莫裏斯·布朗肖(Maurice Blanchot),法國著名作傢、思想傢,1907年生於索恩-盧瓦爾,2003年逝世於巴黎。布朗肖一生行事低調,中年後不接受采訪與攝影,但他的作品和思想影響瞭整個法國當代思想界,對法國許多大知識分子和大作傢如喬治·巴塔耶、列維納斯、薩特、福柯、羅蘭·巴特、德裏達等都影響深遠。
Before Sartre, before Beckett, before Robbe-Grillet, Maurice Blanchot created the 'new novel, ' the ultimate post-modern fiction. Written between 1932 and 1940, Blanchot's first novel, here brilliantly translated by Robert Lamberton, contains all the remarkable aspects of his famous and perplexing invention, 'the ontological narrative'--a tale whose subject is the nature of being itself. This paradoxical work discovers being in the absence of being, mystery in the absence of mystery, both to be searched for limitlessly. As Blanchot launches this endless search in his own masterful way, he transforms the possibilities of the novel. First issued in English in 1973 in a limited edition, this re-issue includes an illuminating essay on translation by Lamberton.
在布朗肖的写作里,最不可忽视的是死亡,几乎不可能越过死亡去讨论布朗肖。 我们每一天都在死亡,这是一个小死亡,无数的小死亡构成了一个最大的死亡,而它美得无以伦比,以至于超越了世俗之爱。 那么不难解释布朗肖对死的渴望,不难解释他爱诗歌,爱文学,爱着爱人如同他深...
評分这永恒的空无…… ——关于布朗肖的《黑暗托马》 须弥/文 ……在不知是由海水还是语言所旋起的涡流之起伏中,你被带入了一片不真实、不确定的氛围(这是何处?你是何人?)……你看见了,你什么也没有看见,一种无否定、无肯定的缺无充斥着你的视线,你感觉到了,你什么也没...
評分【14年初读笔记,多谬伪,已改入18年布朗肖论:[https://www.douban.com/note/693107156/]】 布朗肖开始不停地说话。他无法抛弃语言,他可能会想起德加和马拉美。 “有一天德加对马拉美说:‘你的行业是恶魔的行业。我没有办法说出我所要说到词语,然而我有很丰富的思想。’马...
評分無法想象窺視布朗肖內心會是什麼樣的末世景象:又一個絕對透視漩渦。作為書寫的死亡和作為死亡的書寫閤而為一,我們縱身跳入海裏。(好瞭默默地等黃姐姐來養老院看我。
评分he perceived all the strangeness there was in being observed by a word as if by a living being, and not simply by one word, but by all the words that were in that word, by all those that went with it and in turn contained other words, like a procession of angels opening out into the infinite to the very eye of the absolute.
评分已經分不清是paradoxical juxtaposition還是永恒不存在的閤二為一;death和interiority太棒,喘不過氣。
评分18歲20歲2次看中譯本看不懂,學好英語後馬上懂布朗肖在講什麼瞭。噴瞭。這本質上是一個小說,但卻是一個脫離錶象的小說
评分即便現在看來也是本煎熬之書加一星給自己
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