Midnight's Children

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Sir Ahmed Salman Rushdie, KBE (English pronunciation: /sælˈmɑːn ˈrʊʃdi/[1]; born 19 June 1947) is a British-Indian novelist and essayist. He achieved notability with his second novel, Midnight's Children (1981), which won the Booker Prize in 1981. Much of his fiction is set on the Indian subcontinent. His style is often classified as magical realism mixed with historical fiction, and a dominant theme of his work is the story of the many connections, disruptions and migrations between the Eastern and Western world.

His fourth novel, The Satanic Verses (1988), was the centre of The Satanic Verses controversy, with protests from Muslims in several countries. Some of the protests were violent, with Rushdie facing death threats and a fatwā issued by Ayatollah Ruhollah Khomeini, the Supreme Leader of Iran, in February 1989.

He was appointed a Knight Bachelor by Queen Elizabeth II for "services to literature" in June 2007.[2] He holds the rank Commandeur in the Ordre des Arts et des Lettres of France. He began a five-year term as Distinguished Writer in Residence at Emory University in 2007.[3] In May 2008 he was elected to the American Academy of Arts and Letters. In 2008, The Times ranked Rushdie thirteenth on their list of "The 50 greatest British writers since 1945".[4] His latest novel is The Enchantress of Florence, published in June 2008.[5]

出版者:Vintage
作者:SALMAN RUSHDIE
出品人:
頁數:672
译者:
出版時間:1995-5-18
價格:GBP 9.99
裝幀:Paperback
isbn號碼:9780099578512
叢書系列:
圖書標籤:
  • 印度 
  • 英文原版 
  • 小說 
  • Rushdie 
  • 文學 
  • Salman_Rushdie 
  • 魔幻現實 
  • 英國文學 
  •  
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Saleem Sinai was born at midnight, the midnight of India's independence, and found himself mysteriously 'handcuffed to history' by the coincidence. He is one of 1,001 children born at the midnight hour, each of them endowed with an extraordinary talent - and whose privilege and curse it is to be both master and victims of their times. Through Saleem's gifts - inner ear and wildly sensitive sense of smell - we are drawn into a fascinating family saga set against the vast, colourful background of the India of the 20th century.

具體描述

讀後感

評分

对于中国人来说,世界上大部分地区的人都很好理解,或者说,大部分中国知识分子,对其他地区的人都有一种固有的形象,以至于一提起就让人心生好感/恶感。这种一一对应关系除了大家都不甚了了的黑非洲和亚马逊丛林,仅有印度作为一个得到现代文明承认的文明国家/地区例外。 原因...  

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这本书只用了具有神开辟天地的恢弘气势的前两节就让我激动不已,看完第一部的时候我已经将拉什迪拥戴到那些让我崇敬的伟大作家行列之中,而读罢厚达600页(繁体中文)的全书后,确认这位在孟买度过童年、在英国成长起来的作家心中装着整个印度,外加世界文学的最丰厚遗产...  

評分

評分

这本书只用了具有神开辟天地的恢弘气势的前两节就让我激动不已,看完第一部的时候我已经将拉什迪拥戴到那些让我崇敬的伟大作家行列之中,而读罢厚达600页(繁体中文)的全书后,确认这位在孟买度过童年、在英国成长起来的作家心中装着整个印度,外加世界文学的最丰厚遗产...  

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《午夜之子》中的“窟窿” 内容摘要:《午夜之子》是英籍印度裔作家萨尔曼拉什迪的长篇小说,该书一经出版,便获得英国最高文学奖布克奖。作者萨尔曼拉什迪于1948年在印度一个穆斯林家庭中出生,但却在英国长大,他自身的生活经历,再加上印度被殖民的历史,使得他的作品往往涉...

用戶評價

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overrated

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由於對印度文化沒有認識,所以讀得非常睏難,但正因此,到最後兩章纔能感慨頗深。曆史、他人、寓言統統匯集瞭到他身上,構成瞭他的記憶、行為和個性,而他自身也在參與對他人的塑造,他的下一代身上必將有他自己的身影。雖說是後現代的,但同時也是能列入經典的大部頭序列之中的作品。不過我也對如此之多的印度曆史事件感到不太適應。對印度讀者而言,關於這些事件的每一個字肯定都扣動他們的心弦,但對非曆史讀者而言,梳理這些事件又實在過於吃力不討好瞭。

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摻雜政治和宗教因素的魔幻現實主義小說,讀來略覺艱澀~

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10.20-11.13| mesmerizing at times wonder if there's some unreliable narrator inside the magical realism not that it matters

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非常精巧的小說,好像一碰就會碎的結構和敘事。這書要是中國人寫的我肯定特喜歡,關鍵問題是我一點印度曆史和文化都不懂,隔膜很深。

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