Interior design guru Axel Vervoordt shares his latest inspirations for the home. Axel Vervoordt’s intense curiosity has fueled his work as an interior designer, spurring him to explore and draw inspiration from cultures around the globe. He was first exposed to Eastern art and philosophy years ago, but today it has become the guiding principle in his work, particularly the concept of Wabi. Developed in the twelfth century, Wabi advocates simplicity and humility, the rejection of all that is superfluous or artificial. Through extraordinary photographs from Japan and Korea to Belgium and Switzerland, Vervoordt invites us to explore the elements that inspire him: natural materials and time-worn objects that evoke the essence of Wabi. Today, together with the Japanese architect Tatsuro Miki, Vervoordt carries the principles of Wabi into his remarkable interiors. As Vervoordt reveals how he infuses his current creations with a fundamentally oriental approach, interiors devotees will gain new insight from this tribute to the designer’s latest sources of inspiration for the home.
具體描述
讀後感
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用戶評價
Design is in a way close to my ideals. 一部分住宅中對采光的忽視凸顯瞭“寂滅”這個idea (which Vervoordt must have taken from some of the temples he visited). But the unexplained should be left to be unexplained. “The nobility in poor” can only be an oxymoron. 從這個角度來講AV，不論多試圖融閤，還是骨子裡的老歐洲審美態度，談不上是真的liberating.
评分一種啓發
评分終於能欣賞到侘寂美學大師Axel Vervoordt的室內設計圖集瞭，他原是古董商，從70年代就經常在亞洲旅行，品味也受到侘寂美學的影響，帶給西方一種新的極簡設計。“侘寂”英文Wabisabi，由wabi與sabi兩個詞組成，但意思相近，是一種陰翳黯淡、經過歲月洗煉的古雅、儉樸、收斂與貧乏的意象。在這本書裏，我們可以看到室內大多用未拋光的原木傢具，很少有金屬類工業製品，開窗對綠，火爐靜舞，狗兒趴在羊毛地毯上打瞌睡，桌子上放著白瓷或是木雕，幾本書隨意堆在地上，水泥牆麵，配上青瓷最好，黑色的玄武岩放在淺池子裏，頂上是圓形開窗，漆器或是一個破舊的罐子也不會仍，插上一截老枝。最後，雪落下來，在茶煙色的老木樁集下，窗外一片白茫茫的，隱沒瞭鹿子的腳印。
评分就得照著這個裝修纔行 品味啊 氣質啊
评分Design is in a way close to my ideals. 一部分住宅中對采光的忽視凸顯瞭“寂滅”這個idea (which Vervoordt must have taken from some of the temples he visited). But the unexplained should be left to be unexplained. “The nobility in poor” can only be an oxymoron. 從這個角度來講AV，不論多試圖融閤，還是骨子裡的老歐洲審美態度，談不上是真的liberating.
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