W.G. Sebald is one of very few German writers of the last few decades to have attracted both a broad readership in the UK and an international following of journalists and scholars alike. He has proved a huge inspiration not just to younger writers but also to artists and photographers fascinated by the use of imagery and images in his work. His books include The Emigrants, The Rings of Saturn and After Nature.
In 1939, five-year-old Jacques Austerlitz is sent to England on a Kindertransport and placed with foster parents. This childless couple promptly erase from the boy all knowledge of his identity and he grows up ignorant of his past. Later in life, after a career as an architectural historian, Austerlitz - having avoided all clues that might point to his origin - finds the past returning to haunt him and he is forced to explore what happened fifty years before.
0 文学抒情与批判之间的紧张关系,在二十世纪的大屠杀之后显得尤为突出,在阿多诺那句被广泛引用的格言里,这种紧张有了一次引人深思的集中表达:“在奥斯维辛之后,写诗是野蛮的。”抒情的特质内含于诗歌之中,或者说没有哪一种文学形式可以只以反思与批评的面目出现。即使存...
评分 评分0 文学抒情与批判之间的紧张关系,在二十世纪的大屠杀之后显得尤为突出,在阿多诺那句被广泛引用的格言里,这种紧张有了一次引人深思的集中表达:“在奥斯维辛之后,写诗是野蛮的。”抒情的特质内含于诗歌之中,或者说没有哪一种文学形式可以只以反思与批评的面目出现。即使存...
评分看着蝴蝶在挣扎,你说,蝴蝶也会做梦么? 此书看得很吃力。好像一个得了抑郁症的男人在喃喃自语。作者果然是个忧郁的金牛。不过,思考深度远非想象。仿佛一个浓雾弥漫的深秋之晨,一个男人扛着历史的沉重十字架在一步步前行。前方,正如脚下,是一片深邃的迷雾。 值得一提的...
评分0 文学抒情与批判之间的紧张关系,在二十世纪的大屠杀之后显得尤为突出,在阿多诺那句被广泛引用的格言里,这种紧张有了一次引人深思的集中表达:“在奥斯维辛之后,写诗是野蛮的。”抒情的特质内含于诗歌之中,或者说没有哪一种文学形式可以只以反思与批评的面目出现。即使存...
老泽绝对是德语文坛当之无愧的大师。
评分老泽绝对是德语文坛当之无愧的大师。
评分Posmemory.
评分还在懵懂阶段,感觉是随着作者穿梭在不同记忆之中。(读书中)读后依旧是觉得沉重,但这也是每个人都必须承受之重。说到底,人生不过就是三问:我是谁?从何处来?往何处去?只不过,记起带来的无尽痛苦不禁让我想起那些武侠小说中复仇的桥段,人是否活在遗忘中更加开心?
评分老泽绝对是德语文坛当之无愧的大师。
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