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Alfred (Antony Francis) Gell (June 12, 1945-January 28, 1997): British social anthropologist whose most influential work concerned art, language, symbolism and ritual. Gell is considered one of the most gifted anthropologists of his generation. He as a student studied with Edmund Leach (MPhil, Cambridge University) and Raymond Firth (PhD, London School of Economics). He did his fieldwork in Melanesia and tribal India. He was Reader in Anthropology at the London School of Economics and Political Science, and was a fellow of the British Academy. The School posthumously awarded him a Professorship, a post that he had declined during his life time.

出版者:Oxford University Press

作者:Alfred Gell

出品人:

页数:271

译者:

出版时间:1998-12-3

价格:USD 95.00

装帧:Paperback

isbn号码:9780198280149

丛书系列:

图书标签:

人类学
艺术史
艺术人类学
anthropology
艺术
Gell
文艺理论
藝術史

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Review

This book changes the very basis of the way art has been viewed in the human sciences. It presents what is the first fundamental theory for an anthropology of art. Its publication is a major event. Maurice Bloch, FBA, Professor of Anthropology, London School of Economics. This is a remarkable work ... witty, elegant, broad in its compass and scintillating in its detail. It is characteristically polemical ... alive with his sense of purpose and his quite original and captivating account of how we are captivated by relations between forms ... The book know what to do with the limits of form--one suddenly sees how anthropology might surpass itself. Marilyn Strathern, FBA, Professor of Social Anthropology, University of Cambridge An extraordinary achievement. Gell offers a profound new understanding of collective agency which completely reshapes the anthropology of art, redefines its objects of study, and inspires new conclusions. Caroline Humphrey, Reader in Asian Anthropology, University of Cambridge

Review

"[This] is not only a contribution to anthropology but a subtle and original counterweight to the banalities of globalization theory."--Times Literary Supplement

具体描述

读后感

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先避开这个有标新立异之嫌的标题，说说Gell和本书不得不说的故事。正如Gell的妻子Simeran在开篇所说，Art and Agency的最后一章是Gell在知道自己得了不治之症之后写下的，而之前的第一稿是Gell在1996年复活节为期三周的假期中写就的，在得知时日不多之后，Gell开始抓紧修改润...

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用户评价

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带着对教授的爱和对小飞虫的爱看完了这本书，今天教授表现比较搞笑，不知道是不是因为我在response里提到了人类学家的幽默感（自我存在感爆棚了）。意犹未尽打算翻出Gell之前的作品看看，也很想写个长书评，但是木有时间啊又要继续看傅抱石和康德了。。。

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I am not fully convinced by his theory and agency claim. I feel he just made up things for the sake of theorization. The theoretical possibility was made not by conceptual virtuosity, but by surreptitious replacement of the semantic values of key concepts such as "agency" or "personhood." He intends to use humanlike word to claim agency of object.

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需二刷

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十年前读的，早忘光了，只记得里面用大半夜车子发不动令人气得跳脚的故事说明物的agency。当时不能体会的我现在全懂了。

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太生猛了，感慨作者英年早逝，如果能再多活二十年，指不定還能寫出什麼顛覆性的東西來