具體描述
Trick Mirror is an enlightening, unforgettable trip through the river of self-delusion that surges just beneath the surface of our lives. This is a book about the incentives that shape us, and about how hard it is to see ourselves clearly in a culture that revolves around the self. In each essay, Jia writes about the cultural prisms that have shaped her: the rise of the nightmare social internet; the American scammer as millennial hero; the literary heroine’s journey from brave to blank to bitter; the mandate that everything, including our bodies, should always be getting more efficient and beautiful until we die.
著者簡介
Jia Tolentino is a staff writer at the New Yorker, formerly the deputy editor at Jezebel and a contributing editor at the Hairpin. She grew up in Texas, went to University of Virginia, and got her MFA in fiction from the University of Michigan. She’s represented by Amy Williams and has a book of essays called Trick Mirror forthcoming from Random House in August. Her work has appeared in the New York Times, the New York Times Magazine, TIME, Grantland, Slate, Pitchfork, Bon Appetit, SPIN, and Fader. She has a dog, clearly, and lives in Brooklyn.
圖書目錄
讀後感
It is nearly imporssible, today, to speperate engagement from magnification. This framework, which centers the self in an expression of support for others, is not ideal. And in front of this backdrop, there were all of us - our stupid selves, with our stupi...
評分It is nearly imporssible, today, to speperate engagement from magnification. This framework, which centers the self in an expression of support for others, is not ideal. And in front of this backdrop, there were all of us - our stupid selves, with our stupi...
評分It is nearly imporssible, today, to speperate engagement from magnification. This framework, which centers the self in an expression of support for others, is not ideal. And in front of this backdrop, there were all of us - our stupid selves, with our stupi...
評分It is nearly imporssible, today, to speperate engagement from magnification. This framework, which centers the self in an expression of support for others, is not ideal. And in front of this backdrop, there were all of us - our stupid selves, with our stupi...
評分It is nearly imporssible, today, to speperate engagement from magnification. This framework, which centers the self in an expression of support for others, is not ideal. And in front of this backdrop, there were all of us - our stupid selves, with our stupi...
用戶評價
Jia文筆很犀利 很喜歡第一篇Internet 還有講optimizing women和difficult women的兩篇。ecstasy + 最後一篇講暖不啦嘰的愛情的，十分可愛呢！
评分第一篇寫互聯網最針砭時弊。文筆很好，但有的essay寫的太繞，材料和個人經曆堆瞭一大堆，核心都在最後。
评分可以減成半本.. a lot of talking to herself. 但是一些觀點就超級擊中！為瞭這些觀點還是值得一看
评分三星半。第一次讀的作者。Jia Tolentino 對”熱點事件“和它們在媒體獲得的論調都非常熟悉，可以把很多並不直接相關的內容聯係在一起，形成獨特的論述角度。優點是讀著爽（而且信息量也比較大，可以說是不每天關注新聞的人的絕佳復習材料），但要說有什麼深刻的/值得一提的“收獲”好像也談不上。Ecstasy 和 We Come From Old Virginia 兩篇比較齣彩。應該會繼續關注 Tolentino 的作品~
评分Virtuosic blend of internet-humor and verbal gymnastics. Critiques on individualistic market feminism, the internet's cannibalization of selfhood, generation-defining scammer ethos. Discursive and offhandedly concluded at times. "More often than not, the essays here end up concluding with a well-articulated shrug of the shoulders."
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