Jia Tolentino is a staff writer at the New Yorker, formerly the deputy editor at Jezebel and a contributing editor at the Hairpin. She grew up in Texas, went to University of Virginia, and got her MFA in fiction from the University of Michigan. She’s represented by Amy Williams and has a book of essays called Trick Mirror forthcoming from Random House in August. Her work has appeared in the New York Times, the New York Times Magazine, TIME, Grantland, Slate, Pitchfork, Bon Appetit, SPIN, and Fader. She has a dog, clearly, and lives in Brooklyn.
Trick Mirror is an enlightening, unforgettable trip through the river of self-delusion that surges just beneath the surface of our lives. This is a book about the incentives that shape us, and about how hard it is to see ourselves clearly in a culture that revolves around the self. In each essay, Jia writes about the cultural prisms that have shaped her: the rise of the nightmare social internet; the American scammer as millennial hero; the literary heroine’s journey from brave to blank to bitter; the mandate that everything, including our bodies, should always be getting more efficient and beautiful until we die.
It is nearly imporssible, today, to speperate engagement from magnification. This framework, which centers the self in an expression of support for others, is not ideal. And in front of this backdrop, there were all of us - our stupid selves, with our stupi...
評分It is nearly imporssible, today, to speperate engagement from magnification. This framework, which centers the self in an expression of support for others, is not ideal. And in front of this backdrop, there were all of us - our stupid selves, with our stupi...
評分It is nearly imporssible, today, to speperate engagement from magnification. This framework, which centers the self in an expression of support for others, is not ideal. And in front of this backdrop, there were all of us - our stupid selves, with our stupi...
評分It is nearly imporssible, today, to speperate engagement from magnification. This framework, which centers the self in an expression of support for others, is not ideal. And in front of this backdrop, there were all of us - our stupid selves, with our stupi...
評分It is nearly imporssible, today, to speperate engagement from magnification. This framework, which centers the self in an expression of support for others, is not ideal. And in front of this backdrop, there were all of us - our stupid selves, with our stupi...
最推薦Ecstasy(真·神來之筆)跟We come from old virginia兩篇,真人秀那篇非常搞笑,I thee dread裏閑筆一寫自己的愛情就很感人。練習寫作需要很多很多的積纍和努力,但有些sensibilities可能是天生的。
评分Jia文筆很犀利 很喜歡第一篇Internet 還有講optimizing women和difficult women的兩篇。ecstasy + 最後一篇講暖不啦嘰的愛情的,十分可愛呢!
评分this book makes me want to cry so bad right now
评分一半是成長迴憶錄,一半是互聯網作惡大賞,畢竟是essay,基本是純輸齣觀點,不過抨擊互聯網經濟的幾篇我都很喜歡
评分new yorker上的短篇就很喜歡瞭,對當代文化的分析好有自己的見解文筆又超級好,看得很過癮又很羨慕纔30歲就展現的耀眼的纔華。作為女人跟少數族裔對自己的立場與這個社會對這兩種群體種種局限都好清醒。啊真的很少羨慕誰但是她寫的我就真的羨慕
本站所有內容均為互聯網搜索引擎提供的公開搜索信息,本站不存儲任何數據與內容,任何內容與數據均與本站無關,如有需要請聯繫相關搜索引擎包括但不限於百度,google,bing,sogou 等
© 2025 book.quotespace.org All Rights Reserved. 小美書屋 版权所有