Informed by both structuralism and poststructuralism, these essays by art critic and historian Yve Alain Bois seek to redefine the status of theory in modernist critical discourse. Warning against the uncritical adoption of theoretical fashions and equally against the a priori rejection of all theory, Bois argues that theory is best employed in response to the specific demands of a critical problem. The essays lucidly demonstrate the uses of various theoretical approaches in conjunction with close reading of both paintings and texts.Yve-Alain Bois was a founder of the French journal Macula and a Fellow at the Centre National de la Recherche Scientifique, Paris. He is currently Professor of the History of Art at Harvard University.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
讀瞭導論
评分讀過節選.the de stijl idea
评分Introduction, Kahnweiler, Painting as Model
评分Introduction尤其好，Resisting Backmailing，在二十一世紀要以Formalism的姿態做研究真是四麵楚歌的事情。
评分讀瞭導論
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