W.G. Sebald is one of very few German writers of the last few decades to have attracted both a broad readership in the UK and an international following of journalists and scholars alike. He has proved a huge inspiration not just to younger writers but also to artists and photographers fascinated by the use of imagery and images in his work. His books include The Emigrants, The Rings of Saturn and After Nature.
In 1939, five-year-old Jacques Austerlitz is sent to England on a Kindertransport and placed with foster parents. This childless couple promptly erase from the boy all knowledge of his identity and he grows up ignorant of his past. Later in life, after a career as an architectural historian, Austerlitz - having avoided all clues that might point to his origin - finds the past returning to haunt him and he is forced to explore what happened fifty years before.
塞巴尔德的独特之处在火车站的拱顶照片出现时便显现出来。虚构的人物和真实的景象,用以穿插一片空白,接着,一种新的生命活动藉由真实的记录出现了,正如奥斯特利茨说,“这些照片本身就有记忆”。 记忆?对于奥斯特利茨来说,记忆是一个游戏,有两条支线,一条源于传教士埃米...
评分 评分若我白发苍苍,容颜迟暮,你会不会,依旧如此,牵我双手,倾世温柔。 2、红颜远,相思苦,几番意,难相付。十年情思百年渡,不斩相思不忍顾! 3、酌酒独饮空凭祭,一盏相思人入画。凭栏望江听流水,何人伴我数落花? 4、黄泉路上,忘川河中,三生石旁,奈何桥上,我可曾见过你 ...
评分書面上的小男孩是主角奧斯特里茨兒時的照片,讓人想起了孤獨的‘小王子’。書與奧斯特里茨偶遇而結識的好友視覺,講述一個孤獨的學者的故事。奧斯特里茨從小為孤兒,被愛爾蘭的冷漠的養父母帶大;成人之後,成為學者,完全投身於學術創作。而隨著講述者與奧斯特里茨的深交,他...
评分不仅有缠绕的长句,还能让你尽享写作不分段的乐趣(折磨),这就是《奥斯特里茨》给人的最初印象。 自模糊的童年开始,奥斯特里茨一直都是一个被动的存在,主体性在他这里是晦暗不明的,懒懒散散地等待被照亮。面对理性的崩溃和自我的迷失,对奥斯特里茨来说,寻找“现实”,...
以后再不旁听文学系的课了,每周都有纯文学作品要读
评分以后再不旁听文学系的课了,每周都有纯文学作品要读
评分读完好累。一层叠一层的隐喻、转述和时空剪切。建筑、老照片、一个人和一群人的历史的虚实交织。James Wood’s intro said it all, but it should be read as an outro.
评分谢谢Sebald陪我在德国的河流、街道和公路间穿梭。有关各种隐喻或实体的档案里的鬼魂与梦游。
评分W. G. Sebald has a charm from which you cannot get away once you read his seemingly plain but deeply poetic and intoxicating words. The book is not merely about an individual who seeks his own past but also about a continent which attempts to face its own darkest period.
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