The Aesthetics of Disappearance

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本書作者保羅•維利裏奧作為藝術批評傢、城市規劃者、和平策略傢,可以說是當代最激進坦率的“後現代解密者”。維利裏奧的哲學核心是科技、速度、城市、虛擬、事件、意外、失序等概念群。

出版者:Semiotext(e)
作者:Paul Virilio
出品人:
頁數:128
译者:Phil Beitchman
出版時間:2009-4-10
價格:USD 14.95
裝幀:Paperback
isbn號碼:9781584350743
叢書系列:
圖書標籤:
  • 文化研究 
  • 視覺 
  • 文學理論 
  • 文化 
  • 思想史 
  • Theory 
  • 文化,設計 
  •  
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Virilio himself referred to his 1980 work The Aesthetics of Disappearance as a "juncture" in his thinking, one at which he brought his focus onto the logistics of perception -- a logistics he would soon come to refer to as the "vision machine." If Speed and Politics established Virilio as the inaugural -- and still consummate -- theorist of "dromology" (the theory of speed and the society it defines), The Aesthetics of Disappearance introduced his understanding of "picnolepsy" -- the epileptic state of consciousness produced by speed, or rather, the consciousness invented by the subject through its very absence: the gaps, glitches, and speed bumps lacing through and defining it. Speed and Politics defined the society of speed; The Aesthetics of Disappearance defines what it feels like to live in the society of speed."I always write with images," Virilio has claimed, and this statement is nowhere better illustrated than with The Aesthetics of Disappearance. Moving from the movie theater to the freeway, and from Craig Breedlove's attainment of terrifying speed in a rocket-power car to the immobility of Howard Hughes in his dark room atop the Desert Inn, Virilio himself jump cuts from such disparate reference points as Fred Astaire, Franz Liszt, and Adolf Loos to Dostoyevsky, Paul Morand, and Aldous Huxley. In its extension of the "aesthetics of disappearance" to war, film, and politics, this book paved the way to Virilio's follow-up: the celebrated study, War and Cinema.This edition features a new introduction by Jonathan Crary, one of the leading theorists of modern visual culture.Foreign Agents seriesDistributed for Semiotext(e)

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作者生造的內容真多,且明晰性、連貫性很糟糕,譯者對譯的詞語很多,難以把握其理論。不適閤作為瞭解其理論的入門。

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作者生造的內容真多,且明晰性、連貫性很糟糕,譯者對譯的詞語很多,難以把握其理論。不適閤作為瞭解其理論的入門。

评分

作者生造的內容真多,且明晰性、連貫性很糟糕,譯者對譯的詞語很多,難以把握其理論。不適閤作為瞭解其理論的入門。

评分

作者生造的內容真多,且明晰性、連貫性很糟糕,譯者對譯的詞語很多,難以把握其理論。不適閤作為瞭解其理論的入門。

评分

作者生造的內容真多,且明晰性、連貫性很糟糕,譯者對譯的詞語很多,難以把握其理論。不適閤作為瞭解其理論的入門。

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