent, the premise immediately intrigued Martel. According to Martel, Max and the Cats was, "as far as I can remember... about a zoo in Berlin run by a Jewish family. The year is 1933 and, not surprisingly, business is bad. The family decides to emigrate to Brazil. Alas, the ship sinks and one lone Jew ends up in a lifeboat with a black panther." Whether or not the story was as uninspiring as Updike had indicated in his review, Martel was both fascinated by this premise and frustrated that he had not come up with it himself.
Ironically, Martel's account of the plot of Max and the Cats wasn't completely accurate. In fact, in Scliar's novel, Max Schmidt did not belong to a family of zookeepers -- he was the son of furrier. Furthermore, he did not emigrate from Berlin to Brazil with his family as the result of a failing zoo, but was forced to flee Hamburg after his lover's husband sells him out to the Nazi secret police. So, this plot that so enthralled Martel -- which he did not pursue for several years because he assumed Moacyr Scliar had already tackled it -- was more his own than he had thought.
Meanwhile, Martel managed to write and publish two books: a collection of short stories titled The Facts Behind the Helsinki Roccamatios in 1993 and a novel about gender confusion called Self in 1996. Both books sold only moderately well, further frustrating the writer. In an effort to collect his thoughts and refresh his creativity, he took a trip to India, first spending time in bustling Bombay. However, the overcrowded city only furthered Martel's feelings of alienation and dissolution. He then decided to move on to Matheran, a section near Bombay but without that city's dense population. In this peaceful hill station overlooking the city, Martel began revisiting an idea he had not considered in some time, the premise he had unwittingly created when reading Updike's review in The New York Times Review of Books. He developed the idea even further away from Max and the Cats. While Scliar's novel was an extended holocaust allegory, Martel envisioned his story as a witty, whimsical, and mysterious meditation on zoology and theology. Unlike Max Schmidt, Pi Patel would, indeed, be the son of a zookeeper. Martel would, however, retain the shipwrecked-with-beasts theme from Max and the Cats. During an ocean exodus from India to Canada, the ship sinks and Pi finds himself stranded on a lifeboat with such unlikely shipmates as a zebra, a hyena, and a Bengal tiger named Richard Parker.
The resulting novel, Life of Pi, became the smash-hit for which Martel had been longing. Selling well over a million copies and receiving the accolades of Book Magazine, Publisher's Weekly, Library Journal, and, yes, The New York Times Review of Books, Life of Pi has been published in over 40 countries and territories, in over 30 languages. It is currently in production by Fox Studios with a script by master-of-whimsy Jean-Pierre Jeunet (City of Lost Children; Amélie) and directorial duties to be handled by Alfonso Cuarón (Y tu mamá también; Harry Potter and the Prisoner of Azkaban).
Martel is now working on his third novel, a bizarrely allegorical adventure about a donkey and a monkey that travel through a fantastical world... on a shirt. Well, at least no one will ever accuse him of borrowing that premise from any other writer.
电影里那些飘水花灯、印度舞、暴雨沉船、辽阔海面、飞鱼来袭,浮岛幻影等炫酷镜头透过3D眼镜扑过来让我瞪大眼伸长脖在不舒服的椅子里坐到脊柱炸鞭也不觉着亏,而且故事这么弱,前后也不连贯,迟到半钟头去上个厕所活动活动或者睡一觉起来都不耽误,真是老少妇孺咸宜的漂...
评分王小波说小说首先应当有趣,“大家在小说中看到的应该是有趣本身”,真是说到我的心坎里去了。可惜,在他不幸的英年早逝之后,有趣的中文小说也再见不到了。我郁闷了许久,郁闷到我的英文粗通,可以不怎么结巴的看完一本小说为止。我记得我看的第一本英文小说是《the Catcher i...
评分 评分王小波说小说首先应当有趣,“大家在小说中看到的应该是有趣本身”,真是说到我的心坎里去了。可惜,在他不幸的英年早逝之后,有趣的中文小说也再见不到了。我郁闷了许久,郁闷到我的英文粗通,可以不怎么结巴的看完一本小说为止。我记得我看的第一本英文小说是《the Catcher i...
评分The book had been on my bookshelf for quite some time ,but never seemed inviting enough for reading and I didn't even know what it was about . Because of my recent reading of the Call of the Wild and White Fang , I had this sudden interest in books that h...
将里面的一段段分开看,也许更像写实主义,比如讲动物园,比如讲他如何考虑除掉老虎的,但叠加起来,再附上那种立体感很强多重主题,这就是本极其优秀的小说。
评分将里面的一段段分开看,也许更像写实主义,比如讲动物园,比如讲他如何考虑除掉老虎的,但叠加起来,再附上那种立体感很强多重主题,这就是本极其优秀的小说。
评分最好的劝教书。
评分前半段动物园大段景物描写确实有点无聊,尤其飞机上看的时候困的要死,常年看的都是硬通货,读小说的耐心真是越来越少。
评分前半段动物园大段景物描写确实有点无聊,尤其飞机上看的时候困的要死,常年看的都是硬通货,读小说的耐心真是越来越少。
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