Michel Foucault, Jean-Paul Sartre, Julia Kristeva, Phillipe Sollers, and Jean-Luc Godard. During the 1960s, a who's who of French thinkers, writers, and artists, spurred by China's Cultural Revolution, were seized with a fascination for Maoism. Combining a merciless exposé of left-wing political folly and cross-cultural misunderstanding with a spirited defense of the 1960s, The Wind from the East tells the colorful story of this legendary period in France. Richard Wolin shows how French students and intellectuals, inspired by their perceptions of the Cultural Revolution, and motivated by utopian hopes, incited grassroots social movements and reinvigorated French civic and cultural life.
Wolin's riveting narrative reveals that Maoism's allure among France's best and brightest actually had little to do with a real understanding of Chinese politics. Instead, it paradoxically served as a vehicle for an emancipatory transformation of French society. French student leftists took up the trope of "cultural revolution," applying it to their criticisms of everyday life. Wolin examines how Maoism captured the imaginations of France's leading cultural figures, influencing Sartre's "perfect Maoist moment"; Foucault's conception of power; Sollers's chic, leftist intellectual journal Tel Quel; as well as Kristeva's book on Chinese women--which included a vigorous defense of foot-binding.
Recounting the cultural and political odyssey of French students and intellectuals in the 1960s, The Wind from the East illustrates how the Maoist phenomenon unexpectedly sparked a democratic political sea change in France.
Richard Wolin is Distinguished Professor of History, Comparative Literature, and Political Science at the City University of New York Graduate Center. His books, which include Heidegger's Children and The Seduction of Unreason (both Princeton), have been translated into ten languages. His articles and reviews have appeared in Dissent, the Nation, and the New Republic.
中肯的评价:这本挺难读的。断断续续,分了两三口气才看完。人名一堆,理论一堆,信手拈来,往往只提几个关键人名、概念,甚至大量的隐喻和曲笔。作者是基于对法国理论有一定了解基础的口吻在阐述,嗯,是的,也就是说默认读者对法国理论和五月风暴了解不止一星半点,看过大量相...
評分有一段时期,对1968年五月巴黎左翼运动的反思几乎成为当代法国知识分子的必修课。可以说,以“五月精神”为坐标轴,摆置自己的思想归属,是他们的一次站队表态。回过头来看,1968年后的每一个十年都或多或少掀起新的反思。单是一头扎进法国当代思想史这个万花筒,就可以看清法...
評分中肯的评价:这本挺难读的。断断续续,分了两三口气才看完。人名一堆,理论一堆,信手拈来,往往只提几个关键人名、概念,甚至大量的隐喻和曲笔。作者是基于对法国理论有一定了解基础的口吻在阐述,嗯,是的,也就是说默认读者对法国理论和五月风暴了解不止一星半点,看过大量相...
評分以前看Simone Weil的评传,非常佩服:那么一个文文弱弱的虔诚天主教小姑娘,居然是个共产主义者,竟然跑到工厂当女工。 现在看这本《东边来的风》,才发现,法国的天主教+法共,远不止Weil一个人。当时名声最大的恐怕就是Althusser了。铁派法共Althusser当时请求跟教皇见面,...
評分萧轶/文 1968 年1月,法国青年和体育部长弗朗索瓦·米索福前往巴黎大学楠泰尔学院为游泳池落成剪彩。由于不满大学对于男生访问女生宿舍的严格限制,一些学生围住部长,德裔无政府主义者、外号“红毛丹尼”的丹尼尔·科恩-班迪质问,“为何从不谈论学生性方面问题”,部长轻率...
嗯,反正讀起來還挺開心的,價值如何不知道
评分"And although the students’ aims and demands varied greatly from country to country, these worldwide political uprisings indubitably possessed something in common. But what, exactly?" And why at this time, exactly?
评分嗯,反正讀起來還挺開心的,價值如何不知道
评分三星半吧,其實論點不是很有新意,尤其前麵法國政治部分屬於老生常談,後麵七十年代跟自己關係不大沒有細讀。隻能說我沒有找到我想找的東西。
评分Roots and legacy of French student unrest in 1968. Maoism in French intellectual creation
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